The Legacy of the Byzantine Empire- An Epilogue to the Byzantine Alternate History Series; Featuring Interviews with 3 Byzantine History Enthusiasts

Posted by Powee Celdran

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Welcome back to the Byzantium Blogger! It’s now been over 2 weeks since I finished the final chapter of my 12-part Byzantine Alternate History series that had been going on for almost 8 months! Now since I have just finished the finale (chapter XII) of my 12-part Byzantine Alternate History series, I thought that it would be a great idea to do an extra special edition article to share my thoughts on the entire series I made (beginning in February and finishing in September of this year), how it taught me more about the very fascinating history of Byzantium and enriched the passion I had for it for over 2 years now. If you have been following my site, then perhaps you would recall that almost a year ago I came up with a similar special article like this when finishing off 2020 (read it here) wherein I discussed my personal story with Byzantine history and what it meant to me, as well as my learnings from it wherein I also announced that I would be doing an alternate history series for Byzantium for 2021. Now, this article will be something similar to that, except this one would be simply limited to my journey in writing the 12-part Byzantine Alternate History series, and since I am very much tired as of now considering that I completed writing all chapters, this article itself will not be as articulate in words as the chapters of the series, basically this article you will read is just me talking regularly. On the other hand, as we also finish off another quarter of this year 2021, I decided once again to do it with another special edition article, whereas this year I have already come up with two previous end of quarter articles, the first one being an interview with 5 friends on their thoughts on quotes from the Byzantine era despite them not being really familiar with it, and the next one being my own personal ranking of the 12 centuries of Byzantine history from my own personal best to least. This special edition article would then be as I said a reflection on all the 12 chapters I have previously written which covered the 12 centuries of Byzantium’s history with one chapter per century from the 4th to the 15th. By having over 1,100 years of history, the Byzantine Empire (Eastern Roman Empire) surely had gone through so much ups and downs, colorful characters that defined it, encountering all sorts of people from beyond, and so many changes both in territory and culture that would make it look like their empire’s history had gone such a long way that with about a thousand years going by, its history a thousand years earlier may have in fact seemed like that of a totally different country’s history altogether! Just as the Byzantine Empire and its history kept on evolving over these 12 centuries, the same can be said with my journey through these 12 centuries when putting all of them into 12 different stories over the months. From February to September of this year, I have gone through a very amazing yet challenging journey of writing 12 different alternate history scenarios for each of the 12 centuries of Byzantine history, and throughout these months I have somewhat gone through the same kind of ups and downs the Byzantines had gone through in their history, and in my case of writing this 12 part series, I have simultaneously been doing a social media campaign to spread awareness on the history of Byzantium where I have come across many groups on Facebook to share and gain new knowledge on Byzantine history, posted numerous posts on my Instagram to share some bits and pieces of Byzantine history, and as I always did since before create some videos in which I have shared on my Youtube channel No Budget Films. At the same time as I have written my 12-part series, I have created several artworks on historical figures and locations from the Byzantine era, and additionally throughout these past months that I have been sharing new information on Byzantium through Instagram and creating my alternate history series, I have also come across many channels and podcasts that made me learn more about the rich history and met so many interesting people along the way through social media who share similar interests as I do, especially in the very rich and complex history of Byzantium. As this article will be something to do about discussing the great legacy of the very colorful Byzantine Empire that still lives on up to this day, I will be interviewing 3 different people that I have come across over the past months on their thoughts about Byzantine history and how they can still see its legacy up to this day by asking each of them the same 3 questions, although each of them will be asked a separate 4th question after answering the 3. Much like the post I made several months ago wherein I interviewed different people on the history of Byzantium, this post would be something similar, although unlike the last one wherein I was asking people their thoughts on Byzantium despite knowing very little of it, for this one I will be interviewing those who are not only very familiar with it but passionate about it the way I am, thus the questions I will ask will be quite complex ones that only those who know Byzantine history very well can answer. This article will then begin off with my interviews on these 3 different Byzantine history enthusiasts and their thoughts about Byzantium’s history and legacy, then I will move on to my own personal journey throughout the time I wrote my 12-part series wherein I would like to share a behind-the scenes story of writing the 12 chapters including all the ups and downs I went through while immersing myself deeper into Byzantium’s history together with a bit about what other things I have been up to as I wrote my 12-part series, as well as the Byzantine themed artworks I made throughout the months. Afterwards, I would then move on to the lessons I learned from both the 12 centuries of Byzantine history and from my personal journey in creating content on Byzantium which for me was a very new experience as even though I have been into Byzantine history for the past 2 years and have posted articles about it, it was only this year when I began making myself public in sharing the history of Byzantium through social media. Lastly, this article will also have my thoughts on how I see the legacy of Byzantium living on up to this day, and then some updates on what I would do next now that I have completed my 12-part series, as after all my Byzantine journey is still continuing to go on.

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Read the 12 chapters of Byzantine Alternate History Here:

Chapter I- Roman Victory at the Gothic War (376-382), 4th Century

Chapter II- Preventing the Fall of the Western Roman Empire 4 Years in Advance, 5th Century

Chapter III- Justinian the Great Saves his Empire from the Plague and Personally Joins his Campaigns, 6th Century

Chapter IV- Constans II Relocates the Imperial Capital to Sicily, 7th Century

Chapter V- Emperor Artavasdos, the Unlikely Hero, 8th Century

Chapter VI- Irene and Charlemagne, the Wedding of the Century, 9th Century

Chapter VII- A Retelling of the Bizarre Byzantine Renaissance and the Macedonian (Amorian) Dynasty, 10th Century

Chapter VIII- A Byzantine Victory at the 1071 Battle of Manzikert and its Impact on the Empire, 11th Century

Chapter IX- Preventing the Catastrophic 4th Crusade in Advance, 12th Century

Chapter X- The 2nd Bulgarian Empire Captures Constantinople in 1235, 13th Century

Chapter XI- The Serbian Empire Takes Over and Saves a Dying Byzantium, 14th Century

Chapter XII- Constantinople Surrenders to the Ottomans in 1453 in Order to Buy Time to Buy Time to Start a Crusade and Recapture it, 15th Century


The Interviews         

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First of all, I shall introduce the 3 different interesting individuals that will be interviewed for this article, and although they may come from different parts of the world with their own different stories and world-views especially on how they see and want to share this rich history, they share a common passion for Byzantine history. The first of the interviewees is Flavian the Historian, a young Byzantine history enthusiast, artist, and influencer who had sharing and promoting knowledge on Byzantine history through his Instagram account (follow him on Instagram @flavianthehistorian) for more than a year now, and earlier on this year when I just started out with my own Byzantine history account similar to his, he was one of the first ones I followed and in return followed me due to having similar ideas, and on the other hand other he also shares engaging Q&As on his stories while he too has a number of interesting artworks on Byzantine historical figures which includes his drawing of the last Byzantine emperor Constantine XI in which I included in chapter XII, the grand finale of my series.

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Emperor Constantine XI Palaiologos, art by Flavian the Historian

The second of the interviewees is Akitku (follow him on Instagram @akitku), another artist who does a lot of medieval era including Byzantine themed artworks and has also published the Crusades era fan fiction comic book Brothers’ Keepers’, and for many months I have also followed him on Instagram as he never fails to come up with interesting artwork whether medieval Western European or Byzantine, while I have also included some of his artworks in chapters III, VII, and VIII of my series such as his illustration of Constantinople’s Hippodrome and the chariot racing factions, his Emperor Justinian I the Great illustration, and General Bardas Phokas illustration.

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Chariot racing at the Hippodrome of Constantinople, art by Akitku

The 3rd and final of the interviewees is no other than the illustrator of both the recent Byzantine era graphic novel Theophano: A Byzantine Tale and 1821: The Beginning of a Revolution Chrysavgi Sakel (follow her on Instagram @chrysasakel). Although she says she isn’t very much knowledgeable about Byzantine history, she comes from a country where the Byzantine legacy is very strong which is Greece, while she has also done many Byzantine themed illustrations both for her graphic novels and for the Youtube channel Eastern Roman History.

Now, as for how the interviews will work, I will post each question separately and below them will be each of their own responses to the respective 3 questions, and once these 3 questions and each of their answers are done, I will move on to the bonus question in which each of the 3 interviewees will be given their own different question.

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The Hagia Sophia’s interiors from Theophano: A Byzantine Tale, art by Chrysa Sakel

The Questions

1) In our present day, where can you still see the influence of the Byzantine Empire?

Flavian: In our present day we can still see the influence of the Byzantine Empire on the territories that it once ruled over, and especially in the region of Southeastern Europe. With the castles, the great walls around cities like Constantinople or Thessaloniki, and also the Byzantine churches and monasteries. These are the direct material heritage from the Byzantine Empire, but we have also immaterial heritage like the famous Byzantine chants that are still sung in the Orthodox Church. There is also the Byzantine art that is preserved by the Orthodox. There are a lot of things that are coming from the Byzantine Empire and I can’t cite all of them. The Byzantine Empire conserved and passed on the rich Greco-Roman culture, which had a very important influence on the Western civilization. Indeed, with the fall of the empire, the savants fearing the Ottomans fled to the west with the knowledge that the Byzantines had preserved and thus they participated to the Renaissance. As the Empire of Christ, Byzantium evangelized the Slavs, who are indebted to it for the creation of the Cyrillic alphabet, and the Orthodox faith is still present today. In Italy, Ravenna owes to Byzantium its famous basilicas with their sparkling mosaics, while Genoa and Venice have inherited Byzantium’s diplomatic genius.   

Akitku: To me, the Byzantine influence can be seen in historic architecture in many countries around the Mediterranean: Greece, Turkey, Bulgaria, Southern Italy, Israel, and Syria. Byzantine architecture also influenced the art and architecture of other cultures. The Cyrillic alphabet is another Byzantine legacy and is still used in much of Eastern Europe. Also, many public institutions such as state-funded public hospitals, universities, bureaucratic records, and attempts at legal transparency took place in Byzantium earlier than they did in Europe, and I think they might have been a strong influence for Western states, which is completely unknown or ignored.  

Chrysa: It can be seen almost everywhere around me since I live in a country with a heavy “Byzantine” legacy. The vernacular Romaic written in the Epic poem “Digenes Akrites” isn’t much different from the modern Greek spoken today in my country. Most of the religious celebrations like Easter are celebrated in the same manner as centuries ago. Our traditional Greek dances and music have a lot of influences from the “Byzantine” period. Many traditional Greek recipes come from that time too.

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The Byzantine Legacy- The Land Walls of Constantinople

2) Do you think the history of Byzantium deserves more attention and awareness all over the world such as in being made into popular movies or series?

Flavian: I think that yes, the Byzantine Empire deserves way more attention, because of its big role and influence on the Western civilization. Now, making movies and series about it, I am not opposed, I would really like to see a movie about Justinian, or Basil II for example! But now, I’m fearing that there could be some derivatives where they are historical inaccuracies, or that the movie will be objectively bad and thus making a bad advertising on Byzantium. But I hope that something like that will not happen, and I would really like to see a good series about this topic!    

Akitku: I think it would be great if people learned more about the Byzantine Empire, especially about its developments and culture, not just its start and fall.

Chrysa: Definitely. I think right now Byzantium is on a steady path towards getting more and more historical attention. It’s very important to communicate the idea of the Roman legacy. To make a wider audience understand that the Romans actually survived and have a long medieval history that ends in the 15th century. This could make Byzantine history more catchy to a wider audience. Maybe then, we’ll be able to watch some really exceptional movies and series set in the medieval Roman era.

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The Byzantine Imperial Palace Complex of Constantinople, art by Ediacar

3) What are the greatest life lessons you have learned from the history of Byzantium?

Flavian: In the history of Byzantium, we can find all the different lessons in life. Because of course of its long history, and so there is a big variety of life lessons. Now, if I have to cite some of them when I think specifically about Byzantium, I would say that you must know how to combine strength and spirit. The mastery of letters with the mastery of weapons. You must have one same coin with two faces. The one face is the material domain, and the other the spiritual domain. You can’t have the one without the other, unless you want to become a monk, where you have to be entirely devoted to the spiritual domain. But on a greater scale, you can see that those two characteristics are present, especially on the Byzantine Empire! And I think that’s one of the reasons for its great longevity. 

Akitku: I think one of the main lessons from Byzantium is that internal divisions and corruption can lead to the destruction of great and culturally advanced communities. I think that it also shows that an advanced culture provides protection and help to its weakest members (the poor, orphans, etc.), in many ways I think this made the Byzantine Empire rather unique.

Chrysa: I wouldn’t say I am knowledgeable of Byzantine history. But one thing that comes to mind about the history of Byzantium is that whenever a person wants to achieve something, it doesn’t matter who they are, they will achieve it. Someone may say that the political system allowed it but still we have seen peasants becoming emperors, eunuchs controlling the empire, and women taking charge of a male dominated empire. So in our much evolved today’s society I believe it’s up to everyone to legally follow their dreams and make them true.

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Byzantine court life from Theophano: A Byzantine Tale, art by Chrysa Sakel

Bonus Questions

How do you feel about young people such as yourself being fascinated with and promoting the history of Byzantium?

Flavian: I am very glad to see that the Byzantine Empire is still fascinating those young people, and that we are not alone! Especially on our times, where sadly the majority of young people pass their time to do things that are useless, that doesn’t improve them culturally and intellectually. That’s why I’m very proud of those young historians who are being fascinated with the Eastern Roman Empire and are promoting it! They are transmitting this rich and precious knowledge to others, and in this way, they are keeping the flame of the Byzantine Empire burning, as if it had not been extinguished since the fall of Constantinople on the tragic day of May 29, 1453.

If the Byzantine Empire survived up to this day, how would things be like?

Akitku: This is something I wonder about quite a lot. I think it sort of depends on how it would survive, for example how much of it would survive in terms of geography. But overall, I think it would maintain its character as a blend of East/ West. I assume that Orthodox religion would still play an important role in its identity though I don’t think it would be a religious state. More like modern Greece, I think it would be a secular state in which the Orthodox Church would still be significant culturally. I imagine it would be advanced but also quite classical in terms of art and education.    

If there was one thing you would want to change in Byzantine history, what would it be?

Chrysa: I would probably try to stop the beginning of the Iconoclasm. So many invaluable works of art were lost during that time just like after the 4th Crusade. I think if Iconoclasm did not happen, everything that came later would be totally different, including the Crusades.


 

Behind the Chapters- My Personal Journey Writing the 12-Part Series       

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Since early 2019 I have already been writing Byzantine era articles for my own site which is this one, however I have never come across writing an alternate history story relating to Byzantine history the entire time I have been doing blogs on Byzantine history. From 2019 to 2020 I have written numerous articles on Byzantine emperors, culture, society, warfare, fashion, travel destinations such as Constantinople and Ravenna, and even cuisine, however it was when I came across writing all these said topics when I began thinking of doing something different, thus I thought of coming up with what if kinds of stories for Byzantine history. Now, even before I have started becoming passionate about Byzantine history in 2019, I have already been fascinated with what if kinds of stories especially if it had to do with history like Roman history, as before getting into the history of Byzantium, I was very much interested in its predecessor the Roman Empire. Additionally, in 2020 I have discovered the Youtube channel Dovahhatty and his series the Unbiased History of Rome, in which its name is very misleading and it is true enough a very biased but still very fun series of Roman history from Rome’s founding in 753BC up to the Byzantine Empire in the 7th century told through memes and animation, and it was through this series that I was soon enough inspired to write an alternate history series for the history of Byzantium.

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Icon of Dovahhatty

It was in December of 2020 when the idea first came into my head to do an entire alternate history series, though not for the history of Rome, but for the history of its successor the Eastern Roman Empire or Byzantium, although it was particularly one of Dovahhatty’s videos which was Episode XVII- Imperial Wrath of his Unbiased History of Rome that got me inspired to do a kind of alternate history fan fiction. This particular episode was set in the 4th century history of the Roman Empire, which I would already consider part of Byzantine history, as I would mark the history of Byzantium’s beginning with the establishment of Constantinople by Roman emperor Constantine I the Great in 330, while this video took place after Constantine I’s death in 337 thus focusing on the following events with its climax being the death of the Western Roman emperor Valentinian I in 375 from a stroke caused by his own anger followed by a massive migration of the Goths from the north resulting in war with the Romans leading to a catastrophic Roman defeat at the Battle of Adrianople in 378.

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Roman defeat to the Goths at the Battle of Adrianople, 378

When carefully watching this video over and over again, it made me come to think that if the emperor Valentinian I in 375 did not die out of his own anger, then perhaps he would have been around to defeat the Gothic invasion of the Roman Empire that happened after his death in reality, as true enough Valentinian I was a strong and capable warrior emperor who would have enough experience in fighting barbarians in order to fully beat the Gothic invasion unlike his brother Emperor Valens who in real history tried to crush the Goth’s invasion but failed dying at the Battle of Adrianople. After thinking of this particular what if scenario, I eventually came to think that there would be a lot of others in the following centuries after the 4th that I could do what if stories on, thus I eventually came to conceptualize two other what if kinds of stories in Byzantine history with one being in the 5th right after the first story, and the other in the 13th century.

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Logo of my channel- No Budget Films

In addition, from October to December of 2020, I have also been doing a 3-part Byzantine history audio epic for my Youtube channel No Budget Films which was the 57 Years: Byzantium in Exile set in the 13th century during the 57 years (1204-1261) when the Byzantine Empire temporarily vanished as the 4th Crusade took over Constantinople, and when doing this audio epic series (watch episodes here), I also came to conceptualize an alternate history scenario taking place in that era. Before 2020 came to an end, I then finally came to decide that for 2021 I would do a series wherein each of the 15 centuries of Byzantine history gets its own alternate history story, and since there are 12 centuries in Byzantine history (4th to 15th), I had decided to come up with 12 different stories, as after all I came to realize that the best way to tell the story of Byzantium is to tell it per century, while each century in Byzantine history too is a story of a different ruling dynasty. It was then in January of this year when I finally decided what each of the 12 stories would be including the what if scenario, and in addition it was also right when this year began when I launched my Byzantine history Instagram account Byzantine Time Traveler wherein I was at first reluctant to start one, but when starting it I got the hang of it to the point of already putting my life into it, and though I had quite a steady although hopeful start with quite a small following and a lot to expect in the next months to come, I just began with posting old photos of different Byzantine era travel destinations that I have been to including Constantinople (Istanbul) and Ravenna with very short and simple captions. However, the moment I launched my Byzantine history Instagram and began writing for the first chapter for my new series, everything changed, and thus there was no going back as for the next 8 months, I would experience a very interesting and meaningful although very challenging journey especially when it came to promoting my Byzantine history content online and trying to get the people I am close to be aware of it. On the other hand, from January of this year onwards I would also come across many things I would call external elements beyond the chapters I wrote and this would include movies and series I have watched, places I have travelled to, people I met whether physically or online, and so much more which added to the inspiration in writing the 12 chapters of my series. Not to mention, as I was in the process of writing my 12-part alternate history series, I was also doing an additional project which was the continuation of my Youtube audio epic from last year, in which this year’s continuation series The Last Roman Dynasty would also cover Byzantine history from the 13th to 15th centuries although not told as an alternate history story, but still it was also quite a challenge as my mind would be on two different eras of Byzantine history at the same time until my alternate history series which I worked on much faster would catch up with the era my audio epics were set in.  

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Constantinople in the Byzantine era artwork, artist unknown

           

For my 12-part alternate history series, I thought it would be the best choice to write it in chronological form meaning that it would begin with the origins of Byzantium’s history in the 4th century and end with its fall in the 15th, thus I would chronologically go over 12 centuries in a span of 7 months. Now although the first chapter of my 12-part series was published on February 11 this year, the conceptualizing and writing process for it began about a month prior to that in January, however I still waited for an entire month to publish it as even though I fully wrote the story itself, I was still thinking of how to systemize the rest of my alternate history series while at the same time I was also busy laying the foundations for my Byzantine history account which was progressing quite slowly only reaching 100 followers by the end of January, then at the beginning of February I also created my own Facebook page for my Byzantine history Instagram account.

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Theophano: A Byzantine Tale graphic novel by Spyros Theocharis

On the other hand, for the first 3 weeks of this year I was reading the new Byzantine era graphic novel Theophano: A Byzantine Tale (2020) that I was so excited about, which was true enough a very fascinating read that I even made a review on for my site (read it here) which included my own fan casting for the novel’s characters, and luckily for me the creators even shared it on their Instagram and Facebook page. The article that I made reviewing the graphic novel was then the very first one I published for this year, even before publishing the first chapter of my alternate history series, and at the same time I also created my first Byzantine history themed artwork by the end of January which was a chart of the structure of the late Roman military from the late 3rd to 6th centuries, which was surprisingly a very great hit on the Facebook groups I shared it to that it in fact got hundreds of shares which I only discovered months after I first shared it, and true enough this drawing of mine is one of the first results you see on Google images when searching “Late Roman Military Structure”. This drawing would then also be used as a guiding illustration for the first 3 chapters of my alternate history series as these first 3 chapters prominently featured the late Roman army which is the drawing’s main subject. What then took long for me to publish the first chapter happened to be the system of my alternate history series, but at the end I still finalized how the system would be like wherein each story has its own alternate history scenario wherein they do not continue to the next chapter, but rather each chapter begins with events that took place in real history and will only be altered as the story progresses.

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The Byzantine chi-rho symbol

The first chapter would then already begin the system I would use for the next 12 ones wherein each chapter and its sections begin with the Byzantine Empire’s chi-rho symbol, a disclaimer at the beginning, optionally a quote from the era the respective chapter is set in, the Byzantine Empire’s flag and maps at the intro section, links to my social media accounts and other related articles, related videos, and images wrapped into the texts of the paragraphs as well as features of artworks relating to the respective century the chapter was set in by various online artists in which already began in chapter I. Another thing I have done for my series’ first chapter that would then be a standard for the next 11 chapters would be my own illustrations of the leading characters for each story- in which I was inspired by the Theophano graphic novel which begins the story with illustrations of the story’s leading characters- though the one for the first chapter featured a total of 27 character illustrations as true enough the story featured so many characters including Western and Eastern Romans and Greuthungi and Thervingi Goths wherein the characters’ background colors depended on the country/ empire they came from.

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Sample of the Byzantine Alternate History chapters’ character illustrations

As for the first chapter’s story, I would say it was quite simple to write it as most of it basically just featured battle sequences while its setting being the 4th century was not a really complicated one considering that the century’s story basically only focuses on the Roman Empire and its neighbors in which they never really had much of except for the powerful Sassanid Persian Empire to its east and the Germanic tribes such as the Goths in the north which here were being chased west into migrating into the Roman Empire’s borders by the westward expansion of a new mysterious enemy, the Huns. When writing the first chapter, I also set a standard for my series which was in giving a background and context to the story’s setting, although for the first chapter I wrote the background in a very simple way just to mention Constantinople’s and therefore the Eastern Roman (Byzantine) Empire’s establishment by Emperor Constantine I the Great in 330, the aftermath of his death in 337, the origins of the Goths in Central Europe and the spread of the Arian Christian faith from the Roman Empire to the land of the Goths, and the rise to power of the general Valentinian in 364 who then became emperor of the western half of the Roman Empire appointing his brother Valens as the emperor of the eastern half based in Constantinople.

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Western Roman emperor Valentinian I (r. 364-375)

Now the main premise for the first chapter’s story wherein I was inspired by Dovahhatty’s video was to have the western emperor Valentinian I who in real history died in 375 from a stroke caused by his own anger escape death and live long enough to see the massive Gothic migration into the Roman Empire in the following year (376) in which he was not alive to see happen and possibly stop it and save the empire from breaking apart. True enough for the story’s climax I had Valentinian survive 375 although only meet up with his brother and eastern co-emperor Valens in 378 when the war between the Roman Empire and the invading Goths was already in full-scale. For chapter I however, the main highlight I really put a lot of attention to in writing was really the action scenes wherein I wrote its climax being the 378 Battle of Adrianople as a massive epic battle in this story with both brothers Emperors Valentinian and Valens teaming up together with their respective Eastern and Western Roman armies against the hordes of the Gothic king Fritigern and his toughest warriors. At the same time, I also included as many named characters as I could for this chapter’s epic battle and these included notable Romans of this time including Arbogast, Stilicho, and Theodosius despite them not yet rising to prominence by the time of the Battle of Adrianople in 378, while another thing I did here for experimenting was in blending in an entirely fictional character into the historical setting which here was the female Gothic warrior Valdis.

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Emperor Theodosius I (r. 379-395), last emperor of a united Roman Empire, art by myself

Although chapter I was more or less plainly an action epic story without much depth, I also thought of adding a few elements of drama and betrayal such as an entirely fictional scenario of the future Roman emperor Theodosius I- who in real history came to power in 379- betray Rome and join forces with the Goths feeling he would gain greater power with the Goths, while also since I began writing this chapter shortly after season 3 of the Netflix series Cobra Kai was released, I put in a few references to the show in the story considering that both had the same kind of action epic genre in common. Now for the endings, I always end each chapter with the side of the Romans (Byzantines) winning despite them losing in real history, thus chapter I ended with a Roman victory at the Battle of Adrianople, although I ended the story discussing possible outcomes from this Roman victory in which I just chose to keep the question hanging. When the entire article was finished and published on February 11, I immediately shared it on social media considering that this era where the story was set in which is the Late Roman era is a popular one more so compared to later centuries in Byzantine history, thus it received quite positive feedback especially in the Late Roman Group on Facebook where one commented saying the idea of Valentinian surviving and living up to 378 to beat the Goths was a good and interesting idea no one has ever thought of considering that Valentinian was a strong warrior emperor that rarely lost battles against barbarians, however chapter I also got some mixed feedback as when I shared it in the comments of the channel Eastern Roman History in his video about the Valentinian Dynasty, someone commented saying that in a way my article was not professional enough as it quoted the rather comedic parody historian Dovahhatty, which was quite hilarious. With the first chapter completed, I then felt that there was no more going back and so the rest of my Byzantine journey continued, both in social media and my blogs.

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Visual guide to the Late Roman army’s structure, art by myself
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Goths settling in the Roman Empire, 376
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Late Roman era legionnaires in battle
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Defeat of the Romans to the Goths at the Battle of Adrianople, 378

Right when conceptualizing chapter I’s story, I was already conceptualizing what I would write for chapter II, and even before writing the series I already knew what story the 2nd chapter would feature, again thanks to Dovahhatty. Chapter II’s what if scenario was then inspired by Dovahhatty’s finale The Fall of Rome which was Episode XIX of his Unbiased History of Rome series, which was a rather unknown scenario in the 5th century history of Rome regarding a secret letter which in real history was discovered thus leading to the death of the dying Western Roman Empire’s last strong and competent emperor Anthemius in 472, and afterwards leading to the collapse of Western Rome just 4 years later (476), an event everyone who basically does not know about Byzantium remembers as the fall of Rome. Although between the completion of chapter I and the beginning of writing chapter II, I had another Byzantine history project ongoing which was the first video for my new 2021 series The Last Roman Dynasty for my Youtube channel, thus the challenge here was shifting my mind between the 5th century where the 2nd chapter of my alternate history series was set in and the late 13th century where this video (Part I: Michael Palaiologos’ Imperial Restoration) was set in, although luckily I have already written the script for this video back in January before even writing the first chapter, and thus between publishing chapter I and II, I uploaded this 43-minute video being the first for this audio epic series which is still ongoing up to now.

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Flag of the Western Roman Empire, 395-476

When writing the second chapter, true enough I wrote its background and most of the story’s main part with such great speed as I already knew the history of the 5th century Roman Empire very well due to both taking notes in advance based on other videos of this era including time-lapse videos on the fall of Western Rome in the 5th century and of course memorizing it after watching Dovahhatty’s Fall of Rome over and over again. It was also here when doing Chapter II wherein I first came across the history related Youtube channel Thersites the Historian which I would then use as a reference for the rest of the entire series up to the end, as his videos do indeed explain the complicated parts of history including the reigns of each and every Byzantine emperor up to the 11th century in complete detail, thus for chapter II it proved to be such a great help.

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Western Roman and Foederati (barbarian allied) soldiers, 5th century

For chapter II, it was also easier as I just used the same formula I used for chapter I, while I again did the individual character illustrations for the story’s main characters, although unlike in chapter I wherein I did a complete set of 27 character illustrations, for chapter II I only did 20 which was still a lot, as unlike in the previous chapter, chapter II did not have all these characters all have a big role at the same time but rather in different time settings, as chapter I’s story basically just focused on a time setting from 375 to 378, whereas chapter II covered the entire 5th century up to the 460s in its background section to establish the rise of the Germanic barbarians and the rapid decay of the Roman Empire due to the barbarian migrations and invasions, the permanent split of the Western and Eastern Roman (Byzantine) Empires in 395 after the death of Theodosius I who was the last emperor of a united Roman Empire, political instability in the Western empire, the apocalypse being the invasion of Attila the Hun and how it just faded away, and the last days of Western Rome wherein the Germanic barbarians basically just won and sought to destroy the empire both from within and beyond. On the other hand, the Eastern Roman or Byzantine Empire was at relative peace for most of the 5th century that they managed to survive the threat of Attila; thus, the Byzantines do not have much of an exciting story until the latter part of the 5th century. For me, I personally find the 5th century one of the most interesting in Byzantine history which is why I ranked it as 2nd place in my article of ranking the centuries- with the 10th century as first place- and due to my strong interest in this century which is however not a very much popular one in Byzantine history, I put a lot of attention into writing chapter II.

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Emperor Leo I (Leo Marcellus) of the Eastern Roman Empire (r. 457-474)

Chapter II was then another action-packed epic story where its main part then took place beginning the 460s when both the Eastern and Western Roman Empires are controlled by powerful barbarian generals acting as kingmakers wherein the emperors are just puppets to them whereas the east is practically ruled by the Gothic general Aspar who was the power behind the 3 consecutive eastern emperors Theodosius II (r. 408-450), Marcian (450-457), and Leo I (457-474) while the west is ruled by the Gothic general Ricimer, the undefeatable puppet-master. However, in the east, Aspar’s puppet Leo I turns out to have no desire of being a puppet and while he sent his friend and once rival, the Eastern Roman Anthemius to the west to rule it as his puppet emperor, Anthemius still falls under the influence of the powerful Ricimer in which both become each other’s enemy. This chapter too features the unexpected rise of the Germanic Vandals from a small tribe to the masters of the Mediterranean in only a few decades under their king Genseric that they were in fact able to seize the Roman fleet, sack Rome in 455, control most of the Mediterranean, and defeat the combined fleet of the Eastern and Western Roman Empires numbering up to 1,000 in 468.

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Emperor Anthemius of the Western Roman Empire (r. 467-472)

At this very chaotic time, the Vandal king Genseric also acts as a kingmaker to the failed state of the Western Roman Empire, and as Genseric pressures Leo I of the east to recognize his own Roman puppet Olybrius as Western emperor, as the Eastern emperor had the power to make a Western emperor being his puppet a legitimate one, Leo soon enough breaks free from Aspar’s influence and kills Aspar finally becoming an independent emperor and thus saving the Eastern Roman Empire from falling to barbarian influence and allowing it to survive, while he also encouraged his Western puppet Anthemius to do the same, thus Leo pretends to accept Genseric’s demands to make Olybrius the western emperor, though in fact Leo had happened to send a secret letter to kill both Olybrius and Ricimer and thus save Anthemius and the Western Roman Empire. In real history, Ricimer intercepts the letter in advance, proclaims Olybrius as his new puppet emperor, and murders Anthemius who he began to believe was too independent and could not be controlled. In this alternate history story however, Anthemius gets the letter in advance and kills both Ricimer and Olybrius, thus the Western Roman Empire continues to live on but at a cost, as my alternate history story would discuss a possibility of a world war before it was even a thing to erupt between the Eastern and Western Romans against a united coalition of barbarian tribes considering that the 5th century was the era of the rise of the barbarian powers.

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Zeno the Isaurian, Byzantine emperor (r. 474-475/ 476-491), art by myself

Chapter II did also feature interesting characters of this era including the Isaurian general Zeno who was Leo I’s successor who may have been unpopular due to his heritage of coming from a mountain tribe in Asia Minor but at the end in real history saves the Eastern Empire from falling to barbarians like the west did in 476, while in the alternate history version Zeno too succeeds Leo and takes part in the fictitious world war all while the Western Roman Empire too lives beyond 476 in the story. Now I also have to admit that it was chapter II that I enjoyed writing a lot that when writing it, I got so immersed into the world of the Late Roman Empire, although on the negative side the era this chapter was set in barely had online images relating to it making this chapter be the one in the entire series with the least images, however this made me immerse more into the time setting as without the images, I basically had to imagine life back then, while also the what if I chose was a very obscure one compared to maybe writing an alternate history story in this era wherein Rome does not get sacked by the Vandals in 455, however the more obscure what if story made me enjoy writing it even more. Chapter II was then completed and published on February 28 and shared on social media 2 days later, and the most memorable part was that I completed and shared this chapter not at home or nearby but while I was on a road trip at a very remote place which then lasted for more than a week, and because of finishing this chapter while on a trip, my mind throughout the trip was still in the 5th century setting.  

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Map of all Barbarian invasions into the Roman Empire, 100-500AD
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Roman Empire 5th century map, dissolution of the west (red).
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Fall of the Western Roman Empire, the last emperor Romulus Augustus surrenders to Odoacer, 476

For chapter III of Byzantine Alternate History, I then had a completely different approach as this was the first story to be written in collaboration with another Byzantine history fan, and this was Justinianus the Great (follow her on Instagram @justinianusthegreat) who I have known since the very first weeks of doing my Byzantine history Instagram, and not too long after we got to know each other, we already chatted a lot about Byzantine history to the point of doing a role playing wherein we travelled back in time and played different Byzantine era characters.

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Emperor Justinian I the Great of Byzantium (r. 527-565)

Although the 3rd chapter of the alternate history series was published on March 22, the conceptualizing process for it including the role-playing with Justinianus where we went back to the 6th century whereas she played the influential Byzantine emperor Justinian I the Great and I played other characters through Instagram chat started out back in January, though the role play chat itself went on for about 2 months! This character role playing through Instagram chat did in fact occur for so long that I was able to publish 3 articles being my review on the Theophano novel, chapter I and II of the series, and one video for my channel. However, the writing process for the 3rd chapter only began in mid-March after coming back from the same road trip wherein I finished chapter II while the role playing on Instagram chat was still ongoing as well, and luckily before writing chapter III, Dovahhatty released his own episode on Justinian the Great (Unbiased History: Byzantium II- Justinian the Great), which was indeed such a great help to writing the 3rd chapter as the story for the chapter which was about the influential Justinian the Great was to be a very complex one that so many books and videos have had their own take of it. In addition, other than Dovahhatty’s video on Justinian, the same channel Thersites the Historian was of great help in explaining the situation of the 6th century and so was the History of Byzantium Podcast by Robin Pierson, although Dovahhatty made the story plain and simple enough in order to put it all into one story as after all the reign of Justinian I (527-565) was not only long but very eventful.

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Emperor Justinian I of Byzantium and Shah Khosrow I of the Sassanid Empire, by Justinianus the Great

The role-playing chat with Justinianus meanwhile did serve as the basis for the fictional part of the story especially on Justinian’s life that history does not record, therefore we made up some parts of his life including his thoughts and personality for the story through the role-playing. As for the story of chapter III, a lot of the same locations, characters, and themes from chapter II still continued- although not the alternate history outcome- as the time jump between chapter II and chapter III was in fact very short, and true enough chapter III’s lead character Justinian I was born in 482 just 6 years after the Fall of the Western Roman Empire (476), while other characters in chapter III were in fact still alive back when the Western Roman Empire was existing. Due to the relatively short time jump from chapter II to III, some of the same characters from chapter II such Emperor Zeno and the Ostrogoth king Theodoric the Great returned for the background part chapter III, as well as the Vandals, Ostrogoths, and Visigoths, although the one power that was mostly left out in the previous two chapters was the Sassanid Persian Empire in the east, and only in chapter III did they begin having a major role in the story, as true enough it was only in the 6th century when the Sassanids again began to be a bigger threat to the Romans as while Justinian I ruled Eastern Rome, the Sassanids had a ruler equally as ambitious as him which was Khosrow I.

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Emperor Justinian I and Empress Theodora at the imperial court

Another new feature chapter III had was that it was the first time in the series which from here on the word “Byzantine” would be used referring to the Eastern Romans, and this was due to the Western Roman Empire falling in 476, however the term may be incorrect as the Byzantines even after the fall of Western Rome in 476 never called themselves “Byzantine” but still continued calling themselves “Romans” and only in the 16th century after Byzantium fell was the term “Byzantine” only first used to refer to them. However, since the series was called “Byzantine Alternate History”, and also for the sake of not confusing viewers, I chose to stick to referring to the Eastern Romans from chapter III in the 6th century onwards as “Byzantines”. Now the big challenge for chapter III was to put all the spectacular events in Justinian I’s reign into one story, thus chapter III would then become the longest so far that I have written considering that it covered Justinian’s wars against the Sassanids, Vandals, Ostrogoths, and Visigoths that he never fought in personally despite the Byzantines taking back North Africa, Italy, and Southern Spain, while it also featured the Nika Riots of 532 that almost destroyed Constantinople if it were not for Justinian having it brutally put down, the spectacular careers of his generals like Belisarius and Narses, the codification of Roman laws, the construction of many notable landmarks like the Hagia Sophia, the Plague of Justinian that almost brought the empire down killing thousands each day, and the hidden story of how Justinian acquired silkworms from China using these smuggled silkworms to begin manufacturing silk in Byzantium. With all these events taking place in one story, it was then set to be a very spectacular one that was not only an action story but one with a lot of drama, intrigue, and overall a larger-than-life figure which was Emperor Justinian I the Great.

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Flavius Belisarius, Byzantine general in Justinian I’s reign, art by Amelianvs

The writing process of chapter III was then something very engaging and memorable especially when putting all these legendary historical figures like Emperor Justinian I, his wife Empress Theodora, the generals Belisarius and Narses, the finance minister John the Cappadocian, the jurist Tribonian, the Sassanid emperor Khosrow I, the Ostrogoth king Totila, and Justinian I’s nephew and successor Justin II into one story, while just like in chapter I and II wherein I blended fictional characters into the historical setting wherein in chapter I it was the female Goth warrior Valdis and the assassin/ soldier Cyriacus in chapter II who was the one made up for the story to carry the secret letter to Anthemius, while in chapter III the made up character was a general named Andreas who was made to join in Belisarius’ campaigns and later encourage Justinian himself to take part in the campaign to put Italy back under Roman rule, and this character Andreas was created in the role-playing chat with Justinianus wherein I played as Andreas, however he would also be the last made up character to be blended into a historical setting for the entire series.

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The Plague of Justinian, 542

Now the alternate history scenario for chapter III had a lot to do with the deadly plague of 542 that Justinian himself was a victim of, although in the story Justinian would end up using the plague as an act of biological warfare which he would use against the Sassanids in the east by sending over plague victims there to spread the plague and destroy their empire in order to focus on his dream of reconquering the lost Roman west. Other than the plague, the other fan fiction part of the story was in having the old emperor Justinian himself join his military campaign to recapture Italy from the Ostrogoths, and in the story Justinian being depressed over the death of his wife Theodora in 548 would go himself to Italy to get a sense of purpose again, though on the other hand the other part the story wanted to explore was to have Justinian properly train his successor, his nephew Justin II as in real history Justin II succeeded his uncle in 565 following his death without any proper training in running an empire, though in this story what would be different would be that Justin would join his uncle Justinian in his Italian campaign to train to be a strong ruler like his uncle.

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Emperor Justin II of Byzantium (r. 565-578), nephew and successor of Justinian I

True enough the story ended happily with Justin II succeeding his uncle in 565, and with the Sassanid Empire no longer around things would be much easier for him especially in focusing on the reconquest of the west, unlike in real history where Justin II inherited from his uncle a very massive empire covering the entire Mediterranean that proved to be too difficult to hold together. Indeed, the 6th century was a very challenging time with the Byzantines reconquering Roman lands lost to barbarians all while they were being pressured by the Sassanids in the east and by a deadly plague, and even though Justinian I achieved his dream in the end, it still cost a lot as the plague and wars depopulated his empire, most especially Italy that just shortly after his death, Byzantine rule over Italy would gradually slip away to a new barbarian invader, the Lombards.

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Icon of Emperor St. Justinian the Great (r. 527-565)

Just how the 6th century was a great challenge that still achieved a lot at the end, it was also a great challenge to write chapter III considering that it was longer than the previous two chapters and had so much story to tell, while chapter III did include a lot of images too. When writing the chapter though, the bigger challenge came from outside as while I was writing the chapter, I was simultaneously busy with school work as I am still in college, and it was true enough very challenging to the point of becoming quite too stressful that I had already slept so very little in the process of doing chapter III with school work combined, that it was here when I decided to take a long break from school to focus on my alternate history series, as it would be hard to balance two difficult things at the same time. Additionally, it was when writing chapter III that I started becoming more ambitious in writing my stories that my stories would not only consist of words but images that I drew, and during March when I published chapter III, this is when I began becoming serious in doing Byzantine themed artworks, wherein one I made at this time was the black and white image of Emperor Zeno, as well as the illustrations of chapter III’s lead characters and a visual genealogy for Justinian’s Dynasty. At the same time, it was during the process of writing chapter III when I began a new gimmick for my Byzantine Instagram account, and this was in posting content related to the era of my current alternate history chapter, and here since my mind was set in the 6th century, most of my Instagram posts then had a lot to do with events happening then. The challenge now at this time was in promoting my Byzantine content online, as it was here in March when I began to aggressively promote my work wherein, I have to admit it was quite a difficult time for me then as my following was basically at a standstill with very little growth, however in the long-term chapter III would turn out to be the most mentioned chapter as its story especially a mention of Justinian I kept making a comeback in the next 9 chapters of the series.

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Detailed map of the Byzantine Empire at its fullest extent under Justinian in 555 (gold)
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The Hagia Sophia, built in the 6th century under Emperor Justinian I
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Justinian I receives silkworms from monks arriving from China, 552
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Belisarius defending Rome from the Ostrogoths from 537-538, art by Amelianvs
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Guide to the Justinian Dynasty of the Byzantine Empire, 518-602; character illustrations and layout by myself

With chapter III completed, I then did another major Byzantine themed art project, which was a painting of Byzantine emperor Michael VIII Palaiologos (r. 1261-1282), as well as the 2nd episode of my audio epic series on Youtube (Part II: Michael VIII Palaiologos’ Redemption), and between publishing chapters III and IV, I made my first special edition quarter end chapter for the year which was as I mentioned earlier my interview with friends on their reactions to Byzantine era quotes. The process now between writing chapters III and IV was quite a long one with all the research through Youtube channels like Thersites the Historian and Kings and Generals, as well as Robin Pierson’s History of Byzantium Podcast, but at the same time, the process of writing chapter IV compared to chapter III was such a great relief with school work no longer in the way.

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Byzantine soldier (right) attacks a Slav (left) with an Avar behind, during the 7th century Balkan Wars

For me, I could really feel the change in Byzantine history when writing chapter IV, and this change for me could already be felt the moment after Justinian I’s death in 565 which I think from here on the feeling of Byzantine history begins to feel different as the late Roman era comes to an end while the dark ages begins to rise as the arrival of new enemies like the Avars, Slavs, Lombards, and the threat of the Sassanids in the east intensifying, although the Dark Ages itself is basically usually limited to Western Europe at this time and not so much to the Byzantines, however some historians mark the end of antiquity and the beginning of the Byzantine Dark Ages in the year 602 with the execution of the Byzantine emperor Maurice, the last ruler of Justinian’s dynasty and the takeover of the common soldier Phocas as emperor, wherein it would then be all downhill for Byzantium. Chapter IV would then be another new kind of phase just as it was for the Byzantines when entering the 7th century, as it was in chapter IV when I would leave the late Roman era wherein chapters I to III were set in that my mind was so focused on for the past months, and thus enter the Middle Byzantine era wherein things will drastically change, and so did the layout of the chapters as the late Roman military structure drawing of mine beginning in chapter IV was no longer in use.

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Emperor Heraclius (r. 610-641), art by Skamandros

Although when writing chapter IV, I still began with a long background section discussing the events after Justinian I’s death in 565, his successors, how the threat of the Sassanids from the east grew worse thus ending the Golden Age Justinian I left behind for Byzantium, the overthrow of Maurice and rise of Phocas, the fall of Phocas in 610 and the rise of Emperor Heraclius, the great Byzantine-Sassanid War from 602-628, the fall of the Sassanid Empire, and the rise of a new and unexpected enemy, which were the Arabs coming from the deserts of the south. The second and main part of chapter IV would then discuss Byzantium after the fall of the Sassanids and the rise of the Arabs, which then included the drastic loss of so much territory to the Arabs including Egypt and Syria, how Asia Minor would then become Byzantium’s new heartland, the formation of the Thematic System that would define the Byzantines for the next 4 centuries, and the wars with the Arabs that would also define Byzantium for the next 4 centuries as well.

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Emperor Constans II of Byzantium (r. 641-668), art by myself

For the lead character of chapter IV, I chose the Byzantine emperor Constans II (r. 641-668), which is quite an unlikely choice as for the 7th century the Byzantine emperor that would be the most remembered would be Constans’ grandfather Emperor Heraclius (r. 610-641) who was the emperor that lived long enough to see the Sassanids fall only to be replaced as a new major threat by the Arabs. It was however in Constans II’s reign when the Arab threat became real, and so did the creation of Byzantium’s Theme System, which is why I chose to make him the lead character and his reign the story’s main setting. The alternate history scenario for the 4th chapter was then to have Constans II survive the assassination attempt on him in 668, where in real history he was killed in his bath when attempting to move the Byzantine capital to Sicily fearing that Constantinople was no longer safe especially if the Arabs attacked it by sea.

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Assassination of Constans II in real history with the use of a soap dish, 668

In chapter IV, with Constans II surviving the attempt on his life, the Byzantine capital would then be temporarily moved to Sicily, although without much results, thus this would be the first chapter wherein the what if would not really be useful to the Byzantine protagonists at the end, however chapter IV would end with the epic battle being the first Arab Siege of Constantinople from 674-678 wherein Constans’ son and successor Emperor Constantine IV successfully defended Constantinople due to the invention of a Byzantine superweapon which was Greek Fire, though in the story Constans II had lived long enough to come to Constantinople’s rescue during the siege wherein everyone thought he had disappeared. In addition, chapter IV was the first one in the series to feature a multinational conflict as while the Byzantines and Arabs were at war with each other, I put a fictional scenario of a Sassanid army returning to ally with their old enemy the Byzantines against the Arabs which was their common enemy, while I also thought of giving a bigger role to Tang Dynasty China as in the 7th century as well, Constans II sent Byzantine ambassadors to Tang China to send gifts to their emperor and get some in return, although history does not record much about it, but in the story I put in a fictional part of China assisting the Byzantines against the Arabs by attacking the Arabs from behind as the Arabs did in fact expand so fast that in only a few decades since they united and rose from the deserts of the Arabian Peninsula, they were able to take over all of Egypt and Syria from the Byzantines, destroy the Sassanid Empire, and reach as far as Central Asia to the east. Chapter IV was thus a turning point in the series with the rise of the Arabs as well as the new dystopian kind of setting the Byzantine Empire would be in, and it was also in the process of doing chapter IV when I began taking my Byzantine themed art much more seriously, thus for the chapter I did a black and white style drawing of its lead character Constans II, as well as an illustration of Constantinople’s land walls. Both in the timeline of the story and in the publishing date, the time jump between chapter III and IV was large, and it was on April 15 of this year when chapter IV was published, and just like chapter II, I also published chapter IV when away on a road trip.

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The Byzantine Empire in 650 (orange)
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Expansion of the Arabs, 7th century
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Map of the first original 5 Themes of Asia Minor created under Constans II
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Greek Fire used for the first time at the 674-678 Arab Siege of Constantinople
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The Land Walls of Constantinople, art by myself

Shortly after finishing chapter IV, I already began the researching and writing process for chapter V while I was also on that same road trip where I completed chapter IV. Chapter V would then see the experimental phase of the alternate history series, and a lot of this both had to do with me wanting to experiment a bit more on Byzantine history by putting a dystopian feeling into it as well as some personal factors I have been going through at this point. Chapter V was then true enough quite entertaining to write as considering that the 8th century where it is set in is the least documented century in Byzantine history while also being my personal worst and least interesting as there were fewer epic battles and the rest all internal conflicts, though the fun part was in playing around by coming up all sorts of made-up stories for the characters in this era just to simply fill in the blanks. Though the era the chapter is set in is the least interesting for me, the writing process for chapter V may have been exciting only because of all the continued wars against the Arabs and civil wars, but its end result would then be nothing more but a story of so much senseless violence including gouged out eyes and chopped off noses, graphic scenes of soldiers eating their own feces to survive the winter, imperial anarchy, tiring wars, petty characters, and the useless breaking of icons known as “Iconoclasm” which defined the 8th century history of Byzantium.

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Emperor Leo III the Isaurian, aka Konon (r. 717-741)

When writing chapter V, I began by discussing the chaos and anarchy Byzantium fell into as the 7th century came to an end, the continued expansion of the Arabs, and then getting to the 2nd Arab Siege of Constantinople from 717-718 ending with another Byzantine victory thanks to the use of Greek Fire and the intervention of new people in the north that was once Byzantium’s enemy which were the Bulgarians, while a new emperor came to power as well which was Leo III the Isaurian, one of the powerful generals of this time who put an end to Byzantium’s 22-year anarchy period that began in 695 and once again brought stability to the empire by establishing his dynasty, however to stabilize the empire once again he issued a very unpopular policy which was that of Iconoclasm or the braking of icons believing it would save the empire as he thought icons were sinful. The ban on icons however created such division among the Byzantine people wherein some supported it especially the army while many opposed it and reacted to it with such violence, but the worst part about this simple policy of breaking religious icons led to the permanent schism between the Byzantine Orthodox and the Latin Church in the west together with the rise of the Republic of Venice as well.

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Byzantine Iconoclasm under Leo III in the 8th century

The climax of chapter V however did not have to do so much with Iconoclasm but rather with a dystopian setting in the Byzantine Empire which here was on how the banning of icons affected society, thus making it quite an unique take on setting a dystopian story in Byzantine times, as dystopian style stories are usually set in modern times. The other major story in chapter V then was the family drama within the imperial family wherein the emperor’s daughter Anna even led a resistance against her father’s Iconoclasm while her brother Constantine V strongly stood loyal to his father’s policy of breaking icons. The alternate history scenario for chapter V would then regard Artavasdos, the general and son-in-law of Emperor Leo III who being married to Anna secretly opposed Leo III’s Iconoclasm, and in real history Artavasdos after Leo III’s death in 741 did rebel against Leo’s son and successor Emperor Constantine V in 742, but at the end Artavasdos still failed, and thus Iconoclasm still continued.

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Emperor Artavasdos (r. 742-743), Funko pop recreation by myself

In the alternate history scenario however, I made Constantine V lose to Artavasdos and thus making Iconoclasm ended early enough to make amends with the west that had just been alienated from Byzantium, and the reason now why I decided to focus on such a small topic for chapter V was to show that even the smallest events such as if Artavasdos won the civil war can have a major impact on history, this way by ending Iconoclasm early enough to not create a schism with the Western Church that would end up becoming permanent.

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Emperor Constantine V of Byzantium (r. 741-742/ 743-775), art by Chrysa Sakel

Overall, chapter V considering that it was mostly a gore fest story with lots of useless drama, it was still the shortest one in the series that it could have in fact been skipped altogether, however just for the sake of experimenting I chose to do an entire chapter on this unknown part of Byzantine history, while on the other hand I used chapter V to explain some of the bigger events happening at that time such as the rapid expansion of the Arabs all the way west to Spain and the beginning of the end of Byzantine rule over Italy as by the end of the 8th century, the Byzantines were left with only the south in Italy. In addition, chapter V was the second chapter that I wrote for the series wherein I wrote it in collaboration with someone, and this was with my friend Mario (follow him on Instagram @mariopuyatrewreplays) who was also one of the 5 friends I interviewed on the their take on Byzantine history earlier on, and although he isn’t very much familiar with Byzantine history, I just thought it would be a good gimmick to have someone unfamiliar with Byzantium have his own take on the story, again for the sake of experimenting.

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The Mandalorian in Byzantine armor, art by myself

Chapter V was in fact so experimental that for this chapter I even made digital artworks of not very Byzantine looking funko-pop figures for the story’s 3 leading characters Artavasdos, Anna, and Constantine V, while my Byzantine themed artworks at this time (late April to early May) have also began becoming experimental such as the one I made with the Mandalorian in Byzantine armor. Additionally, the time I was writing chapter V was more or less the low point of my Byzantine journey this year as my social media accounts (FB and IG) saw little growth, post likes and shares, while at times I would feel as if my content was being neglected that there were even some times wherein I felt like quitting the alternate history series entirely after finishing only chapter VI, and thus starting from scratch afterwards. This kind of situation I was having back then also contributed a lot into the very experimental way I wrote my stories, while at the same time the same kind of situation was ironically the same situation Byzantium was going through where I was at in writing my series which was the Byzantine dark ages, but at the end chapter V was still published on May 2 together with a series of artworks I did relating to this time period in Byzantine history which included by black and white portraits of the 6 emperors of the 22-year Byzantine anarchy (695-717). However, I soon enough overcame these obstacles and hard times through persistence and determination by using these hard times to drive me to push harder thus unleashing a competitive streak within me that would seek to post better quality posts regularly in order to survive and not slip away.  

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The 6 emperors of the Byzantine 22-year-Anarchy (695-717)- Leontios (top-left, r. 695-698), Tiberius III (top-middle, r. 698-705), Justinian II Rhinotmetos (top-right, r. 705-711), Philippikos Bardanes (bottom-left, r. 711-713), Anastasius II (bottom-middle, r. 713-715), Theodosius III (bottom-right, r. 715-717), art by myself
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Victory for the Byzantines with Bulgarian aid against the Arabs in Constantinople, 718
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Iconoclasm- breaking of religious icons and persecution of monks in the Byzantine Empire, 8th century

When it all seemed that my Byzantine journey was beginning to go downhill, it eventually did not as I still chose to persevere despite all the adversities and do all it takes to get my content recognized, and after chapter V was completed, I immediately moved on to doing another project which this time was again for my audio epic series, and on May 15 not too long after chapter V was published, I uploaded the 3rd part (Part III: The Beginning of the Decline) of my audio epic series on my channel. While editing the 3rd part of my audio epic series, I also began writing chapter VI for the alternate history series, which was then not too difficult to conceptualize and begin as the story for chapter VI was basically just a direct sequel of chapter V, wherein the story of chapter VI itself is set just right after chapter V finished off while also continuing the stories and themes that were introduced in chapter V including Iconoclasm, the beginning of the “Cold War” style conflict with the Latin west, while characters from chapter V such as Emperor Constantine V too made a comeback in chapter VI with the only difference being that the alternate history scenario of chapter V wherein Constantine V lost the civil war to Artavasdos did not happen, but instead the story would begin with how things actually went in real history.

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Emperor Leo IV the Khazar of Byzantium (r. 775-780), art by Chrysa Sakel

For chapter VI, the story’s main focus was then on Irene of Athens, the daughter-in-law of Constantine V who married Constantine’s son Leo IV “the Khazar” (r. 775-780), and following Leo IV’s death in 780, Irene came to rule the empire first as regent for her son Constantine VI until she ordered his blinding in 797, wherein afterwards she became the sole empress of the Byzantine Empire, the first time a woman would rule the empire alone. As the ruler of Byzantium, Irene had the great legacy of putting an end to Iconoclasm as she strongly believed in the use of religious icons, while at the same time she was also a strong female ruler both decisive and comfortable with herself. Just like chapters III and V, chapter VI was another article in collaboration with someone, and again it was with Justinianus the Great with whom I have worked together with in creating chapter III, and originally for chapter VI, we were again supposed to do the same kind of role playing like we did for chapter III, however the role playing through Instagram chat instead became an interview with Justinianus wherein I asked her a number of questions regarding Irene as a way to come up with her personality for the story.

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Empress Irene of Athens, regent (780-797), full empress (797-802)

The alternate history scenario for chapter VI was then my own take on the popular what if of Empress Irene and Charlemagne, the newly crowned Frankish emperor marrying as an act to unite both their empires into one massive Frankish-Roman Empire. Chapter VI also had the major innovation of being written in the form of flashbacks wherein it begins off already with Irene as empress in year 800 while she narrates the events of the past such as her backstory. Chapter VI too was the first chapter in the series that equally featured Byzantium and another empire, in this case being Charlemagne’s Frankish Empire that became the new power that conquered and united most of Europe, while Byzantium here was losing in terms of power wherein their salvation could come if both rulers of these said empires married each other.

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Irene Sarantapechaina, Byzantine empress, art by myself

The writing process for chapter VI happened to be quite a fun one especially when introducing Irene’s character, the extravagance of the Byzantine imperial court, the court rituals and ceremonies, the scheming court eunuchs, the fashion styles of the time, and the journey of Irene from a small-town orphaned girl in Athens to the ruler of the Byzantine Empire. This chapter also had some experimental elements, and here it was especially in Irene’s character not only as a strong empress but as an attractive figure as this was the only chapter in the series to have a female lead character, thus for Irene I even created an experimental seductive drawing of her in a kind of dress that may have not been existing in the Byzantine era, while additionally this story was the one too with the most side stories made up just out of fun to put some more life into it.

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Charlemagne, King and Emperor of the Franks (r. 768-814), art by myself

Chapter VI was also for me a very ambitious project and for it I created a number of more detailed and intricate drawings rather than just the character illustrations for the intro, as here I came up with a full-body drawing of the story’s lead characters Irene and Charlemagne. When writing the chapter, the entertaining part was in introducing Charlemagne, and here when showing him in person, rather than introducing him as a great man even in physical form, I chose to introduce him as a tired old man feeling like his life’s mission is over as an act of downplaying the greatness he is seen having in history, however he and Irene still married- which never happened in real history- although they only marry for an alliance to join both their empires together in order to fully defeat the Bulgarian Empire. Although each chapter in the alternate history series is made per century out of the 12 centuries in Byzantium’s history, chapter VI was a hybrid one as though it is basically the chapter for the 9th century, its events were in both the 8th and 9th centuries.

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Irene and Charlemagne as husband and wife

The story’s climax however which was Irene and Charlemagne’s wedding in 802, and the battle against the Bulgarians in 811 where the story ends however is in the 9th century, though in the early part of it. With only the early years of the 9th century discussed in the chapter, it would then so happen that my alternate history series skipped an entire part of Byzantine history, which was almost the entire 9th century itself, true enough a very important time for the Byzantine Empire as this was when Byzantium would come out of the dark ages and begin rising again, while also seeing a Renaissance in the arts and academics, and the spread of Orthodox Christianity from Byzantium to the Slavs in Eastern Europe in the latter part of the century, as well as the rise of the Bulgarian Empire and the decline of Charlemagne’s Frankish Empire and the Arab Abbasid Caliphate which were at first thought to be all powerful empires that were a main threat to Byzantium.

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Flag of Irene and Charlemagne’s fictional united Frankish-Roman Empire, crossover between Byzantine (red) and Frankish (blue) flags (photo from Reddit)

However, since the chapter was basically about Irene and Charlemagne, I chose to just set the story in the early 9th century skipping the rest of the century, while at the same writing about the outcome of this marriage between Irene and Charlemagne was also confusing especially seeing how long the union of the empires would last, which therefore requires great analytical skills wherein only great historians could succeed in doing. One thing I have to mention too about this chapter’s setting and characters was that just recently I discovered a new Byzantine podcast on Empress Irene and her story, except not including Charlemagne and an alternate history of them marrying, check out Icons/Idols: Irene. On the other hand, just a few days before publishing chapter VI on May 24, I experienced one lifetime achievement, which here was getting my first dose of the COVID-19 vaccine, and not to mention the side effects were quite strong that the sleepiness I got from it delayed the publishing of the article by 2 days!    

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Empress Irene at the palace, art by myself
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Charlemagne crowned as “Roman emperor” by Pope Leo III in Rome, 800
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Speculated map of Irene and Charlemagne’s united empire
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Guide to the Isaurian Dynasty of the Byzantine Empire, 717-802; character illustrations and layout by myself

Before publishing chapter VI, I was at a low point in my Byzantine history journey, however success had turned out to be found just right around the corner, as after chapter VI was completed, my Byzantine online career suddenly had an upswing, and this was seen when I created and posted a visual genealogy of the Isaurian Dynasty- the emperors from Leo III to Irene- which got a great number of shares on Facebook, while on May 29 I posted an Instagram a post commemorating the Fall of Constantinople in 1453, which also happened on that day, and this post did in fact all of a sudden get hundreds of likes and multiple shares both on IG and FB, thus making it the first time since my Late Roman Military Structure drawing in late January to get so much hits. Though at the same time as I posted this very successful post, I had already begun doing research for chapter VII’s story in which I true enough even began doing it just 2 days after publishing chapter VI. Basically, because chapter VII covered a lot of content and more than 150 years of history, it required tons of research that for almost a full week I have been going through the videos of the same Thersites the Historian on Youtube as well as listening to Robin Pierson’s History of Byzantium podcast to get some more new information on the era and put the entire story together. Now since chapter VI despite being the assigned chapter to the 9th century only featured the first few years of it as the story was supposed to be about Empress Irene and Charlemagne, I instead covered the important events of the latter 9th century in chapter VII despite it being the 10th century’s respective chapter. Since there would be so much information in chapter VII, I then chose to write it in a more concise way wherein I would condense all the events of the years from the 830s to the 980s, although to still make it in the form of a fan fiction story rather than a factual story, I chose to write chapter VII in the style of a historical parody mocking but at the same time admiring the Byzantines, especially since the 9th and 10th centuries feature Byzantium at its prime with so much to admire about from them such as their victories, military might, and extravagant court life while there is also so much to mock about them at this era such as the toxic court politics and the infamous eunuchs.

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Emperor Basil I the Macedonian (r. 867-886)

When writing chapter VII, I began off with the beginnings of the Byzantine Renaissance and the evangelization of the Slavs under Emperor Michael III the Amorian (r. 842-867), the rise to power of the simple peasant turned wrestler, turned emperor Basil I the Macedonian (r. 867-886), the continued war with the now weakened Arabs, and the rise of the major Bulgarian conflict and that of their powerful ruler Simeon the Great. Once the story hit the 10th century, the more it became detailed as personally it is my all-time favorite century in Byzantine history, and no doubt because this was the glory days of Byzantium on the rise as a military and cultural power that commanded both great respect and fear among everyone around them, thus for chapter VII I had a lot of fun writing it due to its action-packed style despite it being quite complicated as it featured too many characters, battles, locations, and foreign powers like the Bulgarians, Arabs, Rus, Khazars, Magyars, Pechenegs, and the new Holy Roman Empire in the west.

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Emperor Leo VI the Wise (r. 886-912) of Byzantium

Now for chapter VII’s alternate history part, I chose to not write it like the previous 6 chapters wherein it begins with what happened in real history wherein everything will get fictional as it ends, instead I wrote it in a way wherein I just basically told it like how the story in real history was told, except to make it a fan fiction I altered a few things along the way, such as that the ruling dynasty of that time which was the Macedonian Dynasty would not actually be that dynasty, instead it would be the previous Amorian Dynasty still continued as this story went with the rumor of the Macedonian emperor Leo VI the Wise (r. 886-912) not being the dynasty’s founder Basil I’s son but the son of the emperor he killed which was Michael III being the truth, thus Leo VI’s descendants as the Macedonian Dynasty would be a lie and instead his descendants would still continue ruling as the Amorian Dynasty.

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Empress Theophano of Byzantium, omitted from chapter VII

In addition, when conceptualizing the chapters I also planned to use chapter VII as a rewrite of the graphic novel “Theophano: A Byzantine Tale” that I read earlier on in the year wherein the chapter was the exact same setting as that book, but for chapter VII, I rewrote the book’s story by omitting its lead character Theophano from the real historical setting as if she did not exist at all, and at the end things would never really change until the story’s ending if she were removed, as after all Theophano was the mother of the legendary Byzantine emperor Basil II (r. 976-1025), therefore the story ended totally differently as compared to real history due to the fact that Emperor Basil II would not be around.

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Emperor Constantine VII Porphyrogennetos of Byzantium (r. 913-959), art by myself

The best part for me about writing chapter VII was that it covered the most interesting Byzantine characters as the 10th century had all of them put together including the scholarly and highly cultured emperor Constantine VII Porphyrogennetos (r. 913-959), his former co-emperor and regent Emperor Romanos I Lekapenos (r. 920-944) who rose up the ranks to be emperor despite being also of low birth, the scheming court eunuchs Joseph Bringas and Basil Lekapenos, the powerful and ruthless general and later emperor Nikephoros II Phokas (r. 963-969), his successor Emperor John I Tzimiskes (r. 969-976), and the other powerful generals of the era like Leo and Bardas Phokas as well as Bardas Skleros.

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Emperor Nikephoros II Phokas of Byzantium (r. 963-969), art by Spatharokandidatos

Chapter VII too featured numerous larger than life events including Nikephoros Phokas’ wars against the Arabs and the Byzantine reconquests, Greek Fire on the sea, the chaotic regency civil war for the young emperor Constantine VII from 913-920, and the all the court intrigues including the assassination of Nikephoros II Phokas in 969. When doing chapter VII, I also made a number of ambitious art projects for the same chapter including a black and white illustration of Constantine VII- which was however done weeks prior to writing the chapter- and an illustration of Emperor Leo VI and his 4 different wives, and of course the usual icon illustrations for the story’s lead characters in which for chapter VII I did 20 of them, being the first time to do this much character illustrations since chapter II, and not mention chapter VII was also the first time the intro symbol for the story changed from the Byzantine chi-rho that had been used since chapter I to the double-headed Byzantine eagle which would be the one in use until chapter XII and is used here in this post as well. Chapter VII too featured quite a lot of images as this era in Byzantine history was perhaps the one with the most historical illustrations due to one important illustrated manuscript still around up to this day which is the Madrid Skylitzes showing the 9th, 10th, and 11th century history of Byzantium in very detailed illustrations, and for both chapters VII and VIII I used a lot of images from this manuscript. Also, not to mention while in the process of writing chapter VII, I had also been balancing the hectic workload of my Byzantine Alternate History stories with re-watching all 11 seasons of Modern Family on Netflix and playing the futuristic video game Cyberpunk 2077, which seem to be so far away from Byzantium, though these things still showed that my life was still perfectly balanced between Byzantium and the real world, as I had already been comfortable where I was at in my Byzantine journey.

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Byzantine battles in the 10th century

The more impressive part too was that when writing chapter VII, the dark days of my Byzantine career which was just less than 2 months earlier seemed like it was long gone, and ironically just like the Byzantine Empire which in the same era I was at during this point of my journey was at a very high point too while I also had reached the high point of my Byzantine journey and part of this was that when I published chapter VII on June 9- not too long after publishing chapter VI- and immediately shared it on social media, I even caught the attention of the creators of the Theophano graphic novel considering that the chapter I wrote was at the same era as their book’s setting, that they asked me to be interviewed for their site which I gladly accepted (read it here). Following the completion of chapter VII, I took quite a quick break doing a road trip again, ironically going back to where I went to after chapter II was completed 3 months earlier, and during the 4 days away I mostly kept my mind out of Byzantium for the first time in a long time until returning home with some good news that my interview on the site of Byzantine Tales had been published while my recent artworks too had been shared by other Byzantine Facebook pages, and some days later I also completed the edit and uploaded the 4th part of my late Byzantine era audio epic (Part IV: Andronikos III: The Last Revival). Feeling confident of where I was at in my Byzantine journey then, I then proceeded to do the research and begin writing chapter VIII without much hesitation, although the research process for the upcoming chapter was also another great challenge as its setting being the 11th century had so much happening while having so many sources too.

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Streams of Gold, Rivers of Blood by Anthony Kaldellis

When doing the research for chapter VIII and its 11th century setting wherein the Macedonian Dynasty from chapter VII continues, I deeply immersed myself by listening to Robin Pierson’s podcasts and read the very informative non-fiction book on this era Streams of Gold, Rivers of Blood by Anthony Kaldellis, in which both turned out to be of great help for putting together the story for chapter VIII. Now if chapter VII of the series basically discussed Byzantium on the rise to power and glory, its direct successor chapter VIII was basically written as the reverse story to chapter VII as it discussed Byzantium declining from its glory days during the 11th century. Chapter VIII would then discuss the glorious reign of possibly Byzantium’s most popular emperor these days which is Basil II (976-1025) who being omitted from chapter VII as the story omitted his mother Theophano finally had a big role to set the stage for the 11th century which begins as a glorious time for the Byzantines as they finally defeated and conquered their major enemy the Bulgarian Empire to the north thus putting the entire Balkans under their rule.

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Painting of Emperor Basil II of Byzantium (r. 976-1025), art by myself

Chapter VIII though was also the last chapter in the series to feature the conflict between the Byzantines and Arabs in the east, as the 11th century saw the end of the Arab-Byzantine conflicts that began way back in the 7th century where chapter IV was set in due to the rise of another new eastern enemy, the Seljuk Turks of Central Asia. Aside from continuing in discussing the same Byzantine court politics, extravagance, and extensive military campaigns of the 10th century that continued on to the 11th century, chapter VIII also discussed the rise of new threats to Byzantium such as the Normans in the west and the Seljuk Turks in the east together with their backstories, as well as many side stories like that of the origins of the famous Nordic and Rus Varangian Guard in the Byzantine army wherein the future King of Norway Harald Hardrada served in from the 1030s-1040s and the Great Schism of 1054 which was then the permanent divide between the Byzantine and Latin Churches.

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Byzantine Cataphract cavalry soldier in the 11th century, art by myself

The climax of chapter VIII however was the catastrophic Battle of Manzikert in 1071, which was the event marking the end of Byzantium’s glory days and although it may not have really been a terrible disaster for the army, it would still result in the permanent loss of Byzantine rule over their heartland Asia Minor and the collapse of the centuries old Thematic System there that had been around since the 7th century. Now just like chapter VII, chapter VIII was written in the same kind of way wherein there was more facts than fictional elements, though only at the end do things change as the story’s what if was to have a Byzantine victory over the invading Seljuk Turks at the 1071 Battle of Manzikert, whereas in real history it was a Byzantine defeat.

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Byzantine (left) and Seljuk (right) cavalrymen clash at the Battle of Manzikert, 1071

Chapter VIII then true enough altered history by having a Byzantine victory wherein the emperor Romanos IV Diogenes would not be captured by the Seljuk Turks’ sultan Alp Arslan, however the main point of the story was to prove that it was not the Battle of Manzikert that really destroyed Byzantium in the 11th century but the corruption, betrayals, and wasteful spending in the imperial court, as well as weak leadership of emperors like Constantine X Doukas (r. 1059-1067) and Michael VII Doukas (r. 1071-1078). In the story, I also explained that even with a Byzantine victory at Manzikert, Byzantium would still be brought down from the inside through corruption, although the major difference with a Byzantine victory at Manzikert was that a lot of Asia Minor would not really be lost to the Seljuks while the First Crusade which was called for in 1095 as a result of the Seljuks’ victory at Manzikert in real history would still be called as true enough the First Crusade’s real purpose was not really to help the Byzantines recover lands lost to the Seljuks but to take back the city of Jerusalem that had also fallen to the Seljuks. While doing chapter VIII, I had also created several Byzantine themed artworks including a black and white Byzantine style inspired drawing of Star Wars’ Emperor Palpatine on the Death Star II, and for chapter VIII itself I did the usual illustrations for the lead characters, but more than that, I also did a full-scale drawing of a Byzantine cataphract cavalry soldier for the story as well as a drawing of the famous future King of Norway Harald Hardrada as a Varangian Guard who had a cameo in the story as well, while I also made a genealogy for the Doukas Dynasty which ruled Byzantium in the setting of chapter VIII (1059-1081) wherein the Battle of Manzikert took place in. Chapter VIII itself was published on June 29 right before the end of the very eventful month, and unlike the Byzantine Empire that had begun going through a decline in power at this time, my own Byzantine journey’s success still remained yet continued to grow at the same time with the sudden increase of followers on Instagram, thus making June surely an eventful month.  

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Emperor Leo VI of Byzantium and his 4 wives, art by myself
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A scene of the Rus-Byzantine War of 941 from the Madrid Skylitzes
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Nikephoros Phokas enters Constantinople in 963, Madrid Skylitzes
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The Byzantine Empire (red) at its apogee, at Basil II’s death in 1025
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Painting of the fateful Battle of Manzikert between the Byzantines and Seljuks, 1071
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Byzantine- Star Wars crossover, Emperor Palpatine as a Byzantine emperor on Death Star II, art by myself
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Genealogy of the Doukas Dynasty of the Byzantine Empire, 1059-1081; character illustrations and layout by myself

The success of my Byzantine journey would then continue onwards after the completion of chapter VIII and this was seen with the success of new posts most notably that of my Byzantine cataphract cavalry soldier and Harald Hardrada as a Varangian Guard illustration which got a great number of likes and shares both on FB and IG, with in fact a total of 39 shares on Facebook.

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Harald III Sigurdsson “Harald Hardrada”, King of Norway (r. 1046-1066), former Varangian Guard commander in the service of Byzantium, art by myself

The month of July was then set to be a busy one for me, as not only was it the month for writing and publishing chapter IX, but it was also a busy one for posting on Instagram as it was here when I posted so much new and unique interesting content that would define my Byzantine IG account. These posts would include a 5-part series I did on Byzantium’s famous Varangian Guard and on the Armenian city of Ani in the Byzantine era in which were all successful posts, and in between publishing chapters VIII and IX, I published my article on how I rank the 12 centuries of Byzantine history from my personal best to worst which then came out on July 7 as a break article between chapters. Now the researching part for chapter IX was quite challenging as the History of Byzantium podcast by Robin Pierson had not yet reached the era of the chapter which was the 12th century, thus for research I had to turn to my old go to book for a more concise approach in telling Byzantine history which was the History of the Byzantine Empire by Radi Dikici, while also going through Wikipedia to get more information on the era and its people.

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Map of the 4 Crusader States of Outremer in 1135, during the reign of Byzantine emperor John II Komnenos

Writing chapter IX was also a challenge for me especially when getting the facts right as this era was a confusing one, although it was also exciting to write as the 12th century it was set in featured Byzantium, the now rising kingdoms of Western Europe, the Seljuk Turks, the new Crusader states in the Levant known as Outremer, the Balkans, and the Arab powers of the Middle East all coming together. Chapter IX was then really supposed to be the chapter on the Crusades as it was its era, thus chapter IX began where chapter VIII left off which was the beginning of the First Crusade which was originally called for by the Byzantine emperor Alexios I Komnenos (r. 1081-1118), originally aimed in helping Byzantium drive away the Seljuks that have taken over Asia Minor since their victory at Manzikert in 1071, but at the end the Crusaders’ real intention was to take back Jerusalem from the Seljuks for themselves and not assist Byzantium recover their lost lands, and as the Crusaders succeeded in achieving their goal, they became a new neighbor to Byzantium that would be both a friend or an enemy.

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Emperor Alexios I Komnenos meets the leaders of the First Crusade, 1096

In the meantime, after sharing chapter VIII which was about Manzikert to the Alternate History Discussion Group on Facebook, I got one suggestion from a comment saying that my next chapter should have to do with the following century (12th century) about an event that could stop the catastrophic 4th Crusade of 1204, another major disaster for the Byzantines that would begin the end for their empire, thus I kind of took this comment into consideration for the 9th chapters’ alternate history topic. Originally when conceptualizing the chapters, the story of chapter IX was only supposed to be about the rather controversial Byzantine emperor Isaac II Angelos (r. 1185-1195) wherein the story would prevent his blinding in 1195 by his older brother Alexios- who in real history blinded Isaac and took over the throne thus leading to the 4th Crusade in 1204- and if this event were to happen then this could possibly prevent the 4th Crusade from happening.

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Isaac II Angelos, Byzantine emperor (r. 1185-1195), art by myself

However, this what if scenario for chapter IX did not push through for rather complicated reasons being the first and only time in the series wherein an original idea did not push through for the chapter’s story, instead I chose to go with another what if for the 12th century, and this would have to do with identifying events that may have led to the disastrous 4th Crusade in 1204 and thinking of ways to avoid them to prevent that tragic event from happening. The story for chapter IX then covered the 3 consecutive stable and successful reigns of Alexios I Komnenos (1081-1118), his son John II (1118-1143), and his son Manuel I (1143-1180) which was a total of 99 years combined, while at the same time the chapter also featured the First, 2nd, and 3rd Crusades, the rise of the Republic of Venice and the kingdoms of Western Europe including the Normans of Italy, the rise of Balkan powers like Serbia and the Kingdom of Hungary, the Seljuk Empire that had been established in Asia Minor that was there to stay, and a lot more.

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Emperor Manuel I Komnenos (r. 1143-1180), art by Justinianus the Great

For the Byzantines, most of the 12th century was another time of power and dominance over the Mediterranean where Byzantium was basically the bully of the era under the Komnenos emperors wherein the new Crusader states even became Byzantium’s vassals. However, this renewed era of power would not last as following the death of Emperor Manuel I Komnenos in 1180, everything would go downhill for Byzantium, as his son and successor Alexios II Komnenos (r. 1180-1183) was still only a child, thus he was overthrown and killed by Manuel I’s cousin and strongest enemy Andronikos I Komnenos who took over the throne with a bloody massacre of Constantinople’s Latin inhabitants and later only making things worse for the empire by running the empire in a totalitarian manner. In the story, what was then changed was that before killing young Alexios II and taking over the empire, Andronikos’ plot was discovered by the loyalists of the young emperor including Isaac Angelos- who in real history was chosen by the people to seize the throne and overthrow Andronikos I- though in this story, Andronikos’ plot was discovered and thus he was blinded and exiled unlike in real history where he ruled for the next 2 years (1183-1185) until being overthrown by Isaac Angelos and executed by being brutally beaten to death by the same people that put him in power just recently.

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The young emperor Alexios II beneath the shadow of his uncle Andronikos, art by Ediacar

The climax of chapter IX then featured the same Norman invasion of Byzantine Greece in 1185 like in real history which was defeated by the Byzantines, though while the Byzantines won a major victory, they also faced a major challenge of the Bulgarians once again breaking free from Byzantine rule after being under Byzantium since Basil II’s conquest of 1018, thus the 2nd Bulgarian Empire was declared in 1185. However, in the story the young Emperor Alexios II who survives the attempt on his life carefully plans the elimination of all rivals including the leaders of the Bulgarian uprising and his exiled uncle Andronikos, thus the chapter ended in a very dramatic moment wherein the young emperor with the leader or Doge of Venice swear a sacred oath to be allies once again all while all enemies are eliminated one by one at the same time in the same style as the climax of The Godfather.

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Niketas Choniates, Byzantine historian (1155-1217), recreation of the original manuscript depicting Choniates, art by myself

The story then ended happily for Byzantium whereas the Alexios II would continue to rule with Isaac Angelos as his right-hand-man now having more experience to one day run the empire- unlike in real history where Isaac came to rule the empire despite having not much experience- and although it was a happy ending for Byzantium with Venice which Alexios II’s father Manuel made an enemy become their ally again, and with the Bulgarian uprising defeated before it could grow worse like in real history, the 3rd Crusade still did happen, but the happy ending though was that the 4th Crusade in 1204 that sacked Constantinople never took place due to Byzantium and Venice fixing their ties with each other, as Venice in real history brought the Crusaders to Constantinople to sack it, even if the Crusade was originally aimed for Jerusalem to take it back from the new Islamic power being Saladin’s Ayyubid Empire. When doing chapter IX, I also did a number of art projects for the chapter like a recreation of the manuscript depicting Niketas Choniates, one of the primary historians of the 12th century, and aside from the usual lead character illustrations for the chapter, Justinianus who previously helped in writing chapters III and VI did an illustration of chapter IX’s lead character Emperor Manuel I Komnenos in her own style. Chapter IX was then published on July 19, and only after finishing chapter IX did I do my own illustrations for the 3 Angelos emperors of Byzantium: Isaac II, Alexios III, and Alexios IV who are said to be Byzantium’s 3 worst emperors.   

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Map of the Byzantine Empire (pink) at Manuel I’s death, 1180
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Manuel I Komnenos (on a horse) at a triumphal parade in Constantinople
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Isaac II Angelos’ rise to power by beheading Andronikos I’s hitman, 1185
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Normans from Sicily invade Byzantine Greece, 1185

As chapter IX was completed and published, I quickly worked on the 5th episode of my audio-epic series (Part V: Double Disaster: Civil War and Black Death) which was uploaded before the end of July and true enough my schedule in late July and early August was a very tight one with all the art projects included.

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John III Doukas Vatatzes, Byzantine emperor in Nicaea (r. 1222-1254), art by myself

After chapter IX was completed, I immediately began working on my acrylic painting of Emperor Basil II which was to be completed on the day he defeated the 2nd Bulgarian Empire (July 29), while at the same time I was also working on my drawing on the 3 Angelos emperors, and lastly a black and white illustration of Emperor John III Vatatzes (r. 1222-1254), who would be the lead character for chapter X. The time for writing chapter X too was a tight one, but luckily before writing I already knew a lot of information for the era the chapter was to be set in which was the 13th century in which I have been making many Lego films including audio epics of it in the past, while I was lucky here also since the Youtube channel Kings and Generals had also published some videos regarding that era earlier on. When writing chapter X, I then wrote it with such speed but again as I already knew the events of the time, it was not so much of a challenge to write, however the challenging part of writing it was its very confusing story, as this chapter covered the 4th Crusade of 1204 which temporarily ended the Byzantine Empire and fractured the area of the Byzantine Empire into so many different states both Latin and Byzantine Greek. Although for chapter IX I gave a more positive image to the controversial Byzantine emperor Isaac II Angelos, for chapter X however where he returns, I returned to portraying him as he is usually portrayed in history as an incompetent and corrupt ruler while his dynasty was even much worse that their bad leadership would eventually lead to the army of the 4th Crusade arriving before Constantinople’s walls in 1203.

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4th Crusade army storms Constantinople’s walls, 1204

Chapter X’s main highlight then was the tragic betrayal and fall of Constantinople to the 4th Crusade’s Western European army in 1204 which led to the victorious Crusaders carving up Byzantine lands and dividing it among themselves while looting tons of precious Byzantine treasures and relics taking them back to Europe, though the Byzantines that survived it had formed their own successor states such as the Empire of Nicaea, Empire of Trebizond, and Despotate of Epirus, while in the north the absence of Byzantium allowed the newly proclaimed 2nd Bulgarian Empire to grow. The confusing part about chapter X was in combining all these post-1204 successor states and the constant fighting among them into one story, however the what if for this 13th century story would take place in 1235 wherein the powerful Bulgarian emperor Ivan Asen II and the exiled Byzantine emperor of Nicaea John III Vatatzes team up to take back Constantinople from the Latin Empire.

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Tsar Ivan Asen II of Bulgaria (r. 1218-1241), art by HistoryGold777

Although both rulers teamed up in real history, neither of them succeeded in taking back Constantinople from the Latins, however in the story the change was very shocking with Ivan Asen II betraying John III and capturing Constantinople from the Latins for himself, thus putting Constantinople under Bulgarian rule. This chapter’s what if as mentioned earlier was then something I have planned long before I conceptualized the whole series, as last year when doing my audio epics set in the 13th century, I came across this very unfamiliar and unlikely what if of the 2nd Bulgarian Empire taking over Constantinople in 1235. Chapter X though ended with what did not happen in real history, which here was John III eventually taking back Constantinople from the Bulgarians after Ivan II’s death in 1241 thus restoring the Byzantine Empire that was thought to have died out in 1204, as in real history John III died in 1254 and Constantinople was only recaptured by the Byzantines of Nicaea in 1261.

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Emperor John III Vatatzes in imperial armor on a horse

Due to so much happening in the early 13th century, I chose to end chapter X by 1261 no longer covering the latter part of the 13th century, although chapter X uniquely featured an alternate ending wherein I had the dynasty of John III Vatatzes survive by having Michael Palaiologos, the man who overthrew John III’s dynasty in 1261 blinded and imprisoned for life as his plot to overthrow the dynasty was discovered, thus in the story the descendants of John III or the Laskaris-Vatatzes Dynasty would continue ruling the restored Byzantium. On the other hand, the success of my Byzantine journey had still continued, at the time I was writing chapter X, although not really increasing too much but at least still staying at the same level of success, and part of this was seen with one of my Instagram posts which was a map I made of the post-1204 Byzantium with the different states’ respective coats of arms on it which then got a number of likes and shares and so did my drawing of the 3 Angelos emperors, and my post on August 15 about the reestablishment of Byzantium in 1261 which did happen on that day, and later on another one on the Slavs in the 6th century according to the Byzantines which was for me a very surprising success that now has more than 600 likes on IG. Other than having my success continue after chapter X, I also uploaded the 6th part of my late Byzantine history audio epic (Part VI: The Tragedy of John V Palaiologos), which was uploaded just 2 weeks after finishing chapter X and 3 weeks after the previous video of the series, and it was here when the stories of my late Byzantine history audio epics began coinciding with the stories of my chapters, and other than all the successes I have been facing at this time, it was also between finishing chapter X and before starting the next chapter wherein I got the 2nd dose for the COVID-19 vaccine, thus becoming fully vaccinated. Now as for chapter XI, this then happened to be the one with the quickest writing process out of all the chapters in the entire series, and most of this was due to having enough information on the era in advance considering that the audio epic series I was working on and still working on now is set in the same timeline as chapter XI which is the late 13th and the rest of the 14th centuries.

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Emperor Michael VIII Palaiologos of Byzantium (r. 1261-1282), painting by myself

The rest of the events of the late 13th century beginning with the Byzantine reconquest of Constantinople in 1261 and the reign of Michael VIII Palaiologos (1261-1282), the War of the Sicilian Vespers in 1282, the first attempt to convert the Byzantine Empire to Catholicism in the 1270s, the reign of Michael VIII’s son and successor Andronikos II (1282-1328), and the further destruction brought to Byzantium by the Catalan mercenaries were then covered in chapter XI. At the same time, chapter XI was the chapter made to introduce the final act of Byzantine history as it was the first chapter to introduce the Ottoman Turks as the new enemy of Byzantium that would in 1453 bring about their end replacing the now dissolved Seljuk Empire in Asia Minor, while the chapter also continued the story of the Mongols as well as the 2nd Bulgarian Empire, but also of the rise of Serbia into a kingdom and eventually to the dominant power of the Balkans being the Serbian Empire. Chapter XI’s story also featured the reign of Andronikos III Palaiologos (1328-1341) being the last period of revival for Byzantium by reconquering most of Greece, as what followed his death in 1341 was a devastating civil war between his wife Anna of Savoy backing their young son Emperor John V and Andronikos III’s right-hand-man and general John Kantakouzenos.

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Emperor John V Palaiologos (r. 1341-1391), art by Justinianus the Great

The story then basically went through what actually happened in real history whereas John Kantakouzenos won the civil war in 1347 becoming Emperor John VI only to have the plague of Black Death hit the Byzantine Empire and further destroy it all while their northern neighbor the Serbian Empire under their newly proclaimed emperor Stefan IV Dusan not being much affected by the plague took advantage of Byzantium’s weakness and took over a lot of Byzantine territory in Greece. The story of the 14th century in chapter XI was then only altered when reaching the 1350s and here I chose to have the Serbian emperor Dusan capture Constantinople, not to conquer and pillage it but to save Byzantium from dying, therefore I chose to make this chapter’s story very much like the previous chapter with a foreign power taking over Byzantium.

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Stefan Uros IV Dusan, King of Serbia (1331-1346), Emperor of Serbia (1346-1355)

The lead character for chapter XI then was the Serbian emperor Stefan IV Dusan who I chose to portray in a more positive light as an admirer of Byzantium despite him being their enemy and in changing the course of history, I had him take over Byzantium to not only save it from deteriorating but to fully expel the Ottomans from the Balkans before they begin to expand, as in real history Dusan never took over Constantinople while the Ottomans after first crossing into Europe in 1354 began rapidly expanding to the point of destroying both the Serbian and Bulgarian Empires. Chapter XI then ended with Constantinople returning to Byzantine rule after Dusan’s death in 1355, though the main difference was that the Ottomans would no longer pose as a threat. The 14th century history of Byzantium true enough never interested me much as it basically just featured Byzantium as a weak and impoverished state with so much wars, plotting, and disaster to the point where it already becomes too tiring unlike how it was in Byzantium’s glory days of the 10th century, therefore I did not put as much effort and attention into writing chapter XI that I could have in fact skipped this entire era being the 14th century which many historical books featuring Byzantium do anyway.

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Byzantine art recreated- Chrysobull of Emperor Andronikos II (r. 1282-1328, left) presenting the document to Christ (right), art by myself

However, since all centuries in Byzantine history were to be represented per chapter, I still went with doing a chapter for the 14th century anyway where the most possible what if was for Dusan to take over Byzantium as it was part of his intention in real history anyway. On the other hand, chapter XI was also basically more or less the teaser chapter for the grand finale (chapter XII), while I also did not do much art projects for chapter XI except for the usual lead character illustrations in which I only featured 10 characters as very early on back in February I already did an illustration of the Byzantine emperor Andronikos III and his wife Empress Anna of Savoy recreating a historical illustration of them, while in March I did a portrait of Emperor Michael VIII, and in April a recreation of a historical illustration of Andronikos II.

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Seal of the Palaiologos Dynasty of the Byzantine Empire, founded in 1261

Chapter XI was then completed and published on August 31 and when sharing it, it got rather mixed reviews in the comments section just like chapter X previously, and for chapter XI the comments I got usually said that they did not agree much with Constantinople being taken over by Dusan seeing it as worthless, but despite the criticism the success of my Byzantine journey was still ongoing. While doing chapter XI, I also came across new things such as beginning in watching the series Downton Abbey and later Into the Night on Netflix, replaying Assassin’s Creed Valhalla for PS4, and beginning a new Byzantine historical novel which was The Usurper which was also set in the same era as that of chapter XI.

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Map of the Division of the Byzantine Empire after 1204 with the respective flags and seals of post and pre-1204 states, design by myself
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Constantinople falls to the 4th Crusade, 1204
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The 1261 Byzantine Reconquest of Constantinople, art by FaisalHashemi
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Byzantine art recreated- Emperor Andronikos III Palaiologos (r. 1328-1341) and his wife Empress Anna of Savoy, art by myself
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Coronation of Dusan as Emperor of Serbia in Skopje, 1346
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Map of the spread of Black Death across Europe, 1347-1351

Before writing the finale chapter XII, I first finished reading The Usurper and even published a review for it on September 11 (read it here) accompanied by a drawing I made of its lead character the late 13th century Byzantine general Alexios Philanthropenos, while at the same time as my success was continuing, on September 6 I posted an artwork I made of Emperor Theodosius I (r. 379-395) which was the day he won a victory at the Battle of Frigidus in 394 becoming the last emperor of a united Roman Empire before it permanently split with the east becoming the Byzantine Empire and the west falling in 476, and again this post was a success on both FB and IG.

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Alexios Philanthropenos from The Usurper, art by myself

At the same time, before writing chapter IX I also returned to studying after 5 months of being on break, although only doing one subject, thus chapter XII’s release date was delayed as originally it was supposed to be out on September 15, but due to other things I had to do, the date for release was moved to September 27. The process of writing chapter XII then was a long one as considering it being the series’ finale, I put a lot of time and attention to it in order to make a well-made conclusion to the entire 12-part series. Now ever since the very beginning when conceptualizing all the chapters for the series, I already had very big plans for chapter XII which was the finale set in the 15th century being Byzantium’s last century, therefore I wanted to have the final chapter have a much more epic story with a battle more epic than that in the past chapters for its climax, and to also have stories from all the other past chapters including characters like Justinian I the Great and Nikephoros II Phokas make a comeback as a fitting way to end the series.

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Flag of the Ottoman Empire, born in 1299

The researching part and the structuring for chapter XII too was quite tricky, as for the final chapter the story itself was not only about Byzantium as by the 15th century, Byzantium itself had already been so reduced, thus the story itself had a lot more to do about the Ottoman Empire now growing strong than ever, the rest of the Balkans including Serbia, Albania, Wallachia, and Hungary, and the now more powerful kingdoms of Western Europe becoming aware of the threat of the Ottomans. The 15th century where chapter XII was set in was also a time of great transition wherein the Middle Ages transitioned into the Renaissance especially in Italy while the Age of Exploration also began especially in Portugal, while for Byzantium things went the other way around as centuries ago, they were the advanced power both respected and feared by all others around them, but by this point they were the ones weaker and backwards while the rest of the developments happened in the rest of Europe.

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Emperor Manuel II Palaiologos of Byzantium (r. 1391-1425)

With all the stories of the wars against the Ottomans, the birth of the Renaissance and Age of Exploration, the schism with the Latin Church still continuing, and lastly the 1453 Siege of Constantinople, the finale then went along with real history beginning with the reign of Manuel II Palaiologos (1391-1425) wherein the Ottoman Empire was temporarily destroyed following the defeat of the Ottoman sultan Bayezid I to Timur and his forces at the Battle of Ankara, then the story proceeded to the reign of Manuel II’s son John VIII Palaiologos (1425-1448) wherein the old ideas from Byzantium would spread to Italy and help introduce the Renaissance when John VIII himself visited Italy.

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Emperor John VIII Palaiologos of Byzantium (r. 1425-1448)

The story also discussed the tensions in Byzantium especially about uniting with the Latin Church in the west to stand against the Ottomans wherein many Byzantines opposed it choosing to fall to the Ottomans rather than giving up their soul being the Orthodox faith and submit to the pope as a result of the trauma they faced under the Catholic Latins of the 4th Crusade in 1204, and this conflict was true enough even present in the ruling dynasty as the emperor John VIII as well as his brothers Constantine and Thomas supported the union while the other brother Demetrios stood against with such passion creating a strong conflict between the brothers despite their empire already on the verge of extinction. The climax of the story would then take place during the reign of John VIII’s brother Constantine XI Palaiologos (1449-1453) as the last Byzantine emperor, although rather than doing what he did in 1453 in real history which was in refusing to surrender the city to the Ottoman sultan Mehmed II and instead choose to fight till the end, in the story I made Constantine XI go for the other option of surrendering Constantinople to Mehmed II in order to buy time to one day launch a massive Crusade to take back Constantinople from the Ottomans, thus totally altering history.

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Constantine XI Palaiologos, the last Byzantine emperor (r. 1449-1453)

From 1453 onwards, the story was totally altered as Mehmed II took over Constantinople without a fight, while Constantine XI returned to the Morea in Southern Greece, the last Byzantine holding to once again be its Despot (governor) together with his brother Thomas while the other brother Demetrios then abandons and betrays them switching sides to the Ottoman sultan Mehmed II, though both Constantine and Thomas then do the bold move of going to Rome themselves to fully submit to the pope and convert to Catholicism, thus once and for all ending the great schism between the Eastern and Western Churches, which never happened in real history.

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Sultan Mehmed II the Conqueror of the Ottoman Empire (r. 1451-1481)

The story then ends with a climactic final battle to recapture Constantinople wherein the famous rulers and defenders of Europe at this time including the Albanian resistance leader against the Ottomans Skanderbeg, the Hungarian general John Hunyadi, and the Prince of Wallachia Vlad III the Impaler all team up to join Constantine and Thomas in the recapture Constantinople from Mehmed II. In addition, I also wanted to add in a very unlikely story and this here was in having the distant Kingdom of Portugal which here was the 15th century’s rising star to come and assist in the recapture of Constantinople, as in real history the Byzantines and Portugal hardly if not had any interaction with each other at all, and just for the sake of fantasy, I had the powerful Portuguese navy come at the last minute to turn the tide of the war to the side of Byzantium, thus at the end the Ottoman Empire was shattered, and Byzantium continued to live on.

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The last Byzantine emperor Constantine XI in the Portuguese blue and white tile art style, art by myself

As the grand finale of the series, chapter XII was no doubt longer than all the previous 11 chapters as it featured so many side stories of the major characters from different parts of Europe and beyond, while it also brought back the highlights from the past 11 chapters. As part of the process of doing chapter XII, I did the usual illustrations for the leading characters which here had 15, while on the other hand as a reference to the Portuguese part in the story, the illustration I did for the story’s cover was a blue and white artwork of Emperor Constantine XI inspired by the Portuguese blue and white azulejo tiles. After publishing the final chapter on September 27, when sharing to the various history groups in Facebook I am a part of, it received rather mixed reviews wherein many commented saying that this kind of story of Constantine XI surrendering Constantinople to one day take it back seems rather absurd as the schism between east and west could not be solved while Western Europe was either too busy with their problems or too selfish to assist Byzantium, however I still did not really give much of damn about what they said as true enough the final chapter for the series was pure fantasy, and overall I was just very glad to have finished the entire series still coming out of it in one piece. Now after completing the series, my following on both FB and IG still continued to increase and after more than a week of taking a break from posting on IG, I continued posting in which my posts still continued getting the same success, and just recently on October 7 I uploaded the 7th episode of my audio epic (Part VII: Byzantium’s Last Respite) which has the same setting as the prologue part of chapter XII, and even with the series over, my Byzantine journey still has a long way to go.  

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Map of the Byzantine Empire by 1450 (purple) and other territories including the Ottoman Empire
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Renaissance Italian painting of John VIII as one of the magi, made during his stay in Florence by Benozzo Gozzoli
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The Fall and Ottoman Conquest of Constantinople, 1453
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Constantine XI’s final charge against the Ottomans on May 29, 1453, art by FaisalHashemi

Lessons from the History of Byzantium and from my Byzantine Journey, My Take on Byzantium’s Legacy, and Updates          

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Now when it comes to discussing the lessons that I have learned throughout my journey of writing the 12 chapters, I have to divide this into two parts as there were lessons that I have learned from the Byzantines in their entire 1,100-year history, and lessons I also learned from my journey as a Byzantine content producer.

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Flag of the Byzantine Empire (13th-15th centuries)

First, I shall start with the lessons I learned from the history of Byzantium itself and being an empire that lasted for a total of 1,123 years with over 90 emperors and 15 ruling dynasties, there is just so much to learn from. The biggest learning I had from the entire history of Byzantium itself that I have been impressed with the most was the longevity of their empire and how they persisted through such challenges to the point of lasting for over 1,100 years, that true enough just recently when looking at a list of the world’s longest living states in history, Byzantium ranked at #7 while the other longer living states higher than that had in fact happened to be lesser known states that had either existed in Ancient history or were very unknown states in other parts of the world like India or Africa. There were many incidents wherein Byzantium could have already surely disappeared such as in the 7th century when the Arabs all of a sudden expanded and could have conquered the entire Byzantium that had just recently been weakened by war with the Sassanids but impressively Byzantium survived while the Sassanid Empire that had been their longest enemy had completely fallen to the Arabs. When Byzantium’s golden age came to a close in 11th century with another enemy coming out the blue being the Seljuks that so rapidly crushed the Byzantines at the Battle of Manzikert in 1071, it was also impressive here to know that Byzantium not only survived but were able to overcome this enemy and grow to become a major power again in the 12th century.

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Constantine XI in full plated armor with his broadsword at the last moments of Byzantium, art by JohnJollos

Lastly, when the army of the 4th Crusade sacked Constantinople and could have possibly ended the existence of the Byzantine Empire itself in 1204, the Byzantines though still going into exile still managed to come back and return to ruling Constantinople despite now no longer ruling a powerful empire but rather one that was a shadow of its former self, and more so that Byzantium at their last days chose to fight to the end for their empire even knowing this would be their end as the Ottomans did in fact capture Constantinople on May 29 of 1453 ending the empire. Now what I leaned from the longevity of Byzantium is that life goes that way, there are many ups and downs to go through, and many challenges to face, and just like Byzantium that overcame these life-threatening challenges through persistence and courage, the same can be said with overcoming life’s greatest challenges and surviving them. Of course, we all meet an end the same way all empires do, and for the Byzantine Empire itself I could say that if it were a person, it would have lived a life of 110 years with every century being a decade in one’s life, and truly this 1,100-year existence of Byzantium was so impressive enough that in entire lifetime as an empire, things had changed so much that the Byzantium of the 12th century ruled by the Komnenos emperors may look so far different from the Byzantium of the 6th century under Justinian I when it fact it was the same empire with the same capital, and in their entire existence they had seen many states around them both rise and fall all while they continued to exist, and even at the very end when the Ottomans conquered all their surrounding states such as Serbia and Bulgaria, Byzantium still stood.

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Byzantine Cataphracts in battle

Just as Flavian said when interviewing him, I have to agree with what he said that one of his greatest learnings from Byzantium is that success comes with the mastery of sword and spirit and this can truly be said about Byzantium as it was through fighting constant wars throughout their existence, that there was barely a time in their history that they experienced multiple decades of peace, and it was through their mastery of war and studying the battle tactics of their enemies that they were able to overcome them and survive, while for the part of the mastery of spirit I can say that they lived on for so long basically because they had the faith of Orthodox Christianity uniting them despite Byzantine society being so divided.

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Emperor Alexios I Komnenos of Byzantium (r. 1081-1118), master of both warfare and diplomacy

However, another thing I have to say about Byzantium is that they were able to live on for so long not only due to inventions of weapons like Greek Fire or having powerful armies and massive walls protecting their capital, but also because of their mastery of diplomacy, thus a very big learning from Byzantium is that winning wars also require a lot of diplomacy and true enough the Byzantines managed to turn so many enemies away by bribing them, but also the history of Byzantium teaches us that if there is no peaceful way to resolve a conflict, war is the answer as seen many times with the Byzantines. Another great learning too from Byzantine history was that they were basically the empire that continued the existence of the Roman Empire and preserved the knowledge of the Classical Era from Ancient Greece and Rome that they in fact even absorbed it and blended it together with the Christian faith, thus making them an advanced society while the rest of Europe was in the Dark Ages. Of course, over time things would evolve thus the rest of Europe itself would begin advancing while Byzantium itself would stay in the past especially in its last years where their institutions that once seemed so advanced eventually began becoming obsolete, but luckily enough Western Europe was able to obtain knowledge from Byzantium to become more advanced the way Byzantium was before, thus brining about the Renaissance. As Akitku said earlier when I interviewed him, was that Byzantium was true enough a very advanced society in their time, and I have to agree here as when literally most of the entire world did not really have a structured government or laws, Byzantium did, and not only did Byzantium have a very centralized government, they also had state-funded hospitals and schools and a society that was much more literate than that of Europe and most other parts of the world in their time long before the modern age when society became like this.

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Civil War between Emperor Andronikos II and his grandson Andronikos from 1321-1328, sample of political instability in Byzantium

On the other hand, Byzantium also shows that even the most advanced societies are very vulnerable to corruption and internal division, and true enough corruption in the government, incompetence and cruelty by emperors in running the empire at some occasions, political rivalries and even fighting among ruling families, and a highly divided society especially regarding religious or political issues defined their history, but overall this shows that Byzantium was not perfect which makes them seem like any other country today rather than a mythical utopia that may or may have not existed. Meanwhile, another great learning for me is that even the Byzantine emperors no matter how powerful they seemed could lose their power at any moment the moment they lose their popularity, thus this shows that Byzantium really was the continuation of the Roman Empire of old as not only did it continue its imperial institutions but those from the Ancient Roman Republic itself, and true enough Byzantine emperors just like the Roman emperors before them and the consuls of the republic before them were not like the monarchs of Western Europe or the Sassanid or other eastern emperors (China and Japan) that had divine rights but rather, Byzantine emperors got their power from the Senate, army, and people just as how a republic works, therefore Byzantium never really had a system wherein the emperor’s eldest son would succeed him, which is why whenever an emperor comes to power, his authority is sure to be challenged despite him being the eldest son, which is why emperors had creative means of getting around this such as making their sons co-emperors as a way to already immediately name a successor to prevent power struggles.

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Byzantine emperor Nikephoros II Phokas (r. 963-969), an example of an emperor going from hero to zero

In Byzantium’s history there had also been many incidents showing that their political system had allowed anyone to rise to power as emperor, thus in their history there had been generals, admirals, common soldiers, peasants, even women, young children, a tribal chieftain, and a money changer becoming emperors, thus I would have to agree with what Chrysa said that Byzantium is kind of the place to follow your dreams as if yo are lucky enough, it will lead to you to something big. There were also some incidences wherein even long before our time when people do have the right to change their system did exist, and true enough there were even some incidences in Byzantine history when revolutions led by the people changed the regime by installing a new emperor of their own choice even long before revolutions like this like the American and French Revolutions happened. Their history too had shown incidences wherein emperors despite starting out popular eventually lost their popularity the moment they are no longer in favor with their people, that some emperors in fact even lost their power when losing popular support, thus being an emperor was a really tough job as to stay in power you really needed to maintain your popularity mostly by winning battles against enemies.

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Constantine XI Palaiologos with the Byzantine emperors of the past above, left to right: Constantine I the Great, Justinian I the Great, Heraclius, Basil II, John II Komnenos, and Michael VIII Palaiologos, art by JohnJollos

Lastly, the biggest lesson I learned from Byzantium was that learning to adapt to the current situation is the way to survive, and this was true enough how Byzantium was able to live on for over a thousand years, as when the times changes such as first when the Western Roman Empire had fallen in 476, they took up the role as the civilization that was there to preserve the imperial Roman identity; when the Arab threat came out of the blue and was there to stay, the Byzantines had to adapt in order to survive, thus creating the Thematic System and Thematic army; when their economy was falling apart, they had to adapt by issuing new economic reforms and new forms of currency; but Byzantium still had major weaknesses, and for me, I would say it was religious schism which further divided their society, and no matter how great they were in solving political and economic problems in their empire, it was their religious problems they could not solve, therefore if there was something I would want to change about Byzantine history, for me it should be that they should have not gotten themselves too fixated on religious schisms which was thus the cancer in their society, especially Iconoclasm as for me I would say the same as Chrysa did, wherein if the Iconoclast policies of the 8th century never came to exist, then perhaps Byzantium would never get into any strong bitter schisms with the west, therefore no Great Schism in 1054, no bad blood between Byzantium and the west, no 4th Crusade sacking Constantinople in 1204, and surely the west will help Byzantium against the Ottomans at the end. Now even up to this day in the distant future, I would say that if we have questions about the society we live in and are either confused or frustrated, I would say that a good solution is to look back at the history of Byzantium to take a look at patterns, as after all history does repeat itself. 

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Map of the Byzantine Empire at 3 different eras; greatest extent in the 6th century (red line), in 1025 (pink), and by 1360 (red)
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Life in 6th century Byzantine Constantinople, art by Amelianvs
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Early period Byzantine soldiers in training, art by Amelianvs
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Byzantine emperor Theophilos (r. 829-842) with the backing of the Byzantine Senate, Madrid Skylitzes
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Alexios V bribes the Varangian Guards to proclaim him emperor, 1204
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Left to right: Byzantine emperors Isaac II Angelos (r. 1185-1195), Alexios III Angelos (r. 1195-1203), and Alexios IV Angelos (r. 1203-1204), said to be the worst Byzantine emperors, art by myself

Now that I have discussed the lessons that I have learned from the history of Byzantium itself, it’s now time to move on to the lessons that I have learned from my journey in creating Byzantine related content online. Basically, the greatest lesson I’ve learned from doing online content on Byzantine history whether blog posts like these, videos, or Instagram posts is to first of all set a goal on where you aim your account/ page to be headed towards as well as how big you want yourself to become in the industry, then to come up with a plan of what you will post as well as your own unique style of posting. For over 2 years now I have been posting articles about Byzantine history on this same site, however it was only at the start on this year when I decided to reach a wider audience and raise more awareness about Byzantine history by creating social media accounts relating to it, beginning with my Instagram account which I in fact was at first reluctant to start wondering in what direction it would be headed to. Although at first, I basically just posted old travel posts on Byzantine era locations I have been to in the past and behind the scenes posts of my previous Byzantine era Lego films, however when the number of my followers began to increase, it was about time that I posted things that had more depth and information mostly being Byzantine history trivia in order to make my content more interesting considering the increase in followers and engagements.

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Byzantine Cataphract cavalry unload using ramps

This strategy of posting too would include posting a variety of posts which in my case included Byzantine travel destinations, Byzantine history trivia, Byzantine fan art, sometimes a quick bio on a Byzantine emperor, and once and a while a spin off post whether it was a Byzantine-Star Wars crossover drawing or a post of another country’s history like that of the Sassanid Empire, Slavs, or even of a far-off place like India or China with a hint of Byzantine history, while when posting every post on my Instagram, from the very early days I already created a trademark of introducing the caption for every post with a diamond emoji, while the emojis too would be common in my posts to make them seem to appear more light and less scholarly, while I also chose to put in a lot of hashtags as a way to get more notice.

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Sample of my posting style on Instagram

At the same time, I also learned some tips in posting from the other accounts I follow in which one before basically posted something long everyday whether it was a bio of a Byzantine emperor or something about Byzantine history wherein the caption was so long it had to spill over to the comments- which I do at times and dread it- while another user does every post beginning with a picture of the user in that certain historical landmark wherein you can view the pictures of the place itself when swiping right while the caption below on the other hand explains the historical angle. The accounts however that basically served as the inspiration for mine included Shadows of Constantinople which tells the history of Byzantium in a very informative, smart, and more organized manner of a collage to put all the pictures at once so that everything is seen immediately, and there was the user Roman Courier which never fails in creating interesting content discussing Roman history and lesser known facts about it including debunking myths in a very light and engaging but at the same time in a very serious way by using primary and academic sources; although from the same Flavian I interviewed here, one major tip I learned in posting history content is to engage followers more by having regular Q&As as well as keeping the posts concise yet entertaining. Another strategy I considered was to also balance and in a way experiment a little in your posts by making them both historically accurate and authentic but also contemporary, meaning not going too over the top in historical authenticity, and for this one example I would give would be in terms of soundtrack when doing videos wherein I would choose to use more modern soundtracks such as those from my favorite bands Chvrches and Of Monsters and Men instead of going too over historical by using Byzantine chants as a soundtrack, while the same can be said too when for example doing a post on Byzantine Constantinople wherein I would choose to balance it better by putting historical information in the caption but using a modern illustration of Byzantine Constantinople for the image instead of one from the Byzantine era itself, and also in this case I would sometimes share funny memes relating to Byzantium as well.

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Meme of Irene blinding Constantine VI, 797

As time progressed, another trick I learned was to post at a regular interval meaning coming up with a new Byzantine IG post every 2-3 days or every 5 days at the most in order to keep things balanced, as posting something or even more than one post every day would soon enough become too tiring for viewers, while posting irregularly- like once every week and once every 2 weeks at times- would confuse viewers making them wonder where you went, while posting irregularly too would not really get you anywhere in followers and engagements unless you have already reached your peak.

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Slavic warriors attacking a Byzantine fortress in the late 6th century, one of my most successful Instagram posts

Along the way, I also came up with a strategy to post on Instagram posts relating to the era where I was at in writing the alternate history stories, and it was around March in between doing chapters II and III when I developed this trick, which was basically a way to just keep my mind focused on the era I was currently working on. When it comes to posting something that would get a lot of hits, from my experience it was usually doing a post about what happened on this certain day, such as my post on the Fall of Constantinople on May 29, while on the other hand the posts that would get the most number of likes as well as comments sometimes happen to be the most unlikely ones, and in my case it was my post on the Slavs and how Byzantium saw them, which then got me a lot of followers including catching the attention of one user posting similar content as I do (follow Slavic History Mythology on Instagram). Of course, if you want your post to gain more attention including shares globally, what I do here is to post whatever I posted on Instagram to my Facebook page, then share it to various Byzantine history related groups that have thousands of members like Roman and Byzantine History, The History of the Byzantine Empire, and Byzantine Real History, which is also basically how I share my blog posts. What I would then say is the key to a successful post is consistency, and I do this by as I said posting things related to the era you’re currently working at, and not to wander off too much into different eras, however for a change it would be good to do so as well. With success however comes a lot of criticism, and in my journey I began experiencing a lot of this especially when my accounts became more successful, and a lot of this had to do with comments of others disagreeing with my post or sometimes speaking ill about Byzantium, and usually I reply back to explain exactly what I was saying or usually don’t mind them if they are just senseless comments as these could be trolls, although this criticism also shows that at least people are interested, though sometimes I also speak out my opinion by commenting what I think or what I suggest for the posts of others especially when it comes to a topic in Byzantine history that interests me a lot. The very rare thing now that I’ve faced was other users plagiarizing by posting the exact same content that I had posted behind my back without mentioning me, and although I very rarely experience this, what I do here about it is to usually remind them when seeing it that the post was originally mine, and also if it all comes to worse; I would report the post. On the other hand, another great experience was in having people out of the blue send you messages praising your content or being plainly curious to know about you and why you like Byzantine history, and when my account became successful, I have experienced this a number of times, in which this kind of experience taught me how to be truly appreciative for something like that to happen as these moments are very rare. Now, one very major thing I learned about in my journey of creating Byzantine history content is to know your audience and who exactly are you aiming to impress, as when it comes to posting about history, people see things differently, and in my experience, I have noticed there are two kinds of audiences, in which there is for one the history fans or history buffs such as myself, and there are the authorities which are basically the scholars and professors of Byzantine history.

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Emperor Manuel II Palaiologos (r. 1391-1425) with his family manuscript

Based on my experience, both these audiences are usually different from each other and certain posts please either of them, and usually my posts due to its more contemporary and easier to understand style please more history buffs which are the majority of users on Instagram, while posts that usually contain more information on sources and more historical accuracy please the authorities more. At the end however, as I have learned it is quite difficult to please both at the same time or in my case to please the authorities, therefore it turns out that my posts appeal more to history buffs, and although this may not command as much respect as it does when pleasing historical authorities, at least I can get a wider variety of audience, as after all my mission and vision for my Byzantine history social media accounts was to make the history of Byzantium accessible to everyone of all walks of life whether they are familiar with it or not, rather than to just keep the history of Byzantium among a smaller circle of scholars and historians. Of course it would still be great to get the attention of the authorities on Byzantine history online, and to do this I also learned along my journey that this would mean doing tons of research for a an article or for just a simple post and to explain the historical sources as well rather than just searching Wikipedia, and true enough I also applied this method to writing my alternate history stories, meaning that when writing each of the chapters I did more than just search Wikipedia but go through the links linked in Wikipedia, read different articles and books, and go through many channels and podcasts discussing the era to get different versions of it in order to compare them.

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A Cabinet of Byzantine Curiosities by Anthony Kaldellis

Additionally, whenever I complete a chapter for the alternate history series or a video on my channel, I always promote it by putting its link on my Instagram bio, while also since I post a lot of Byzantine history trivia it then turned out that my Instagram account became a way of retelling the trivia from one of my favorite Byzantine history books which is A Cabinet of Byzantine Curiosities by Anthony Kaldellis, thus probably my viewers would no longer buy the book but instead just follow my IG to get info on Byzantine trivia from the book. Now the greatest learning I have made here was that success comes with time as for the first few months, progress was quite slow, but through time things turned unexpectedly that from over 300 followers I suddenly reached 1,000, then 2,000, and now I have over 4,000 followers on Instagram and over 900 likes on my Facebook page all in less than a year, thus I would say the trick here is to regularly post interesting information but also to be original, and in my case I do this by using filters for every image I post as a way to authenticate it as mine, as well as a detailed caption on what the image is. Although another important learning is to also know your place and what kind of account or page you are, and in my case, I soon enough came to realize I’m more of a Byzantine history fan page posting popular content that appeals to a wider audience in which I have now been growing more satisfied in being such. Of course, the biggest thing I’ve learned is still to basically enjoy posting and creating and let the inspiration flow as this will lead you to many places, and in my case this passion for Byzantine history and posting made me virtually meet and communicate with people from all over the world who all share this common interest.

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Map of Constantinople in the early 15th century

And now I’ve come to the part of discussing about the rich legacy of the Byzantine Empire and where I can still see it today. Obviously, like as many would say I also see the legacy of Byzantium in the many landmarks built in the Byzantine era still around today including the massive and still intact Hagia Sophia and a lot of other landmarks in Istanbul including the Walls of Constantinople, Forum of Constantine, the cisterns, old monasteries and so much more including monasteries and churches in Greece, Turkey, and the Balkans with their impressive mosaics and very deep looking frescos usually with a dark blue background, and the mosaics and churches of Ravenna and in other parts of Italy as well in which I was truly lucky enough to see.

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Sts. Cyril (left) with the Cyrillic Alphabet and Methodius (right), Byzantine missionaries sent to convert the Slavs by Patriarch Photios in the 9th century

Of course, I do not only see the legacy of Byzantium in the physical form meaning landmarks but rather in the non-material world and this would include the Orthodox faith and the Patriarchate of Constantinople that had been the Church of Byzantium which until this day is still around, while another of the spiritual influences of Byzantium that still live on to this day is the Cyrillic Alphabet the Slavic countries such as Bulgaria, North Macedonia, Serbia, Ukraine, Belarus, and Russia still use which was in fact first introduced to them by the Byzantine Greek missionaries St. Cyril and St. Methodius in the 9th century in which the alphabet in fact even gets its name from St. Cyril, although these missionaries did not really invent it as other monks in the Balkans developed it over time in the late 9th century.

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Emperor Justinian I with his Corpus Juris Civilis

Aside from the Orthodox faith and the Cyrillic Alphabet, the Byzantine legacy in the non-physical form can be seen in a much bigger picture even beyond the lands once under Byzantium, and this is in terms of legal systems, as true enough even up to this day the code of laws or Corpus Juris Civilis created by the jurist Tribonian under Emperor Justinian I way back in the 6th century still serves as the basis for legal systems of many modern countries, while on the other hand laws made back then in that code of laws still even apply up to this day, as recently I discovered about a law wherein any body of water cannot be owned, and this law itself dates all the way back to Justinian’s code. Now Justinian’s code had happened to be so influential that many rulers and kingdoms after his time including the Visigoths of Spain, Emperor Stefan IV Dusan of Serbia, and the Ottoman sultan Suleiman I the Magnificent in the 16th century were all inspired by Justinian to make their own code of laws for their empires, thus showing how Byzantium even in their time already influenced others a lot.

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Kievan Rus’ and Scandinavians (Varangians) sail down to Constantinople (Miklagard), 860

Byzantium’s reach true enough was so large, not even in our time but in theirs, as in the 10th and 11th centuries when Byzantium was a major world power, stories of the grandness of their empire reached as far as Scandinavia to the north and Sub-Saharan Africa in the south wherein Scandinavians even referred to Constantinople as Miklagard simply meaning “the city”. Of course, even after the fall of Byzantine Constantinople to the Ottomans in 1453, Byzantium itself never really died as many states took in the identity of Byzantium, therefore it remains unclear to tell which state is really Byzantium’s successor. For me, I would say that the Ottoman Empire was Byzantium’s political successor as they took over Constantinople themselves and made it their new capital while also adopting Byzantium’s government systems and architecture, while Italy on the other hand is Byzantium’s spiritual successor mainly because of the Renaissance as after the fall of Constantinople several Byzantine scholars fled to Italy escaping the Ottomans and bringing with them knowledge from Classical Greece and Rome that they have preserved and there introducing a new revival of art and academics which was the Renaissance in which we owe it very much to the Byzantines, and lastly there is Russia as they were the ones to succeed Byzantium in terms of faith as long after the fall of Byzantium it was Russia that became the world’s Orthodox power the way Byzantium was in the Middle Ages.

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Constantine XI, the last emperor with the great rulers of Byzantium’s past above, left to right: Basil II, Manuel I Komnenos, Justinian I, Theodora, Irene of Athens, Zoe Porphyrogenita, art by Gambargin

Now, for many Western minded people including myself, Byzantium should be held with such high respect as even though they were not a Western empire, they still preserved the ideas of Classical Greece and Rome that would help bring about the Renaissance and greatly influence Western thinking up to this day, and unfortunately those who put Byzantium in such a bad light after the 16th century- when the word “byzantine” was for the first time coined- by remembering Byzantium only for corruption and everything despicable were Western scholars, therefore I have to say that these Westerners including the likes of Edward Gibbon and Voltaire who basically slandered Byzantium should be ashamed of themselves as it was Byzantium that preserved the philosophy that influenced their way of thinking! Now at this day, no matter where you are in the world, you can surely see that Byzantium lives on especially in the way countries with their governments and political systems work, most especially when seeing how leaders are backed by the people, army, and aristocrats, including all the political rivalries, and power struggles which definitely still shows that Byzantium does indeed have its relevance all the way up to this day in the distant future.

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Byzantine forks

On the other hand, I would also see Byzantium’s influence not only in large aspects including faith, politics, art, and culture but in the smallest things used in everyday life as well like the simple fork, in which many do not know that the Byzantines did in fact invent it and spread it throughout Europe sometime in the 10th century when a Byzantine princess married the Holy Roman emperor in Germany. For me, the fork is such an important part of life that I literally use it to eat everything including pizza and sandwiches, thus truly I owe a lot to the Byzantines for making life easier that way! Of course, what keeps Byzantium and its history alive today are those who keep the flame of the empire burning as if it had not been extinguished in 1453- as Flavian had said- from renowned scholars and academics to content creators such as myself and many others I know who live to believe Byzantium never really died out and see the legacy of the empire still alive in many forms, in which for my case I do in fact still see Byzantium in many things no matter how very unrelated they are such as in a good and emotional song which brings me back to the Byzantine era.

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The lifetime of the entire Roman civilization- Kingdom, Republic, Empire, and Byzantine Empire (753BC-1453AD)

However, it is still such a shame that Byzantium is not really popular in world history that general history books barely mention it except for Constantinople’s founding by Constantine I in 330, the reign of Justinian I in the 6th century, and the fall of the empire in 1453 while many people either ignore Byzantine history instead believing the Roman Empire had fallen in 476 and after that Europe fell into the dark ages. However, I would also say that I am glad to see young people such as myself, Flavian, and a lot of others being aware of the great history of Byzantium in an age where most young people are rather shallow, narrow-minded, or do not care much about the wider world but just their immediate surroundings, which shows that the rich history and legacy of the Byzantine Empire still does indeed have some relevance and interest with young everyday people rather than just scholars and historians, thus I have to say that I am glad to be part of the movement of young people not only interested in but willing to share the great history of Byzantium to other everyday people whether or not they are familiar with it. Of course, the best way for Byzantine history to get more exposure especially among everyday people is to have a large budget Hollywood movie or a large budget series on the topic, as Byzantine history unlike Ancient Greece, Rome, or Medieval Europe has never even made an appearance in popular films and series, and true enough it does have the potential do so, and that way people would more and more be aware of Byzantium’s existence.  

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The Byzantine Legacy- frescos on a dark blue background
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The Byzantine Legacy- golden mosaics, Hagia Sophia, Constantinople

And lastly before I finish off, I would just like to share a few updates on what I would be doing now that I have finished my 12-part series, and basically since I have completed writing it, of course what I have to share next is this long post you are reading here to conclude the entire series and my thoughts and feeling about it. Now after finishing chapter XII, I do not really have plans of posting anything on this site for a while, as after all I need to take quite a long rest after about 8 months of writing the entire series with barely any breaks and facing so many ups and downs, but of course I will still continue to do more Byzantine themed art and posts on Byzantine trivia for my Instagram account to keep you all updated and to know that I am still out there and still willing to share more Byzantine history content, as after all there are still tons topics that may be of interest to many in their very rich and complex history that I have not yet shared in social media. Definitely I will still continue doing my Byzantine themed art which I would continue to post wherein I also have one planned for the end of the year being a chart of all the Byzantine emperors in which I have already drawn many of them for the 12 chapters of the series, although for the ones I have not drawn yet, I would draw them in the same icon style I used for the series’ character illustrations in order to complete the chart of the emperors. As for my Instagram posts, now that the series is over, most of them will no longer follow the course of Byzantine history but instead be random, meaning that one post would be something about Byzantium in the 6th century, then the next one may be something about the 12th century, although with chapter XII finished my other IG posts would also include spinoff stories discussing characters from the story including non-Byzantines like Vlad the Impaler, Mehmed II, and Skanderbeg, as well as events after 1453 like the last descendants of the Palaiologos Dynasty, the last dynasty of Byzantium’s 15 ruling dynasties. At the same time, my audio epic series “The Last Roman Dynasty” for my Youtube channel discussing Byzantium under the Palaiologos Dynasty still remains unfinished with 2 more episodes left to go, thus before the end of the year my plan is to finish this entire audio epic series. Overall, I would definitely miss writing the alternate history series though possibly before the year ends, I also plan to write one more alternate history chapter, although this one being chapter XIII would basically be a Byzantine spinoff discussing an alternate reality of the Byzantine Empire if it lived up to the 16th century wherein the events that had been altered from chapter XII would spill over to this story. Other than this, I definitely plan to do more interactive articles like this one in the future with interviews or articles in collaboration with someone, which was after all a new thing for my site I only began doing this year. Aside from possibly writing this story, I also have a major project planned in mind once I finish the audio epic series I have also been working on for the entire year, and this major project I have in mind is another Byzantine Lego epic film, as after all I have not filmed a major Lego epic film since War of the Sicilian Vespers in 2020, therefore it would be such a pleasure to do another large-scale Byzantine era Lego epic after such a long time as a comeback film. Now for this upcoming Lego epic, the plot I have in mind for it would be one of the 12 chapters of my series, and out of the 12 chapters I am for now deciding whether it would be the story of chapter II or that of chapter IX of the series that would be made into this film, as after all these were the two most enjoyable chapters in the series for me, while it is also these two that I believe have the potential to be made into and are the most practical ones in story to be made into a homemade Lego film for my channel No Budget Films that is mainly a channel of homemade Lego films telling an epic story set in history. Now aside from more Byzantine themed artworks, the possible epilogue story to the 12-part series, and the upcoming Lego film, the even much bigger thing I have in mind in the future related to my Byzantine history interest is going to be a business I aim to launch next year on a Byzantine themed board game and a deck of cards considering that I study a business course, though I still have to organize my thoughts and plans on this. As for now, with the 12-part series completed what is to happen next would be a trip to New York and Washington D.C. wherein I will continue my Byzantine journey seeing the Byzantine collections there including the Dumbarton Oaks collection of Byzantine seals and coins in Washington D.C. Now that I have completed the series, I have also come to realize that my career path in Byzantine history is that I am more of a generalist as I basically share information not just in a specific part of Byzantine history, or of a certain emperor, or on a certain part of Byzantine culture, but on the entire 1,1100-year history of Byzantium and everything about it, therefore I shall stick to this career path in Byzantine history. Of course, with the series over, I definitely have much higher ambitions and goals for my Byzantine journey and this would include getting more exposure and publicity worldwide, as well as also writing an article for a Byzantine history site, and getting one of my artworks featured by another site, but of course the best thing to do is still to share good information and enjoy doing it. Lastly, before I completely finish off, I would want to say that this Byzantine career I have launched only this year no matter how tiring it was still gave me a great sense of purpose and direction, as without it I would not know where I would be, therefore I would like to thank all those who share the content I made in any social media platform, those who have also recommended my IG account to the others as this truly helped in growing my account in terms of likes and followers, and of course I would like to thank all my fans and viewers whether on Instagram, Facebook, or in this site for showing some support. After all, it all turned out this Byzantine journey of mine was very much like a dream coming true like that of the Byzantine emperors of the past who began out as nothing and rose up the ranks, as in my journey over the months as well, the same can be said. Now, this is all for this article, and I hope you enjoyed reading it, this is Powee Celdran, the Byzantine Time Traveler, thank you all for reading and showing your appreciation!   

 

 

Byzantine Alternate History Series: Chapter V- Emperor Artavasdos, the Unlikely Hero of the 8th Century

Posted by Powee Celdran

DISCLAIMER: Although this is mostly a work of fiction, it is largely based on true events and characters. It seeks to alter the course of actual events that transpired in the 8th century AD. This story will begin with events that happened in real history but will become fictional as it progresses. Also keep in mind that this story has some content that may be disturbing to some readers.

Previous Story: Byzantine Alternate History Chapter IV- 7th century

“Icon comes from the Greek word “eikon”, which means “images”, but in the Greek-speaking Roman world, before the advent of Christianity, eikon was usually used to describe portraits of humans.” -Leslie Brubaker, Inventing Byzantine Iconoclasm (2012)

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Welcome to the 5th chapter of the Byzantine Alternate History series by the Byzantium Blogger! Last time, in chapter IV of this series, I went over the turbulent 7th century which saw the end of the early era of the Byzantine (Eastern Roman) Empire or Late Roman era and the beginning of its Dark Ages together with the sudden expansion of an unexpected empire, the Arab Caliphates as well as the turbulent reign of the autocratic emperor Constans II (641-668). The 7th century was a major turning point for the Byzantines as here they had lost more than half of their imperial territories first to their long-time enemy, the Sassanid Persian Empire which the Byzantines managed to defeat but just shortly after it, the over exhausted Byzantines were to face the rise of an unexpected enemy from the south, the Arabs who would stop at nothing to conquer in the name of Islam, which for the Byzantines could have been their end. The Byzantine Empire still at least managed to survive the expansion of the Arabs but it had cost them a lot as a large portion of their imperial territories, most importantly the rich provinces of Egypt and Syria were forever lost to the Arabs while the Sassanid Empire on the other hand had completely fallen to the rule of the rising Arab Caliphate by the mid-7th century. It was in reign of Emperor Constans II when things began to totally change for the Byzantines, first in terms of territory that with a great loss of it, the Byzantines had to adapt to these changes to increase military presence in order to check the expansion of the Arabs, thus leading to a reconstruction of the empire’s administrative system to the creation of smaller military-controlled provinces known as Themes in Asia Minor (Turkey), which would be the empire’s new heartland. On the other hand, the 7th century had also seen the major shift of Byzantium in terms of language and culture from Latin to Greek, though despite this drastic shift from Latin to Greek, the Byzantine Empire still and would always remain the Roman Empire continued with its emperors still called “Emperor of the Romans”. In the previous story, I went with the possible what if scenario of Constans II actually relocated the Byzantine Empire’s capital to Syracuse in Sicily which he did in fact plan to do seeing that Constantinople was far too dangerous and also if he survived the assassination attempt on him in 668 and living long enough to permanently divide Byzantium in half so that it would be much easier to protect and preserve for much longer. The previous story’s main topic on Constans II moving the capital to the west and dividing the empire in 2 parts between his sons with one based in Constantinople and the other one in Syracuse could have actually benefited the empire a lot as having an emperor in the west could help restore Byzantine rule in Italy which by then had already been slipping away to the rising power of the Lombards but also having the capital there could ensure the Byzantine reconquest of Egypt and North Africa from the Arabs. However, since the stories in this alternate history series are not continuous with each other, this story will go with the course of events in real history, therefore Constans II did die in 668 assassinated in his bath and his plan to move the capital west to Sicily never came to happen and from 674 to 678, Constantinople would be put under siege by the Arabs with Constans not being around to come to the aid of his son, the new emperor Constantine IV, although the Byzantines happened to win this war in reality and weaken the Arabs. What will continue though from the previous chapter will be the new “dystopian” condition the Byzantine Empire is at from being a world power like it was in the 6th century to now having to fight on the defensive for its survival against the endless rapid expansion of the Arabs and its people now having to live in constant fear, which is why this dystopian-like period for Byzantium would be known as the “Byzantine Dark Ages” going on for over 2 centuries until the Byzantines turn the tide of war against the Arabs from the defensive to the offensive. This new “Byzantine Dystopian” style for this alternate history series had started in the previous chapter as the Byzantine Dark Ages had begun and will continue on to this chapter where things will go at first from bad to worse until things will slowly get better again and as the dystopian Byzantine world from the previous story will continue to this one- despite the alternate history outcome from last time not continuing here- a lot of the elements of the dystopian Byzantine world will return here including the political instability and usurpers, emperors with a dictatorial style of ruling, people resisting against the rule of the emperor to change society, an empire in a dangerous situation, constant war and economic crisis, the new dystopian-like Thematic System, and unimaginable new technology like the superweapon Greek Fire. This story will begin with a background on the real history of Byzantium in the late 7th century briefly covering the reigns of Constantine IV (668-685) and his son Justinian II (685-695), followed by a 22-year period of anarchy (695-717) which had seen a change of emperor 7 times and with all this instability, the Arab Umayyad Caliphate which had been weakened by the Byzantine victory of 678 would once again come back with a vengeance taking over Byzantine lands including Carthage ending Byzantine rule in North Africa once and for all. The year 717 then would be a very crucial moment as Byzantium which after 22 years of instability would face another siege on their capital, Constantinople by the Arabs but at the end, the Byzantines under their new emperor Leo III the Isaurian would win once more and slowly turn the tide of war against the Arabs. The siege of 717 would then be remembered as the “Battle for the Fate of Europe”- more than the Battle of Tours in 732- as if things went in favor of the Arabs, then the Byzantine Empire could have ended right at this moment, thus this would allow the Arabs to continue expanding deep into Europe, and now if not for the Byzantine victory here most of Europe would have fallen under Islamic rule and history as you know it would be totally different and it was here in this battle where the Byzantine Empire and more particularly Constantinople would best be remembered as the wall that had protected Europe from the advance of Islam, in which Byzantium will prove to do just that many more times. This story will not yet end here and will also not be the what if scenario if the Byzantines lost and the Arabs won and how Europe would be different because of this, no, instead it would continue further on into the reign of Leo III (717-741), the founder of the Isaurian Dynasty which shows an even more dystopian side to the history of the Byzantine Dark Ages mainly due to his anti-icon policies known as Iconoclasm or the breaking of religious icons (painted human images) that will shake and split the empire’ population and plant the seeds for its permanent split with the western world or the Great Schism. This event in Byzantine history is one of its oddest in their 1,100-year history as the Byzantines being Orthodox Christians would surely be known to highly value their religious icons, but true enough there was a time when icons were outlawed as the emperor Leo III saw it as sinful therefore blaming all the empire’s setbacks against the Arabs on the overly excessive use and veneration of them. Now when it comes to doing a kind of dystopian style story set in the Byzantine Empire, the 8th century is a perfect time as like in all dystopian stories where a kind of autocratic government in charge outlaws something creating massive unrest and resistance, here in Byzantium the same can be said when the imperial government had outlawed religious icons which therefore outraged half the empire’s population while the other half supported it. This time in Byzantine history thus shows that an issue that may seem so small which here is about the use of icons could cause so much tension not only among the people of the empire but in the unity of the entire Christian Church as well. A little-known fact too is that something as small the banning of the use of icons by Emperor Leo III was a total major turning point in medieval history which would start the permanent schism between the Church of the east (Orthodox) and Church of the west (Catholic) and for the Byzantines, this was another period of great unrest despite having come out of a previous one and once again another episode in the endless religious debates of Byzantine history. The 7th century then was a major turning point as the Byzantines would for the first time face the expansion of the Arabs now having to fight on the defensive, while the 8th century with Byzantium at its lowest point would be another major turning point as it is here mainly due to Iconoclasm when the permanent schism both politically and culturally between Byzantium and Western Europe would start growing becoming something like a centuries long “Cold War”. The period of Iconoclasm in the Byzantine Empire would not only be during Leo III’s reign but would go on for over a century which totally deepened its divide with the Latin Catholic west, although this growing divide with the west could have been reversed if Iconoclasm could have ended earlier and it surely did almost happen shortly after Leo III’s death in the year 742 when the Armenian Artavasdos, a loyal general of Leo III who helped him come to power in 717 who was however secretly against the Iconoclast policy usurped the throne from Leo III’s son Constantine V for the sake of ending Iconoclasm and restoring the use of icons, although in real history, the rebellion of the usurping emperor Artavasdos failed while the even more extreme Iconoclast Constantine V succeeded and would rule the empire for 3 more decades. Now the big question this story will tackle in its climax is what if Artavasdos’ rebellion succeeded and if the use of icons would be restored earlier on, would this lessen the chances for the permanent schism between Byzantium and the west and preserve Church unity?    

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Flag of the Byzantine Empire

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Note: Since this story is set in the 8th century after the fall of the Western Roman Empire, the Byzantine characters will be now referred to as Byzantines, not Romans.

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The Byzantine Empire in this story’s setting, 717 (purple)
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Map of the expansion of the Islamic Rashidun and Umayyad Caliphates (622-750)

For this article, I am working in collaboration with Mario Puyat (follow him on Instagram @mariopuyatrewreplays and on Twitter @mario_puyat), a friend of mine who in this case helped me put this story together, thus making this story the second one in this series to be done in collaboration with someone (the last one being chapter III). In my previous special edition article wherein I interviewed 5 of my friends by having them react to quotes said by Byzantine era people, Mario happened to be one of these 5 and now he is returning for this article to give his take on Byzantine history despite not being so completely familiar with it. To give a quick background on Mario, he is a 22-year-old film student who plans to direct films and write movie scripts while at the same time is also a pop culture enthusiast being a big fan of the Star Wars, Marvel, and DC universes as well as of young adult dystopian stories, in which story’s genre will somewhat be just that, except not so much a young adult type. On the other hand, when getting to know me, Mario had developed quite an interest in Byzantium as well and not to mention, he previously helped me in making my Lego Byzantine epics for my channel No Budget Films as a co-producer as well as being a voice actor for a number of Lego Byzantine characters in my films, most notably the leading character Emperor Andronikos II Palaiologos from the 2020 Lego 13th century Byzantine epic War of the Sicilian Vespers. Though neither a historian nor a passionate Byzantine history enthusiast, Mario has a passion for writing stories, which is why I chose him to have a part in the creation of a chapter of this series, and this one here is the perfect one for someone like him to have a part in as this one as I would say is something not so entirely Byzantine in the sense of being stuck in the past, but rather something more relatable to modern readers and pop culture enthusiasts as it has quite a modern take on it being a dystopian style story with a bit of family drama and intimate romance despite being set in the 8th century Byzantine Empire. In this 12-part series, I on the other hand wanted to experiment as well by having someone who isn’t so entirely familiar with Byzantium’s take on Byzantine history as after all, I do want to make the rich and fascinating history of Byzantium more accessible to a wider variety of people and not only limited to scholars and historians, and part of this means experimenting with the history of Byzantium by making some kind of fan fiction out of it, which is exactly what I’m doing here. Though most of this story is basically me writing it, Mario’s part comes in when creating the personalities and actions of this story’s characters to fill in the blanks in where history does not record them such as these characters personalities and intentions, so therefore, despite these characters being real ones, they had to be embellished here for the sake of creating a full story. When creating this story, I also did some extensive research using more scholarly but fun sources online such as the Byzantine history Youtube channels Kings and Generals, Eastern Roman History, and Thersites the Historian, as well as no other than the highly comprehensive History of Byzantium Podcast by Robin Pierson.

Now when it comes to the dystopian genre of stories, many would immediately think of only modern ones most notable George Orwell’s 1984– which I was also a great fan of and made fan fictions of it too-or more recent novels like the Hunger Games and Divergent series, but as it turns out, the dystopian genre is not only limited to a modern or futuristic world setting, but can go as far back as to the medieval era Byzantine Empire, especially if you are able to look closely into its history and use all your creativity. When it comes to the entire 1,100-year history of Byzantium from the 4th to 15th centuries, it is the 8th century’s story in which this article will be set in that I am least fascinated due to the fact that it had more internal than external struggles and not so much was documented about this period which therefore is why it is also called the “Byzantine Dark Ages”, but when looking deeper into the story of this era, especially with the lack of information, it is the perfect time in Byzantine history to create a highly experimental fan fiction, which is basically this story with Byzantium under the Isaurian Dynasty. Of course, to set the stage for this story, the same thing will go as the previous stories of this series with a historical background to it which will discuss the events that led to the dystopian setting of Leo III’s Byzantium beginning where the previous chapter left off as we leave the early Byzantine era and enter the middle part, then giving a background to the leading characters such as the madman emperor Justinian II and afterwards Leo III the Isaurian who originally was Konon, a Syrian shepherd of Isaurian origins with an Eastern influenced mind together with the Armenian Artavasdos as well who helped him come to power, then we proceed to the beginning of Leo III’s reign with the epic battle of the 717-718 Siege of Constantinople where the Byzantines again come out victorious. The dystopian genre of the story then comes in at the part on Leo III’s reign (717-741) especially when the ban on icons is imposed and how the people of empire would react to it.

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Coin of Emperor Leo III the Isaurian (r. 717-741), author of Byzantine Iconoclasm

Basically, a dystopian story features the world under the rule of a totalitarian government which envisions a bright future but really everything in society just goes wrong and the 8th century Byzantine Empire of Leo III is no exception to this kind of setting. As usual in dystopian stories where some kind of freedom to do something is banned by the government, here in this case it would be exactly the same case as in real history where the use of religious icons were banned, therefore icons were confiscated from everyone who owned them and either destroyed or burned, and again like most dystopian stories which feature a kind of dictator that runs the totalitarian government just like Big Brother in 1984, for this story, the totalitarian state supreme leader character would be Emperor Leo III, the author of the Iconoclast movement and after his death in 741, his son the even more Iconoclast extremist or simply the “Icon of Iconoclasm” Constantine V, wherein the climax of the story comes in. Most dystopian epic stories too feature a protagonist who is destined to rise up and overthrow the system, and for this story, it will be the historical figure the Armenian-Byzantine general Artavasdos who in reality from 742 to 743 usurped the throne from Constantine V in the name of restoring the use of religious icons. This story then will have the very much unknown Byzantine emperor Artavasdos as the lead character who was in fact the person that helped Leo III come to power and later as Leo III’s right-hand-man was married to Leo III’s daughter Anna which is surely what also gave him a claim to the throne in 742. Now many, even those who are very familiar with Byzantium may not really know much about this usurper Artavasdos or if they do, they would just remember him as an unsuccessful usurper who never had anything important to do with real history, but when getting to know him and his plans more, you would definitely find out that he could have in fact played a crucial role in Byzantine history by reversing the repressive movement of Iconoclasm before it would grow even stronger if he was able to survive and not be defeated and blinded by Constantine V in 743. As the lead character of this story, the 55-year-old Artavasdos in 742 would be a reluctant hero who is secretly against Leo III’s Iconoclast policy but is afraid to show it as he was also loyal to his father-in-law Leo III who he helped come to power in 717 but following Leo III’s death, he would have to rise up for the good of Byzantium or at least for those who value icons and their beliefs, also because he had some personal reasons to rebel which was mainly his envy and hatred for Leo III’s son Constantine V who he felt betrayed by as Artavasdos before Constantine V’s birth was promised the throne by Leo III. For this story too, there will however be no fictional character made up for it, instead with the help of Mario, I will somewhat fictionalize these historical characters in terms of personality as history true enough does not describe what these characters’ personalities were like. The 3 leading characters who’s personalities will be created in a fictionalized way for this story will include the general and soon-to-be emperor Artavasdos who in Mario’s take in creating the story would be the emperor’s loyal general but is deeply troubled by the emperor (Leo III) having a son; Constantine V who is Leo III’s son and heir being something like a smart but somewhat odd and insane, immature, arrogant, decadent, and bloodthirsty young ruler with an addiction to pleasure who believes he is always right and is a blind believer of everything his father says most especially Iconoclasm making him someone to hate more than to like; and Leo III’s daughter Anna who is Constantine V’s older sister and Artavasdos’ wife who here for this story would be an intellectual and artistic woman who behind her father and brother’s back is the leader of the resistance against Iconoclasm who in personality is nice and calm but becomes cruel and ambitious in order to protect the interests of her family as she is also abused by her brother who had envied her too. On the other hand, the much better-known emperor Leo III or Konon too will play a major role here in the story’s first two-thirds and although contemporary historians who wrote about him, most notably Theophanes the Confessor (758-817) who strongly opposed Iconoclasm portrays him as a total villain, here in this story, Leo III’s portrayal would be more unbiased as both the talented and cunning savior emperor saving Byzantium from its ultimate extinction at the hands of the Arabs and restoring stability following the 22-year period of Anarchy despite being of low birth but also would later on be a villainous ruler for his declaration of the banning of icons plainly for superstitious reasons which resulted in thousands of valuable icons destroyed and the human rights of those who venerate and create them violated whereas some even died for the sake of freely venerating icons. The big twist here will be on Artavasdos who for the most part would be Leo III’s right-hand-man strongly enforcing Iconoclasm in the empire with Leo III still alive, though after the death of Leo, he has a big shift in character when betraying Constantine V in 742, suddenly becoming a strong fighter against imperial Iconoclasm and a symbol for those who believed in the icons, even if his main reason to usurp power was his personal hate towards Constantine V. This story too will focus more deeply on the issues in the Byzantine Empire’s Dark Ages in the 8th century showing how Byzantium is no longer like it was in the Golden Age of Justinian I in the 6th century (as seen in chapter III), most especially with the empire at its lowest point of power and the internal war against icons tearing the empire apart whereas Iconoclasm would be popular with many most especially soldiers and those from the eastern provinces while many most especially those in the western provinces and women strongly opposed it. Therefore, this story will not focus too much on the external wars of Byzantium which they also did at this time not only against the Arabs but a new enemy being the Bulgars in the north; instead, it would be something more on the society of Byzantium and of course the constant burden of religious debates that Byzantium became famous for. Also keep in mind that this story will have a lot of mature content such as blood and gore, disturbing moments, language, substance, and a lot more.

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Guide to the Thematic System of the Byzantine army (from Wikipedia); this article contains a lot of terms of Byzantine army units
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A Renaissance era depiction of Byzantine Iconoclasm (breaking of religious icons)

Related Articles from The Byzantium Blogger:

Byzantine Alternate History Chapter IV- Constans II Relocates the Imperial Capital to Sicily

Byzantine History for Everyday People- Reactions to Quotes from Byzantium

Around the World in the Byzantine era- Part I (300-1000)

12 Turning Points in Byzantine History

The Art of War in the Byzantine World

A Guide to the Themes of the Byzantine Empire

The Sieges of Constantinople

Lesser Known and Would be Byzantine emperors (695-1453)

Natural Disasters in Byzantine History

Related Videos to this era:

The 22-Year-Anarchy (Eastern Roman History)

The Arab Siege of Constantinople, 717-718 (Kings and Generals)


The Leading Characters:

Leo III the Isaurian (aka. Konon)- Byzantine emperor (717-741)

Artavasdos- Leo III’s imperial partner and Byzantine general, Strategos of the Armeniac Theme

Anna- wife of Artavasdos, daughter of Leo III, leader of the resistance against Iconoclasm

Constantine V Kopronymos- son and successor of Leo III

Anastasios- Iconoclast Patriarch of Constantinople

Niketas- Byzantine general, son of Artavasdos and Anna

Nikephoros- son of Artavasdos and Anna

Tzitzak- Khazar wife of Constantine V

Maria- Byzantine empress, wife of Leo III, mother of Anna and Constantine V

Eutychius- The last Byzantine Exarch of Ravenna

Character images below of these selected characters from this story, Illustrated by Powee Celdran:

Funko pop versions of the 3 leading characters of the story created by Powee Celdran- Artavasdos, Anna, and Constantine V:


The Background (The Themes, Justinian II and the 22-Year Anarchy, 695-717)         

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Since the late 630s, the Byzantine Empire had lost a great amount of territory, most notably the rich provinces of the Levant (Syria and Palestine) to the sudden expansion of a new enemy, the Arab Rashidun Caliphate or Islamic Empire from the deserts of Arabia in the south. The Byzantines never expected the people from the deserts of Arabia to be such a threat until the unexpected happened for Byzantium when the people of Arabia all united under the new faith of Islam and their unity combined with their ability to travel across deserts with such speed turned the Arabs from scattered tribes in the desert to a world power in an instant. In only about 20 years since the birth of Islam, the Arabs had now controlled much of the Middle East as well as Egypt which they had conquered from the Byzantine Empire and by 651, the Arabs had completely conquered all of Persia destroying the Byzantine Empire’s traditional mortal enemy, the Sassanid Empire, thus the Arab Caliphate replaced the Sassanids as Byzantium’s eastern mortal enemy.

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Flag of the Rashidun Caliphate, the 1st Islamic Empire

Meanwhile, as the Byzantines lost most of its eastern provinces mainly Egypt and Syria, Asia Minor became its new heartland while the Taurus Mountains in Eastern Asia Minor would be its natural barrier against the expansion of the Arabs, although the Arabs were creative that when knowing they were unable to cross the Taurus Mountains into the Byzantine heartland, they soon enough began constructing their own navy after taking the ports of Syria and from there, they would begin attacking Byzantium by sea. By the 7th century, Byzantine territory had drastically shrunk not only because of the expansion of the Arabs but with the loss of almost the entire Balkans (Southeast Europe) to a number of external enemies mainly the Slavs and this was a devastating loss as the Balkans played a major role as the recruitment center for soldiers in the Byzantine army. In the mid-7th century, the Byzantines still at least had control of half of Italy as the other half fell to a new enemy being the Lombards and some of North Africa as the rest fell to the Arabs, though these remote parts of the empire were not under the direct rule of the emperor but of a semi-autonomous governor known as the Exarch who answered directly to the emperor and there were two of them controlling their own Exarchates, the two being the Exarchate of Ravenna that controlled Byzantine Italy from Ravenna and the Exarchate of Africa that controlled North Africa from Carthage. Now with the Byzantine Empire so heavily reduced in size and population and the heartland now being Asia Minor, the emperor Constans II (r. 641-668) saw the need to reorganize the empire’s administrative and military structure more particularly in Asia Minor, thus leading to the creation of the Thematic System or Themes between 659 and 661 which were smaller military-controlled districts named after their respective armies that controlled them.

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Emperor Constans II of Byzantium (r. 641-668), Illustration by Powee Celdran

Basically, in these new shrunken provinces or Themes, each of them had a mobile army assigned to it while recruitment too was done locally per Theme to increase the number of soldiers, while all young men too living in these districts were encouraged to join the army in exchange for land given to them, to also ensure their full loyalty to the empire. Each of these Themes were under a general called a Strategos who was both the top commander of the Theme’s army and the provincial governor and each of the Themes was to provide both soldiers and resources for the empire. The main purpose though for the Themes was more in terms of military matters as when the eastern border would be under attack, the army stationed in that Theme near there would immediately come to the rescue while on the other hand when another part of the empire would be under attack, the emperor could simply have another Theme’s army come over to that part, which therefore was a smarter defence method rather than how things were before when an entire army had to march from one end of the empire to the other when a war broke out. The first 5 Themes created under Constans II were all in Asia Minor and these were the Anatolic (Anatolikon) Theme found in Central Asia Minor, the Armeniac (Armeniakon) which was the largest one found in Eastern Asia Minor next to the border of the Arab world, the Thracesian (Thrakesion) Theme in the western coast of Asia Minor, the Opsikion Theme in Northwest Asia Minor right across the sea from Constantinople which consisted of the most elite army of the empire though as you will see would be the troublemakers, and lastly was the Karabasian (Kibyrrhaioton) Theme in the southern coast of Asia Minor which was basically the one controlled by the navy. While the Themes were being created, the Arab Caliphate entered its first civil war or the First Fitnah (656-661) which gave the Byzantines time to recover but at the end in 661, the Arab Rashidun Caliphate was destroyed and replaced by the new Umayyad Caliphate under Caliph Muawiyah I who made the Caliphate based in Damascus in Syria a more organized state and as the first Umayyad caliph or emperor, he was fully intent in taking over Constantinople. Knowing the Constantinople was too dangerous in location, Constans II in 662 left it for good later finding himself in Sicily wanting to make Syracuse his new capital which was also part of his plan in launching the Byzantine reconquest of Egypt and restore Byzantine imperial presence in the west but in 668, he was assassinated in his bath, thus his plan to both relocate the capital west and take back Egypt failed.           

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The Byzantine Empire in 650 (orange) under Constans II
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Cavalry of the Arab Rashidun Caliphate, 7th century
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Map of the first original 5 Themes of Asia Minor created under Constans II
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Damascus, capital of the Umayyad Caliphate beginning 661

Following the death of Constans II in 668, Caliph Muawiyah I using his fleet took over some of the Byzantine ports of Asia Minor launching the first Arab Siege of Constantinople in 674, although this was not really a major attack but a series of intermittent skirmishes on Constantinople by the Arab army and fleet and up until 677, the siege was not coming into any results until the young emperor Constantine IV (r. 668-681), the son of Constans II counter-attacked the Arab fleet head-on using the secret superweapon Greek Fire for the first time totally obliterating the Arab fleet and army.

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Emperor Constantine IV (r. 668-685), son and successor of Constans II

In 678, the Arabs fled Constantinople and the Byzantines, thanks to Greek Fire emerged victorious while Muawiyah later signed a truce with the Byzantines agreeing to pay them annual tribute and return to them the islands and ports they previously captured from them. Following the death of Caliph Muawiyah in 680, the Arab world again fell into civil war which here was the Second Fitnah going on for the next 12 years, thus giving Byzantium some relief and time to recover after all the damage the Arabs had inflicted on them. Meanwhile, despite Byzantium for now saved from the threat of the Arabs, another new enemy would come for them from the north which was that of the Nomadic Bulgars from the Steppes near the Volga River in today’s Russia as when losing a war with Nomadic Khazar people of the area, the Bulgars were forced to migrate south to lands they could settle in, and the only available land was Byzantine Thrace (Southeast Europe). Leading the migration of the Bulgar hordes into the Balkans in 680 was their ruler or Khan Asparukh and with the eastern borders of Byzantium secured, considering the Arabs were again in conflict with each other, Emperor Constantine IV summoned the armies of all the 5 Themes to confront the Bulgars in battle at the empire’s northern border, the Danube Delta, where the Bulgar army led by Asparukh had already assembled at.

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Asparukh, Khan of the Bulgars (r. 681-700)

After assembling the Byzantine army at the Danube Delta, Constantine IV had to rush back to Constantinople after falling ill, although he also had more important matters to attend to, which here was the 6th Church Council wherein at the end, he succeeded at declaring the religious controversy of Monothelitism which his father stood for a heresy and reaffirming the Orthodox belief in the natures of Christ. Meanwhile, with the emperor not present in battle, the Byzantine army panicked and were thus defeated by the Bulgars here at the Battle of Ongal in 680, and as a result Constantine IV in 681 had to cede Northern Thrace to Asparukh acknowledging the birth of the Bulgarian state there or Bulgaria, which true enough is today’s Bulgaria. From here on, the Bulgarian state was born and there to stay which would later be both a valuable ally and brutal enemy to the Byzantines in different times as you will later see, and Constantine IV despite losing Northern Thrace to the Bulgars still remained popular as he solved a difficult religious controversy and successfully defended Constantinople from the Arabs earlier on, while at this time he would also create the new Theme of Thrace to further protect Constantinople from the nearby Bulgars. In 685, Constantine IV died at only 33 from dysentery later becoming a saint, and was here succeeded by his 16-year-old son Justinian II (born 669) who as the new emperor was very ambitious wanting to live up to the emperor he was named after, Justinian I the Great (r. 527-565), Byzantium’s most influential ruler and also a saint, although Justinian II did not have which Justinian I had being the vast amount of wealth to carry out such ambitious conquests and building projects considering that the Byzantium of Justinian II was weakened and exhausted compared to the powerful Byzantium Justinian I inherited back in 527.

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Emperor Justinian II in his 1st reign (685-695), son of Constantine IV

It also happened here in 685 over in Byzantine Syria at the town of Germanikeia (today’s Kahramanmaras, Turkey) where a boy named Konon who would later be emperor was born to a simple family of Syrian and Isaurian origins as an only child and from a young age, Konon would develop the ability to speak the Arabic language together with his native Greek as his name suggests, but at the same time he could understand the culture and mind of the Arabs due to the fact that living close to the border of the Arab Caliphate, he was exposed to Arab people who came to his town to trade and from them, he learned everything about their culture. The one thing about the beliefs of the Arabs that intrigued Konon most was how they disapproved worshiping God through icons or the form of a human image as it was strictly forbidden for the Arabs as Muslims to worship God that way considering it as idolatry and as a Christian, Konon thought this was true enough the right way to worship God. Another factor that had influenced Konon’s stance against icons too which will be shown in his time as emperor later on was that coming from the east, most people there were Monophysite Christians, those who believed Jesus Christ was fully divine and not human, therefore as God it was not right to have an image of him unlike the Orthodox Christians of the western parts like Constantinople who worshiped Christ as God with images. On the other hand in the Armeniac Theme in 687, the person who will later help Konon come to power, Artavasdos was born, although history does not record his date and place of birth and family background except that he was a Byzantine-Armenian known as Artavazd in Armenian with “Artavasdos” as his name’s Greek translation, so for this story it will just be made up that he was born in the Armeniac Theme (Northeast Asia Minor) considering he was an Armenian and would be 2 years younger than Konon, and for this story is someone from a prominent military family.

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Greek Fire used against an Arab ship at the 674-678 Siege of Constantinople
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The coming of the Bulgars, Khan Asparukh and his Bulgar hordes arrive in Byzantine Thrace, 680

Meanwhile, back to Justinian II, he came to power with a great amount of luck as he was from the 5th generation of the unbroken Heraclian Dynasty founded by his great-great-grandfather Emperor Heraclius (r. 610-641), showing here for the first time in Byzantine history and in fact in all of Roman history that a dynasty ruled on for 5 generations in one straight hereditary line from father to son, but little did Justinian know he would be the last of his dynasty. The young emperor was deeply ambitious and a religious fanatic as well believing that it was his destiny to defeat the Arabs once and for all in the name of Christianity and considering the Arabs were still in conflict with each other, Justinian II’s armies successfully attacked the Arabs in Armenia and Syria thus retaking some lands the Byzantines lost and with the defeats, the new Umayyad caliph here Abd al-Malik (r. 685-705) in 688agreed to pay tribute to Byzantium.

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Caliph Abd al-Malik of the Umayyad Caliphate (r. 685-705)

Afterwards, Justinian II focused his attention on the Balkans to deal with the Slavs and take back the lands Byzantium lost to them wherein Justinian himself personally led his men in battle and at the end, he managed to succeed in defeating the Slavs while the Slavs that survived were forced to relocate to Asia Minor to repopulate it and provide more troops as the previous wars against the Arabs there killed many. Justinian II would also put the Themes his grandfather Constans II created into full effect and this meant resettling people from across the empire into them in order to balance each Theme’s population but another reason of him doing this was to limit people of the same race (e.g., Slavs) for them to not rebel and in this process, as the Slavs being seen as a rebellious people by Justinian II were moved to Asia Minor and the Mardaites who were mostly Monosphysite Christians living in Southern and Eastern Asia Minor were relocated by Justinian II to the Balkans and this would be when Konon and his family were relocated from Byzantine Syria to Thrace, though it is not clear when this happened, but for this story’s case it would be in 695 before Justinian II was deposed. Now before Justinian II was deposed, as a fanatically religious ruler, he was the first emperor to put the image of Christ in the coins used around the empire and part of his imperial policy was to crack down on the last remnants of Pagan practices, meaning banning playing games such as Dice and Tabula in public as he saw it as Pagan in origins, thus this started making him extremely unpopular.

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Coin of Emperor Justinian II (left) with the image of Christ on the obverse (left)

Justinian II too was not only unpopular for being puritanical in his policies but strongly unpopular with the rich as he increased taxes on them as well as having rich tax evaders imprisoned and tortured and instead, he favored small landowners and farmers. In 692, the Second Fitnah had ended with Caliph Abd al-Malik victorious and the Umayyad Dynasty still ruling the Caliphate, though the caliph was extremely outraged seeing Byzantine coins with Christ’s image on them as again the Arabs being Muslims strongly opposed the idea of seeing God as a human so in retaliation against Justinian II, Abd al-Malik had Islamic art put on the papyrus scrolls the Byzantines imported from Arab Egypt and due to this, the enraged Justinian II declared war on the Arabs, also because the Arabs tried to imitate Byzantine art such as having mosaics in their capital, Damascus. The peace between the Umayyad Caliphate and the Byzantines then ended right here in 692 when both forces confronted each other at the Battle of Sebastopolis in Southern Asia Minor where the Slavic warriors Justinian had resettled to Asia Minor for the first time fought in the Byzantine army but at the middle of the battle, the 20,000 Slavs for unclear reasons- although most possibly because they were never loyal to Byzantium and were forced to fight for them- defected to the Arabs and at the end, the Byzantines suffered a heavy defeat. As a result of this defeat, Justinian II had the one responsible for it, the young leading Isaurian general Leontios the Strategos of the Anatolic Theme imprisoned and it was also here when Justinian II would show how much of a madman he was when he had the families of the defected Slavic warriors in the Opsikion Theme massacred leaving no one alive, according to the historian Theophanes the Confessor (758-817), who although portrays Justinian II as a madman, which is true for this story. Justinian II would later on become even more unpopular for his autocratic style of ruling which he inherited from both his father Constantine IV and grandfather Constans II shown when he summoned a Church Council in 692 also known as the Quinisext Council in which out of his own orders demanded that all Churches including the west which was basically the Church of Rome under the pope to use eastern practices in their liturgy like the use of the Greek language, and this surely offended the pope making this one of the first steps that began the split of the Eastern and Western Churches.

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Justinian II’s Quinisext Council, 692

Another thing that would make Justinian II be labelled as a madman was how he used the taxes he brutally extracted from rich taxpayers to expand the Imperial Palace complex in Constantinople by expanding the garden and constructing a new dining hall as a way to imitate Justinian I’s ambitious construction projects, but in the process of this as Justinian II built a new fountain in the palace, a church had to be destroyed, which also turned the Church against him. In 695, Justinian II released Leontios from prison after 3 years making him the Strategos of the newly created Theme of Hellas (Western Greece), but this here would be the downfall of Justinian II as when Leontios was assigned to Hellas, the population there mostly being rich landowners rose up under him naming him emperor against Justinian II. When arriving in Constantinople with the army of the Hellas Theme, Leontios was then backed by the Patriarch of Constantinople and the people of the Blue faction of the chariot races mostly consisting of the aristocracy wherein they all plotted to overthrow the emperor.

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Mutilation of Justinian II’s nose, 695

The plot was then successful and the ministers of Justinian II who were responsible for the brutal taxation of the aristocracy were executed while Justinian II himself was caught and brought to the newly proclaimed emperor Leontios but rather than executing Justinian II, Leontios had his nose cut off, which here was practice for deposing an emperor known as Rhinokopia, as having a single deformity such as missing a nose would make someone unfit for sitting on the imperial throne as the emperor for Byzantines had to be seen as someone physically perfect. The 26-year-old Justinian II whose nose was mutilated was then loaded into a ship and sent over to the remote Byzantine colony of Cherson, a cold and desolate place north of the Black Sea in what is now the Crimea in Ukraine which was dumping ground for political enemies and the reason now why Leontios did not just execute Justinian II was because Leontios was loyal to Justinian’s late father Constantine IV who appointed him as the Anatolic Theme’s Strategos back in 682, therefore he wanted to honor his late friend by sparing his son, though this was not yet the end for Justinian II.

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Arab forces at the Battle of Sebastopolis, 692
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Slavic warriors, resettled into Asia Minor by Justinian II, defected to the Arabs in 692
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Diagram of Byzantine Constantinople’s Imperial District featuring the Hagia Sophia, Imperial Palace Complex, Hippodrome, and Polo Field

Watch this to learn more about Justinian II’s first reign, 685-695 (Eastern Roman History).

In 695, the 35-year-old Isaurian Leontios was emperor being the first ruler of the 22-year anarchy period and to consolidate his rule as he was a usurper with no ties to the previous Heraclian Dynasty he overthrew by deposing Justinian II, he spared Justinian II’s family members such as his mother Anastasia the wife of the late Constantine IV, although Leontios despite being backed by the aristocracy and Blue faction was never that popular basically because he was a usurper with no legitimate claim to the throne, and an Isaurian in origins in which the Byzantines of Constantinople till this point still saw the Isaurians being the people of the mountains of Southern Asia Minor as still barbaric and primitive, even though Leontios was only Isaurian in blood and was not even born in the mountains of Isauria. As emperor, Leontios decided to avoid making offensive measures against the Arabs which Justinian II did and instead chose to only fight defensive measures against them though the caliph Abd Al-Malik saw this policy of Leontios as a sign of weakness using it to his advantage to launch a naval invasion on Byzantine Carthage in 697, the last piece of land Byzantium still held in North Africa. In response to the Arab invasion of Carthage, Leontios sent an army and the fleet of the Karabasian naval Theme under the command the general John the Patrician to retake Carthage which happened to be successful at first until the Arab reinforcement fleet arrived in 698 defeating the Byzantines, thus Carthage here completely fell to the Arabs ending the Byzantine Exarchate of Africa. The surviving Byzantines together with John retreated to Crete where John was killed when the surviving soldiers mutinied replacing him with Apsimar, a Droungarios or 3rd in command of the Thematic Army who was of Germanic descent as his name suggests; the soldiers too named him as Emperor Tiberius III fearing Leontios would punish them for losing. The army under Tiberius III marched to Constantinople blockading it while in the city another outbreak of the Plague of Justinian from the 6th century occurred and inside the city, the Green faction of the chariot races that never wanted Leontios in power anyway switched their support to Tiberius III opening the gates for him, thus Leontios was overthrown making Tiberius III the second ruler of this 22-year anarchy. Leontios then instead of being executed suffered the same fate as Justinian II who he overthrew 3 years earlier and as Leontios’ nose was mutilated, he was sent into monastery arrest in the capital. As the new emperor, Tiberius III was at least successful in resuming attacks against the Arabs in the east led by his brother Heraclius and in repopulating Cyprus as well with Arab prisoners of war, but the one thing he failed to see was the rising threat of the exiled Justinian II returning. The one thing Tiberius III’s reign would best be known for was the end of Byzantine control over Africa with the loss of Carthage which had been under the Byzantines ever since the conquest of the Vandal Kingdom there in 534 by Emperor Justinian I’s general Belisarius, and at the turn of the 8th century, Byzantine rule over Africa was permanently lost as Tiberius III believed that taking back Carthage and keeping it under Byzantine control was too risky considering it was too far. From 698 onwards, Carthage would be under the rule of the Arabs and from here, they would continue to expand westwards joining forces with the native Moorish (Berber) people who they converted to Islam and from here, they would expand more later crossing the Strait of Gibraltar over to Spain believing it was the easier despite longer way to successfully reach and take over Constantinople.

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Byzantine era Carthage, capital of the Exarchate of Africa, completely lost to the Arabs in 698
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7th century Arab cavalry advance across the deserts of North Africa

Meanwhile, for the past 9 years (695-704), the slit-nosed Justinian II remained in exile in the cold and desolate city of Cherson along the freezing north shore of the Black Sea and here, Justinian II- for this story’s case- was put under house arrest and only allowed to walk only within the city walls once a day though made friends with a local abbot who he told his plans to, which was that of taking back the throne and having revenge on those who wronged him.

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Byzantine ruins of Cherson in the Crimea, Ukraine; exile place Justinian II, 695-704

The local authorities in Cherson soon began to know about Justinian’s true intentions and therefore planned to have him sent back to Constantinople to be tried and executed so in 704, he escaped Cherson in the middle of the night fearing for his life and so he fled west across the strait to the mainland of Caucasian Russia which here was part of the land of the Khazars ruled by their khan Busir and when there, Justinian was received well by Busir who even married off his younger sister to Justinian and when married she was renamed Theodora after the famous wife of Justinian I, again as an act of Justinian II imitating the man he was named after. Both Justinian and Theodora then lived happily in an old Roman mansion given to them along the Black Sea’s northern coast as this was once a Greek and Roman colony, though Busir was soon enough given a bribe by Tiberius III to betray and kill Justinian who was discovered to have fled there. However, Justinian soon enough knew of the plot so instead, he killed the men sent to kill him by strangling them with his own hands and afterwards fled by southwest across the Black Sea to the new land of the Bulgars to seek their alliance leaving his wife behind. On the way to Bulgaria in 705, the ship Justinian was in got caught in a storm, though at least they all survived and arrived safely in Bulgaria, now ruled by Khan Tervel, son of Asparukh who had died back in 700. Justinian II here was able to gain the assistance of Tervel and his Bulgar army in exchange for Justinian paying tribute to him and together they marched south to Constantinople and along the way in Thrace, Justinian and Tervel encountered the 20-year-old Syrian shepherd Konon, who with his family had been relocated by Justinian II there 10 years earlier. Konon here was someone who was willing to use every opportunity to get himself in a position of power, and the right opportunity came for him here when meeting Justinian II who was on his way to take back the throne and here Konon thought of finding a way of getting into the imperial service as a soldier and spy by providing Justinian II and his army with sheep to eat.

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Arabic lamb dish, cooked by Konon for Justinian II

Justinian II here at his tent privately met the young Konon for dinner which Konon prepared himself- for this story’s case- and what was prepared was a lamb dish cooked in the Arabian style with lots of flavorful spices which was a dish from Konon’s native Syria with some influences from the Arabs that had passed there and here Justinian II was greatly impressed not only by Konon’s ability to cook such flavorful food but how he could speak Arabic so fluently and how much he knew the culture and way of thinking of the Arabs. Soon enough, Justinian II together with his Bulgar allies and Konon arrived outside the walls of Constantinople where they camped outside for 3 days as Justinian was denied entry as the people still despised him even after 10 years. After 3 days, Justinian with a few of his men were able to sneak into Constantinople in the middle of the night finding a way up the 4th century Aqueduct of Valens through the waterway and when inside, he climbed down through a building attached to the aqueduct.

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Aqueduct of Valens, Constantinople

The next day, the people were shocked to see the former emperor with his nose cut-off with Bulgar soldiers walking through the city’s streets while Tiberius III after just waking up fled across the Bosporus to the Asian side of Constantinople when hearing Justinian II returned. Now back in power, Justinian II honored his promise to Khan Tervel naming him a Caesar, which now was just an honorary title, while Tervel was the first foreign ruler to receive it, and as Tervel and his army returned to Bulgaria, Justinian II at 36 was crowned again being the 3rd ruler of the anarchy period, and now known as Justinian II Rhinotmetos or “the slit-nosed” in Greek, using a replica of his nose made of gold to cover the cavity where his real nose once was as a way to make it seem he was still in perfect shape.

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Emperor Justinian II in his 2nd reign (705-711) with his golden nose replica

In 706, Tiberius III over in the Asian side of the Bosporus was captured and brought to Justinian II who as usual had Tiberius’ nose cut off and together with the previously deposed Leontios who was dragged out of the monastery, they were both paraded in Constantinople’s streets with their cut-off noses exposed before both were brought to the emperor’s box at the Hippodrome where Justinian II when watching a chariot race used both Leontios and Tiberius III as his footstools with one former emperor’s neck stepped on by a foot Justinian II as a symbol of having conquered both of them, and afterwards both Leontios and Tiberius III were beheaded followed by a purge by Justinian II on all those loyal to both usurpers leading to the deaths of thousands including Tiberius’ brother Heraclius. Konon meanwhile was sent over by Justinian II east to negotiate with the rulers of the small kingdoms of Alania and Lazica over in the Caucasus and also to spy on the Arabs there as Justinian now knew Konon knew the behavior of the Arabs, although Justinian true enough betrayed Konon here stranding him across the Caucasus, however Konon soon managed to return to Byzantine territory by foot crossing the snowy mountains with just snowshoes. Konon would then disappear into the Anatolic Theme in Asia Minor for some time now, and in this story’s case he would marry a Greek woman named Maria like in real history, though for this story’s case she would be the daughter of the Theme’s Droungarios and by this point they would have their first child, a daughter named Anna whose real birthdate is unknown but, in this story, she would be born in 708.

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Emperor Justinian II Rhinotmetos, 2nd reign

As for Justinian II in his second reign, his full purpose of ruling the empire now would no longer be for growing it but to carry out revenge on all those who wronged and humiliated him before and this is when he would be known as the bloodthirsty madman emperor he is better known as since in his second reign, he put all his energy into purging all those who opposed him and helped overthrow him back in 695, and true enough not a day went by without anyone being arrested or executed, though also in 706 Justinian’s Khazar wife Theodora and their newborn son Tiberius arrived in Constantinople being sent there by the Khazar khan Busir who now gave up the plan of betraying Justinian. Just as he did in his first reign, Justinian II resumed his impulsive style of ruling in his second one that in 708 he launched a campaign against the Bulgars and their Slav allies to gain the lands he gave up to the Bulgars in exchange for returning him to power, thus betraying Tervel who helped take back the throne in 705, though Justinian II and his forces were defeated by the Bulgars forcing him to renew his peace agreement with Tervel. The defeat of the Byzantines to the Bulgars in 708 allowed the Arabs to continue raiding Asia Minor in which in 709 they managed to capture some cities in the Cilicia, the southern coast and go as far deep into Cappadocia too and because of the defeats the Byzantines had suffered, Justinian II in his usual act of vengeance had the commanders he saw responsible for it executed, despite them being capable leaders, thus the empire would lose some of its best military leaders. On the other in 709, Justinian II turned his attention to the remains of Byzantine Italy, particularly Ravenna which he found out was the place that opposed him the most and it was true enough the aristocrats of Ravenna including its bishop that played a major part in overthrowing him back in 695. Justinian II here though succeeded in sending an expedition to Ravenna to round up and arrest all those who conspired against him, afterwards all these people were brought over to Constantinople where Justinian had these aristocrats, true enough his life-long enemies executed right in front of him while the bishop’s eyes were gouged out. Meanwhile many people were already beginning to flee Constantinople in fear of getting killed by the emperor’s orders since soon enough everyone no matter guilty or innocent as long as seen as suspicious by the emperor were put to death or killed in the confusion and because of Justinian II’s tyrannical rule, the colony of Cherson where he was banished to earlier on rose up against him in 710 under the Armenian patrician general Bardanes or Vardan, who Justinian II had just sent there to be in charge of it, and now Bardanes was someone who really desired the throne that back in 695 when Leontios seized power, Bardanes who helped Leontios eyed the throne more than Leontios. As the uprising against Justinian II in Cherson grew even worse when Bardanes allied himself with the Khazars, Justinian II in 711 then sent an army to Cherson to deal with rebellion, but instead the army sent there defected to rebels later on sailing south to Constantinople finding out Justinian II was away as he headed over to the Armeniac Theme to again suppress another rebellion against him by the aristocracy there. With the emperor gone, Bardanes and his rebel forces were let into the city by the people who were tired of Justinian II anyway and Bardanes was proclaimed here as emperor renamed Philippikos while Justinian II never made it back as on December 11 of 711 Justinian II when heading back to Constantinople to counter-attack Philippikos was arrested and beheaded at age 42.

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Tiberius, son of Justinian II at his grandmother Anastasia’s arms is hunted down by the soldiers of Emperor Philippikos, 711

Shortly after, the soldiers of Philippikos hunted down Justinian’s 6-year-old son Tiberius in Constantinople who was hiding in a church with his grandmother, Justinian’s mother Anastasia and when caught, the young Tiberius was hacked to death by the soldiers, thus fully ending the bloodline of Heraclius and the Heraclian Dynasty. Anastasia though as a woman was spared but would never be heard from again, while Justinian’s wife Theodora in this story’s case would return back to her native land of the Khazars, and Justinian’s head was then sent to Rome and Ravenna to be paraded and displayed in public whereas everyone cheered as the evil emperor was dead and although he tried to live up to Justinian I whom he was named after, he was only Justinian II and not the “Second Justinian”. A legacy that Justinian II left behind however was the introduction of the Loros or a long golden embroidered scarf wrapped around the body as the new uniform for Byzantine emperors as previously this kind of outfit was only worn for consuls in the Byzantine senate, but with office of consul now abolished, this uniform became for the emperor’s use only beginning with Justinian II, and would be the uniform for Byzantine emperors till the very end. 

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Empire of the Khazars (purple), early 8th century
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Justinian II makes the Bulgar Khan Tervel a Caesar in Constantinople, 705
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The Loros, new Byzantine imperial uniform introduced by Justinian II

In 711 as well, the same year Justinian II’s rule was finally put to an end with his execution, the Arab Umayyad Caliphate now under its new caliph Al-Walid I was at its height of power as here in 711, the Arab armies from North Africa together with their subjugated local Moorish forces there had finally begun their conquest of Europe by crossing the Strait of Gibraltar into Spain easily defeating the weakened Visigoth Kingdom. Previously, the Christian Visigoth Kingdom of Spain that had been around there since the 5th century after taking over Spain from the Western Roman Empire by the late 7th and early 8th century fell into civil war thus further weakening it that when the Arabs finally crossed into Europe through Spain, the Visigoths stood no more chance and in only a few years after 711, the Visigoth Kingdom would meet its end, although remnants of Visigoth Spain would survive as the Christian Kingdom of Asturias in the north formed by the surviving Visigoths and this new kingdom would resist against the expansion of the Arabs before turning the tide of war against them beginning the Christian Reconquista a few centuries later.

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Flag of the Kingdom of Asturias, resistance kingdom of the Visigoths in Northern Spain

The Arabs though would still stop at nothing conquering everything in the name of Islam that in only about 10 years after arriving in Spain, they had already conquered almost the entire Iberian Peninsula including what is now Portugal leaving the Christians including the ever-independent Basque people to the remote corners of Northern Spain and this was not yet the end as the Arabs were also set to conquer the Frankish Kingdom, the predecessor of France up north. In the east meanwhile, the rule of the Arab Umayyad Caliphate had already reached as far as the Sindh region in today’s Pakistan which they had conquered back in 708, thus the rule of the Arabs spanned from the Atlantic Ocean all the way east to the Indus River. Back in Byzantium, the new emperor Philippikos as the 4th ruler of this anarchy period had turned out to not really be an effective ruler as the only thing he did good for his people was finishing off the madman Justinian II but as plainly a general, he had not much experience in politics and at the same time, he as an Armenian was also a believer of the Monothelite doctrine that was condemned as a heresy by Constantine IV back in 680 as the Monothelite faith was stronger with people in the eastern regions of the empire like Armenia. In 712, he renounced the ruling of the 680 Council of Constantinople attempting to restore the Monothelite doctrine of Christ having only one energy, thus Philippikos fired the Orthodox Patriarch of Constantinople Cyrus replacing him with the Monothelite John VI, and here is when the foundations of Iconoclasm as an imperial practice was laid when the emperor had some religious icons in the capital that did not please him removed. For returning the heretical Monothelite doctrine, Philippikos soon enough became hated by his people and opposed by the pope in Rome and because of executing Justinian II, the Bulgar khan Tervel who still had some loyalty to the late emperor struck back and raided into Byzantine Thrace going as far as the Walls of Constantinople. To counter-attack the Bulgars, Philippikos sent the army of the Opsikion Theme right across the sea from Constantinople across the Bosporus to Thrace in order to push back the Bulgars which they were successful at, although when putting too much attention to fighting the Bulgars up north, the Arabs attacked Asia Minor by land again from the east. In 713, the Opsikion army rebelled in Thrace marching straight into Constantinople where the city’s garrison easily opened the gates for them as they and not even Philippikos’ bodyguards had turned out to have no loyalty towards him as he was again another usurper with no ties to the previous Heraclian Dynasty. The rebelling soldiers then caught Philippikos at the moment he was taking a nap in the imperial palace wherein they dragged him out to the Hippodrome where he was publicly blinded and after that sent to a monastery where he died some months later also in the same year as a result of his injuries from the blinding. With Philippikos deposed in 713, the Opsikion Theme army chose to proclaim Philippikos’ senior secretary Artemios as their new emperor who then was renamed as Emperor Anastasius II thinking he could be easy to manipulate but the Opsikion army here was wrong as true enough he did not want to be a puppet and so he executed the soldiers who plotted to overthrow Philippikos as a way of installing discipline. Anastasius II was then the 5th ruler of the anarchy period and it was in his reign in 713 when Artavasdos first comes into the picture whereas here he was 26 at this point and already a highly skilled soldier and for his skills, Anastasius II appointed Artavasdos as the Strategos or commanding general of the Armeniac Theme which he came from. In 714, the Arabs continuing their attacks penetrating as far as the Anatolic Theme in Asia Minor and soon enough they had blockaded the coastline of Asia Minor with their fleet and in response to the attacks of the Arabs, Anastasius II ordered that the land and sea walls of Constantinople be repaired fearing a possible siege of the city. At the same time, Anastasius II also ordered that the food supply of Constantinople be restocked to last at least 3 years, had the fleet rebuilt, and in 715 cancelled the Monothelite decree Philippikos had issued returning to Orthodoxy again by deposing the Monothelite patriarch John VI and replacing him with the Orthodox Germanus I. Konon then comes back again to the picture in 715 when Anastasius II appointed him to be the Strategos of the Anatolic Theme which he now settled in seeing that Konon possessed a lot of military skill and afterwards Konon was sent east to surprise attack the Arabs in Syria as here the caliph Al-Walid died as well which Anastasius saw as an opportunity to resume the attacks on the Arabs. Anastasius II too sent a fleet to come to the defense of Rhodes in case the Arabs would attack it but here the same Opsikion army troops that put Anastasius in power 2 years earlier felt betrayed by him thinking he sent them there to die and so they mutinied, gave up on the mission, and returned to the Opsikion Theme. The army though could not find the right person to name as their new emperor until finding an unlikely random tax collector of low birth who they elected as emperor although he was unwilling and fled to the woods to hide but was soon enough found hours later and had no choice but to be proclaimed as Emperor Theodosius III being the 6th and last ruler of the anarchy period. Constantinople was then put under siege for the next 6 months which later resulted in Theodosius III victorious and Anastasius II fleeing across the Bosporus to the city of Nicaea where he was later found in 716 and forced to abdicate and retire peacefully as a monk in Thessaloniki as Theodosius being a merciful and reluctant ruler wanted to avoid any form of bloodshed. The Umayyad Arab forces meanwhile under the command of their general Maslama, brother of the new caliph Suleiman which were still in Asia Minor in 716 laid siege to the Anatolic Theme’s capital Amorion where the Theme’s Strategos Konon with his wife Maria and daughter Anna were in after he just returned from his campaign in Syria.

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Prince Masalama, general of the Umayyad forces

Konon however knowing the Arab language convinced Maslama and his forces to leave by promising them he would be their ally if he would take the throne from Theodosius III as the fact that Theodosius was a weak and reluctant emperor gave Konon now the right opportunity to fulfill his dream of taking over the throne. In late 716, Konon had found common ground with the Armeniac Theme’s Strategos Artavasdos who also intended to overthrow Theodosius III and here in late 716, Konon proclaimed himself emperor when meeting up with Artavasdos on the way to Constantinople. Theodosius III meanwhile knowing the Arabs would soon besiege Constantinople renewed Byzantium’s alliance with the Bulgar khan Tervel though at the same time in early 717, Konon and Artavasdos when arriving in the city of Nicomedia very close to Constantinople captured Theodosius’ son also named Theodosius who was however spared and in so little time, the rebelling armies of the Armeniac and Anatolic Themes arrived in Constantinople ready to besiege it again. Theodosius III however did not want another fight and not wanting to be emperor anyway, he abdicated in favor of Konon and retired to become a monk while here on March 25 of 717, Konon was no longer Konon but now renamed as Emperor Leo III proclaiming an end to the 22-year anarchy. 

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The 6 emperors of the Byzantine 22-year-Anarchy (695-717)- Leontios (top-left, r. 695-698), Tiberius III (top-middle, r. 698-705), Justinian II Rhinotmetos (top-right, r. 705-711), Philippikos Bardanes (bottom-left, r. 711-713), Anastasius II (bottom-middle, r. 713-715), Theodosius III (bottom-right, r. 715-717), art by Powee Celdran, images recreated from their respective coins 
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Umayyad Caliphate forces arrive and conquer Visigoth Spain, 711
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Map of the Umayyad Caliphate at its greatest extent, 710s

The Siege of Constantinople, 717-718 “The Battle for the Fate of Europe”

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On March 25 of 717, Konon the simple Syrian shepherd boy with a cunning mind and deep knowledge of the Arab culture was now the emperor of the Byzantine Empire Leo III the Isaurian, except the empire he now came to rule was a shell of its former self as in 717, Byzantium only controlled slightly more than half of Asia Minor, only Eastern Thrace in the Balkans, less than half of Greece, and in Italy only Sicily, the southern regions, Rome, Ravenna, and the Istrian Peninsula (part of today’s Croatia), although at least all the Aegean Islands together with Sardinia and Corsica and the remote colony of Cherson north of the Black Sea were still Byzantine as the Lombards occupied most Italy and the Slavs occupying what was once the Byzantine Balkans, and the rest of course having already fallen to the Arabs. Here in 717, Konon now as Leo III was emperor at 32 with long curly dark brown hair, a short beard, and a short and stocky built while Artavasdos here hitting the age of 30 looked somewhat like Leo except much taller and thinner with long black hair and green eyes and at the same time too, Leo’s wife Maria and daughter Anna had arrived in Constantinople settling themselves in the imperial palace.

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Emperor Leo III the Isaurian, aka Konon (r. 717-741), founder of the Isaurian Dynasty

Leo not wanting to be another usurper that would easily be overthrown possibly 2 years later again as he had literally no ties to the previous Heraclian Dynasty or any dynasty before it here promised Atavasdos to marry off Anna despite being 21 years younger than Artavasdos which was a way to establish a new dynasty and in addition to this, Leo even promised that if ever he died Artavasdos as his son-in-law would immediately succeed him to the throne as Leo had no sons but just about a month later in this story’s case, Maria happened to be pregnant which gave some joy to Leo and a bit of a sense of uneasiness for Artavasdos especially if Maria were to give birth to a son. The moment Leo III came to power, he immediately broke his alliance with the Umayyad Caliphate as he never wanted to ally with them anyway only pretending to make an alliance to get them to leave so instead, he chose the same old Bulgar khan Tervel up north who he met back in 705 with Justinian II as his ally, renewing the alliance of Theodosius III. The Bulgars meanwhile still hated the Byzantines for various reasons but hated the Arabs even more and so for the sake of keeping the new Bulgarian state alive in order to not fall to Arabs knowing that the Arabs would stop at nothing to conquer, Tervel decided to ally with the Byzantines having the Umayyad Arabs as their common enemy, although Leo III did not meet Tervel yet personally instead only exchanging letters with each other.

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Tervel, Khan of the Bulgars (r. 700-721)

Over in Damascus, the new caliph Suleiman who had succeeded his brother Al-Walid in 715 soon enough got word that Leo betrayed his promise of allying with them when a letter from Leo reached him saying he had never wanted their help anyway and only for them to leave but this here totally enraged Suleiman making him send an army of 80,000 men from all parts of the Umayyad Caliphate from North Africa to Syria, from the Arabian Desert to Central Asia together with a fleet of 1,800 ships to directly attack Constantinople under the command of again his brother Maslama intending to finally carry out the ultimate dream of the Umayyads. In July of 717, Leo III together with Artavasdos in this story’s case had already completely fortified Constantinople’s land and sea walls stationing a sufficient number of troops and by August, the Arabs now crossing the Dardanelles strait into Thrace arriving in Europe built a temporary stone wall some kilometers away from the 5th century land walls of Constantinople to guard their Thracian camp and block all reinforcements coming for the Byzantines while the fleet later sailed directly into the Marmara Sea while Leo III from the rooftop of the imperial palace saw the Arab army and fleet miles away. Now to completely seal off the city’s harbor or Golden Horn from the attack of the Arab navy, Leo III had a large chain as long as 20m placed on opposite ends of the harbor’s entrances, one side being the main city and the other side being the Galata District. The situation now seemed hopeless for the Byzantines as the 22 years of anarchy, riots, and executions issued by Justinian II depopulated the capital and its army, therefore the walls which Anastasius II luckily repaired was the city’s only hope for survival and if not for that, Byzantium would soon enough already end. However, when all hope seemed to be lost, a young patrician eunuch working in the imperial court named Eutychius– in this story’s case- presented to Leo the empire’s state secret, the superweapon of Greek Fire in which here only 3 ships were equipped with it, and this moment, the procedure of operating the weapon was given to Leo III for his and the operating team of the navy’s eyes only.         

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The Byzantine Empire in 717 (purple)
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The chain at the Golden Horn, installed by Leo III
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The land walls of Constantinople (Theodosian Land Walls), art by Powee Celdran

The “Battle for the Fate of Europe” then began when the Arab fleet attacked Constantinople from the sea while the army of 80,000 attacked by land completely surrounding the city to completely block it off from any reinforcements or food supply but luckily, the people of Constantinople had a food supply that could last for 3 years. The people inside the city were now all fearing the worst and so Leo III despite not wanting to lay his eyes on religious icons encouraged the people including soldiers to all rally under them to boost their morale as here too, with a lack of soldiers, civilians whether women or children including the elderly and monks were all encouraged to defend the walls. The first wave of attack came from the Arab fleet attacking south from the Marmara, but before arriving at the entrance to the city’s harbor, Leo III deployed the 3 large ships with Greek Fire in it right against the advancing Arab fleet which at the end totally burned down 20 of the Arab supply ships while its sailors either died burning or jumped into the water and drowned to death at the frightening sight of liquid fire emitted from a large brass gun- an ancient version of a flamethrower. Not a lot of the Arab ships though were destroyed but after seeing 20 of their ships burned by a kind of flame never seen before, the sailors decided to just give up, therefore the ships instead docked outside the Galata District unloading troops that laid siege to the walls.

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Umayyad forces at the 717-718 Siege of Constantinople

The main army however was still over in Thrace while their general Maslama chose to stay there camped outside Constantinople the whole time believing they will win this way as back in previous Arab siege from 674 to 678, the Arabs using the strategy of launching minor attacks and retreating back to their bases in Asia Minor when winter came proved unsuccessful and resulted in the loss of a lot of men. As the months passed and autumn came, the Arabs happened to run low in their food supply as there were too many of them sent on this expedition while Maslama did not expect it to last this long, therefore a group of the Arab army formed a foraging party that pillaged the countryside of Thrace to find food whether grain from the farms or mushrooms from the woodland areas. At this point when a foraging party of 4,000 Arabs searched the countryside of Thrace for food, the Bulgar cavalry army of Tervel finally came to the aid of the Byzantines and here they ambushed and completely wiped out the foraging Arabs, afterwards returning back north for the meantime. Leo III on the hand came up with the strategy of delaying the siege for the attacking Arabs since he knew winter would come soon and knowing the Arabs well, he knew that winter was their ultimate weakness as they came from the southern deserts where snow did not exist and true enough when the winter of 717-718 came, it was an exceptionally harsh one even for the Byzantines. The winter then happened to go on for 3 months with the snow covering the ground the entire time disabling the Arabs to continue attacking Constantinople’s walls but allowing the Byzantines to return to rebuilding their defences. As the months passed, the Arabs soon enough ran out food supply considering that their army was still large in number that the Arab troops had to resort to first eating their horses and camels as well as weeds, tree barks, leaves, and mushroom in which some were poisonous thus killing them. The famine soon enough grew worse as the winter passed that it was even reported that the Arab soldiers had to resort to cannibalism eating the flesh of their fellow fallen soldiers that had died either from battle, the cold of winter, or from starvation, and to mask the taste of human flesh, the Arabs too had to go as far as coating the human flesh they ate with their own shit. With the increase of the death toll in the Arab army rising each day, burying their fallen soldiers became a problem so the Arabs too had no choice but to eat their dead soldiers. At the same time too as the Arabs laid siege to Constantinople, the caliph Suleiman had also died in the town of Dabiq in Syria in September of 717 and was succeeded by Caliph Umar II who was not related to him but still ruling as part of the Umayyad Dynasty and when the spring of 718 came, the new caliph sent a reinforcement army and a fleet from Egypt making the situation for the Arabs improve by a bit. The sailors in the Arab reinforcement fleet however were mostly Christians as the Muslim sailors were already used in the first wave and being Christians, they immediately switched sides joining forces with the Byzantine navy thus turning the tide against the Arab fleet which was soon enough outnumbered. Here also in the spring of 718, Leo III had his ships with Greek Fire again attack the Arab ships blockading the Bosporus Strait from the north and with the power of Greek Fire, the entire Arab fleet blockading the Bosporus was destroyed.

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Emperor Leo III on his ship at the 717-718 Siege of Constantinople

In this story’s case, Leo III together with Artavasdos and Eutychius were on one of the ships equipped with Greek Fire and as Leo kept ordering the weapon to nonstop shoot out fire, he saw for himself that the weapon had a flaw too which was that if it was overused, it could overheat and possibly explode or shoot fire back at them, though the other flaw was that it was unwieldy as the gun was too heavy and its range for shooting fire was only a few meters. In this story’s case too, after the Arab fleet blocking off the Bosporus was destroyed, Leo together with Artavasdos got off in the Asian side across the Bosporus leading a cavalry charge themselves against the Arab reinforcement army there and by summoning the nearby Opsikion Theme’s army to march there, they both succeeded in totally decimating the 20,000 Arab reinforcements by attacking from both sides trapping them. Across the Bosporus in Thrace meanwhile, the now over exhausted remnants of the Arab army that survived the winter were still camped there and by the time the Bulgar cavalry arrived again this time with Khan Tervel personally leading them, the Arabs with no more strength stood no chance and a large number of them were massacred.

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Map of the 717-718 Arab Siege of Constantinople
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Byzantine navy using Greek Fire against the Arab ships, 718
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Greek Fire operated by the Byzantine navy
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Bulgar army massacres the Umayyad Arabs outside Constantinople during the winter of 717-718

The siege then continued to go on for a bit more than a year until August of 718 when Maslama who was still alive got word from the caliph Umar II himself to immediately abandon the siege as if it went on, then they would lose more men therefore creating a shortage of troops in the caliphate. In over a year, about 30,000 Arab soldiers had died though mostly from the winter and from the Bulgars as the Byzantines forces true enough did not do much of the fighting. While the Arabs retreated back to their ships, the last remnants of them in Thrace were again massacred by Tervel’s Bulgars. Maslama then led the army in their retreat to Syria and along the way, a storm in the Marmara destroyed a large portion of the retreating Arab fleet while the rest were also destroyed by the larger Byzantine ships pursuing them that at the end, only 5 of the 1,800 ships sent to Constantinople made it back safely to Syria. All thanks to Greek Fire, a brutal winter, the assistance of the Bulgars, and a mass defection of the Arab navy, the Byzantine Empire survived the event that could have brought about their end and with the Byzantine victory, it was not only them that was saved, but the rest of Europe as well, as if the Arabs managed to defeat the Byzantines here, then the way for them to conquer the rest of Europe would be clear. As for the Arabs, this attack on Constantinople was completely fruitless that this defeat made them swear to never attack Constantinople again and true enough this would be the last time the Arabs would attack Constantinople with full force and at the same time, this defeat would totally weaken the prestige of the powerful Umayyad Caliphate that was still at its greatest territorial extent here. Though Constantinople was spared once more, the wars between Byzantium and the Arabs was not yet over and as emperor, Leo III from here on would focus his policy on continuing the attacks on the Arabs to weaken them but first it was time for him to consolidate his rule. However, for saving the Byzantine Empire from ultimate destruction, Leo III at only 33 was hailed as a national hero and the biggest feat here was that he went from a simple shepherd boy to the savior of the empire.

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Tervel and his Bulgar army’s final attack on the Arab forces outside Constantinople, 718

Watch this to learn more about the 717-718 Umayyad Arab Siege of Constantinople (Eastern Roman History).


The Reign of Leo III and Iconoclasm (718-741)         

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Having saved Byzantium from ultimate destruction, Leo III now in 718 focused on rebuilding the severely damaged empire he inherited and luckily for Leo III, he could now finally establish his own dynasty thus ending all the instability Byzantium faced as here too in 718, his wife Maria gave birth to a son who was named Constantine after the emperor Constantinople was named after, Constantine I the Great (r. 306-337), the founder of the Byzantine Empire. With the birth of the boy Constantine, Artavasdos who was still in Constantinople here was deeply upset as he thought the throne would pass to him, but being loyal to Leo III he hid his true feelings and now after the siege was over, Leo III thanking Artavasdos for his part in helping him come to power and successfully defending Constantinople was awarded the title and position of Kouropalates which was basically the head of the imperial palace, although Artavasdos also retained his position as the Strategos of the Armeniac Theme wherein he would reside in its capital of Amasea for most of Leo III’s reign.

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Leo III the Isaurian

Meanwhile over in Byzantine Sicily in 718 as the siege was still happening, some fake news had reached there saying that Constantinople had fallen to the Arabs and in the panic there, the people named a local government official there named as Basil as their emperor as they thought there was no more emperor, but when Leo III in Constantinople got word of this, he sent a part of the army to Sicily to crush this rebellion not wanting the previous anarchy period to repeat itself. When the army arrived in Sicily telling everyone Constantinople was still theirs and that they had an emperor, the people of Sicily still being loyal surrendered the usurper Basil who was then executed right there while his head and hands were sent to Leo III. Back in Constantinople later on in 718 a few months after young Constantine was born, he was baptized by the same patriarch Germanus I who also survived the siege and in attendance were both his parents, older sister Anna, and Artavasdos who was soon to marry her, and here a very bizarre and apocryphal incident happened which was although written by sources hostile to Leo III and his son Constantine saying that Constantine as a baby took a shit on the water he was being baptized in, which here in this story’s case is true hence the origin of the nickname he would be known as later being Kopronymos meaning “shit-named” in Greek. Just a year later in 719, the ex-emperor Anastasius II came out of his monastery in Thessaloniki intent on taking back the Byzantine throne from Leo III therefore marching east to Constantinople supported by the Bulgars of Tervel who betrayed Leo III switching support to Anastasius II. In response to this, Leo III personally led the army west where he confronted the small army of Anastasius II defeating it and having the ex-emperor executed while the Bulgars retreated back north to their homeland. Leo III here by executing Anastasius II made his intention plain and simple that he was there to stay and establish a dynasty to make sure the 22-year anarchy period was no longer to last and to further make sure he was there to stay in power till death, he focused on reforming the empire, first of all by reducing the power of the Themes’ Strategos (plural: Strategoi) as he knew by holding so much power as he had seen it before with himself as a Strategos and with the Opsikion Theme overthrowing both Philippikos and Anastasius II that with this much power, an emperor could be easily overthrown and part of his reforms in the Thematic System was dividing the Karabasian naval Theme creating a new naval Theme in charge of the entire Aegean Sea with the other half of the Karabasian. In the meantime, his wife Maria gave birth to two more daughters after Constantine, the first one being Irene who in this story would be born in 720 and the next one Kosmo born in 721. Meanwhile in 720, two important events happened first was the wedding of the now 33-year-old Artavasdos to the 12-year-old Anna in Constantinople- although for this story’s case as in real history their marriage possibly happened some time earlier possibly 717- but here too in this case like in real history, Leo III made his 2-year-old son Constantine co-emperor in 720 to fully secure his dynasty, though betraying Artavasdos in the process who was promised earlier by Leo to succeed him. In the ceremony of young Constantine being crowned as his father’s co-emperor, Artavasdos as Mario put it pulled out a dagger from his sleeve although he quickly left the throne room without saying anything hiding his true feeling of being cheated. Leo III then moved to making one of his greatest achievements in his reign which was a code of laws known as the Ecloga, a continuation of Emperor Justinian I’s Corpus Juris Civilis from the 6th century.

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Leo III’s Ecloga

The legal reforms in Leo III’s Ecloga was envisioned to make Byzantium a better place to live in for all classes after all the years of war and instability and these reforms included the abolition of paying the increasingly high taxes the rich had hated and also the abolition of serfs in the empire who were then turned into landowning peasants. Another major change in Leo III’s Ecloga was in criminal law with the discontinuation of the practice of cutting off noses to prevent someone from taking back the throne as Leo saw that this practice was just silly as Justinian II in 705 came back to power anyway despite his nose being cut-off, instead Leo III replaced this punishment with blinding as this would surely disable someone from coming back to power while the death penalty was a bit too severe. True enough in the entire history of Byzantium later on, no emperor would return to power blind except for one later on in the early 13th century.          

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Emperor Leo III (left) with his son and co-emperor Constantine V (right)

The process in creating the Ecloga took several years and only in 726 was it completely finished as Leo III had to make sure these laws would work but the one particular thing Leo added here was his own stance on the excessive use of icons in the empire, and although he was not so much a religious person, he strongly believed that what he believed was for the good of the whole empire. Leo originally as Konon from the eastern provinces of Byzantium lived among Monophysite and Monothelite Christians and had also came into contact with Muslims and Jews countless times which definitely influenced him in being not a fan of icons as Jews and Muslims did not believe in worshiping God through images. These Christians in the east believing Christ was only divine could not be seen as a human as well as the Virgin Mary and saints, and seeing Christ as only God, there was no way God could be visualized and Leo despite being Orthodox leaned heavily towards the beliefs of the eastern Christians. Things for the Byzantines of the western parts including Constantinople, Thrace, Western Asia Minor, Greece, the remains of the Balkans, and the remains of Italy however were different as icon painting and veneration became a very sacred tradition as there many people were as descendants of the Greeks and Romans kept with them the old Pagan tradition of using images to worship which from statues of the old gods like Zeus and Athena turned into painted images of saints.

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Early-Byzantine era religious icon

What really disgusted Leo on the excessive use of icons among the people of Constantinople was how they used icons for everything even as godparents in the baptisms of their children and Leo as a strong believer of the 2nd Commandment Thou shall have no other gods before me had come to believe that this practice of icon veneration was already like Idolatry or worshiping other gods, therefore sinful. Back in 725 before the Ecloga was completed, Leo III made a public speech in the Hippodrome against the excessive use of icons warning people that they were offending God that way, although many here did not take what he said seriously and Leo though did not punish them too as he only wanted to warn them. Now in 726, the same year the Ecloga was finished, the unexpected happened in the Aegean Sea when the underwater volcano at the island of Thera (today’s Santorini) erupted spewing an ash cloud so high that it could be seen all the way from Constantinople and Leo III again at the rooftop of the imperial palace where he saw the Arab invasion in 717 this time seeing the ash cloud knew that enough was enough on the icons as God was definitely punishing them for their excessive use on them. For the entire 8th century so far and the 7th century before it, Byzantium faced nothing but military defeats, plague, depopulation, political instability, civil wars, and now a massive volcano eruption and here the superstitious Leo III had to find something to blame for all these setbacks and of course what he blamed it all on was his people’s excessive use on icons. Getting word soon enough that this massive eruption came from Thera, Leo III seeing this as the last straw decided to carry out his first public act against icons and so here, he ordered the large mosaic of Christ above the gate of the imperial palace or Chalke Gate removed, which was a mosaic made back in the 6th century to celebrate the victories of Justinian I.

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The Chalke Gate at the Imperial Palace of Constantinople

In this story’s case, Artavasdos in an act of loyalty to Leo III as his partner in action and the head of the palace being present in Constantinople here ordered the palace guards to take down the mosaic, although Artavasdos here deep inside did not want to carry out the job as he was married to someone who highly valued icons, the emperor’s daughter Anna wherein despite their major age gap, they were having a happy marriage. Here in 726, Anna was already a very pretty grown woman at 18 with long straight black hair, a slim built, and not very tall in height and at only 18, she already had her first son with Artavasdos which was Niketas, though in the past years for this story’s case, she busied herself in pursuing an artistic and scholarly career in painting icons as well as playing music and studying the history and politics of the empire. Anna was present at a corner of the imperial palace complex near the Chalke gate and seeing the mosaic taken down by no other than her husband truly broke her heart as she lived to make beautiful icons, although she did not fight back by running to her husband or the soldiers asking them to stop, instead she left the scene and went to her mother crying. Maria here at her room in the palace told Anna that she too despite being loyal to her husband Leo III was not for the destruction of icons and so she asked Anna to gather a number of women to fight back.

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Byzantine Iconoclasm from the 9th century Chludov Psalter

Most men were fine with the destruction of the mosaic of Christ at the Chalke Gate but the women were upset with it, and as it would turn out later on, women had valued icons a lot more than men therefore strongly condemning what would be Leo III’s Iconoclast policy and so here in this story’s case as Mario put it, Anna ordered some local women of Constantinople who were upset with the destruction of the Chalke Gate mosaic to kill the palace guard officer in charge of tearing down the mosaic. Like in real history, the officer in charge of taking down the mosaic was hacked to death by a group of angry women and following this, riots mostly led by women broke out all over Constantinople lasting for the next few years although intermittently. It was not only in Constantinople though where people opposed the first stage of destroying icons as in 727, the fleet in the Aegean Sea mostly made up of Western Greek sailors that highly valued icons mutinied against Leo III, although their small-scale rebellion was easily crushed where in this story’s case, Leo sent Artavasdos to mercilessly crush it. The uprisings in the empire over the first wave of the confiscations and destruction of icons grew worse over the next years that in 730, Leo III after being convinced by eastern bishops who strongly opposed icons, finally had no choice but to declare a general ban on icons making Iconoclasm or the “destruction of icons” a law in the Ecloga. To fully make Iconoclasm a law, the Church of Constantinople had to be in line with it too, although the Patriarch of Constantinople Germanus I who had been patriarch since 715 did not agree to destroying icons so here in 730 he resigned and was then replaced by the Iconoclast Anastasios who Leo III appointed, thus Iconoclasm was in full effect with the Church now supporting it. With Iconoclasm now a law, all icons were no matter where in the empire and how valuable were to be confiscated by imperial soldiers and to be destroyed either by being smashed or burned, while those caught holding icons were to be punished severely by getting whipped, and for those who restored broken icons or were caught painting icons were to get their hands burned. At this point though, there was still no death penalty on those who supported icons better known as the Iconodules as the laws of Iconoclasm went primarily against religious icons and not people as the icons were seen as the cause of Byzantium’s failures. A large number of monks and artists who restored icons soon feared for their lives in Constantinople or Asia Minor that a lot fled in large groups to Byzantine Greece or Italy where the imperial authorities weren’t as severe in punishing those who supported icons and Italy on the other hand would be a haven for them, especially in Rome which here was still under Byzantine rule but its autonomous ruler being the pope as usual in wanting to assert Rome’s independence from Constantinople welcomed those who fled Constantinople and the east.     

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Eruption of the Thera Island Volcano in the Aegean Sea, 726
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Destruction of the mosaic at the Chalke Gate under Leo III, 726

As the Byzantines in the 720s had been in no large conflict with the Arabs, Leo III could therefore put all his attention in cracking down on religious icons in the empire but if the conflict did not come from the Arabs, it came from the people of Italy who highly valued icon veneration as a sacred tradition.

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Pope St. Gregory II, Patriarch of Rome (715-731)

First of all, in 726 when Iconoclasm was first instituted by Leo III, the people of the Byzantine Exarchate of Ravenna which was still around here encouraged by the pope Gregory II rebelled in large numbers with such violence that the Exarch of Ravenna Paul was killed when crushing the riots. To finish off the unrest in Italy, Leo III in 727 appointed the same patrician eunuch Eutychius who helped him defend Constantinople from 717-718 against the Arabs as the new Exarch of Ravenna sending him to Italy where he first arrived in still Byzantine held Naples. Eutychius’ mission in Italy was also to find a way to remove the authority of Pope Gregory IIwho Leo III saw as a threat to his power as the pope being from the west was a strong icon supporter. Most of Italy here was now part of the Lombard Kingdom of its ambitious king Liutprand and with the Lombards being Christian, the pope was more willing to ally with them rather than following orders from the Byzantine emperor who was though in charge of Rome, and with Eutychius as the new exarch, he offered bribes to Liutprand to give up his alliance with the pope which was successful.

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King Liutprand of the Lombards of Italy (r. 712-744)

In 730, a usurper in Italy named Petasius based in the area of Umbria near Rome rose up against Leo III proclaiming himself emperor and when hearing of Petasius’ rebellion, Eutychius immediately rushed south to deal with it wherein he managed to kill Petasius in battle. On the other hand, in 730 as well, another rebellion against Byzantine rule in Italy broke out again over the ban on icons and this one happened in the Venetian Lagoon, the now growing community by the Adriatic Sea founded back in the 5th century from mainland Roman Italians escaping the Huns. Here, the Venetian people from the community of the lagoon in rebellion against the emperor proclaimed their community’s leader or Dux Ursus known as “Orso Ipato”in Italian as their independent ruler or Doge, thus the Venetian Lagoon here separated from the Byzantine Empire giving birth now to the Republic of Venice, which would be both a strong ally and a bitter enemy to Byzantium in the next centuries to come.

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Orso Ipato, First Doge of the Republic of Venice

Although wanting to be independent from Byzantium, Orso Ipato still wanted to maintain peaceful relations with Leo III’s Byzantium agreeing to provide the empire ships as an ally as long as they kept their independence and because of this, Leo III acknowledged the Venetian’s independence. Pope Gregory II meanwhile continued to strongly oppose Leo III’s Iconoclasm by encouraging revolts against imperial rule and writing letters to Leo III condemning Iconoclasm and in response to this, Leo also in 730 doing as Emperor Constans II did back in 653 when arresting Pope Martin I, also sent some soldiers from Constantinople to Rome to arrest Gregory II but due to a storm, the ship was unable to cross the Adriatic Sea and in early 731, Gregory II died before he could be arrested. Following Gregory II’s death, Gregory III was elected as the new pope and he too opposed Leo III’s Iconoclasm excommunicating all those in Italy who destroyed icons, though Leo III gave up his plans in arresting the pope seeing it was useless, instead he later put the Church dioceses of Sicily and the remains of the Byzantine Balkans under the Patriarch of Constantinople and not the Patriarch of Rome or the pope, thus replacing their bishops with those under Constantinople and here is where the soon-to-be schism between the Churches of Constantinople and Rome would begin.

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Map of 8th century Italy- Byzantine territory (orange), Lombard territory (blue)

           

In the early 730s, the Byzantines again did not get into much conflict with the Umayyad Arabs in the east as at this point, the Arabs focused more in fighting against India in the east, the Frankish Kingdom in the west, and the Khazars in the north found in the Caucasus area. In 732, the Khazar khan Bihar, son of the khan Busir who’s sister earlier on married Justinian II made an alliance with Leo III’s Byzantium and to fully seal it, Bihar sent his daughter Tzitzak to Constantinople to marry Leo III’s son Constantine who here was already 14 and quite overweight but already a learned scholar despite actually hating scholars and monks, though the young Constantine was also unstable and childish in personality- in this story’s case- but most importantly he inherited his father’s extreme disgust for icons which Constantine knowing theology more than his father believed too that God could not be painted as a human. Constantine too was believed to be a bisexual which he is in this story but when seeing the Khazar princess Tzitzak who here was 4 years older than him, he was struck by her exotic oriental beauty having long black hair, fair skin, and gray eyes.

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Khazar women’s fashion sample

In this story’s case, Tzitzak came to Constantinople in her native dress decorated with tons of gold and silver scales as well as headdress full of jewelry and not speaking any Greek, therefore having an interpreter with her and to all the people of Constantinople, her appearance totally left everyone questioning it, although this was not the first time an emperor would marry a Khazar woman as Justinian II’s wife Theodora was a Khazar although when she arrived in Constantinople in 706, Theodora was already dressed in Byzantine robes. What was particularly intriguing to those who saw Tzitzak up close was the tattoos seen around her upper-body as was a nomadic Khazar custom and the when taking a good look at Tzitzak privately in the palace’s baths to see if she was healthy which she seemed to be, Maria was shocked to see all the tattoos on Tzitzak’s body but still approved of her well-behaved personality anyway, and later when Constantine came to see her, he was surprised to see the amount of tattoos when removing her dress, but for Constantine he’d rather have an exotic foreign wife than a Byzantine woman who he found boring and conservative in dress and appearance. Tzitzak was then baptized and renamed to the Greek Irene (although would be known as Tzitzak in this story) and after being baptized she would marry young Constantine, then in the next years she would have to learn Greek which now completely took over Latin as the empire’s language.

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Sample Khazar women’s tattoos, from @laura.petresc on IG

It also happened in 732 when the Umayyad Arab forces from Spain invaded the Frankish Kingdom but suffered a heavy defeat at the Battle of Tours to the Frankish army under their general Charles Martel thus putting a full stop to the Arabs’ advancement into Europe. As for Artavasdos, still the Armeniac Theme’s Strategos with Anna would meanwhile remain in the Armeniac Theme’s capital of Amasea where they would have more children including another son named Nikephoros all while Anna being away from Constantinople for this story’s case would continue her art projects in painting icons away from her father’s eyes, though Artavasdos would see it but not react to it anyway as he still respected whatever his wife did being happily married to her. The 730s meanwhile was not a much recorded part of Leo III’s reign and so here on a few occasions, Artavasdos and Anna with their children would travel to Constantinople for some family functions wherein for this story Leo himself would cook the flavorful Arabic food he grew up with for his family this time, although in this story’s case nothing would go that pleasantly as envy and distrust would start erupting between family members especially between Anna and her father over their views on the use of icons, Constantine and Anna as Constantine would soon grow more and more envious of his older sister as she was more liked and got more praised and attention for her art and literary works while Constantine did not despite him also doing them, but the bigger hatred was of course between Artavasdos and Constantine as Artavasdos still felt betrayed by Constantine’s birth.

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Arabic food cooked by Leo III

Artavasdos when in Constantinople would try to do whatever it took to get rid of the lazy and arrogant young Constantine that Artavasdos when seeing him would mockingly call Constantine “Kopronymos” remembering the incident of Constantine as a baby shitting on the baptismal water thus angering Constantine and at one point, he intentionally pushed Constantine in the imperial palace’s halls making it look like it was an accident and another time, as Mario added Artavasdos would accuse Constantine of stealing his jewelry telling it to Leo III himself except Leo here refused to believe it seeing his son would not do such a thing. Meanwhile, Leo III’s war on icons was still brewing stronger especially in Constantinople that not a day would go by with soldiers looting churches to confiscate icons and bonfires in almost every square of the city wherein icons were burned much like in Nazi Germany where books were burned in bonfires, while Leo III too would have the previous coins of Justinian II with Christ’s image that were still around melted down to make new coins. When in Constantinople seeing icons burned in these bonfires, Anna had enough of her father’s useless and superstitious policy of destroying icons as Anna being a more educated person knew the icons had nothing to do with the empire’s setbacks.

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Sample image of faces damaged by Iconoclasm (not Byzantine)

Here in 735 for this story’s case, Anna encouraged by her mother Maria had decided to save icons from destruction, thus at the middle of the night she with a group of local women from Constantinople, the same ones who killed the palace guard officer back in 726 would horde the undestroyed or even broken icons while the city guards were asleep and would hide them all in the underground 5th century Cistern of Theodosius which they would use as their base wherein the women would restore icons at midnight. Anna had also come up with a plan for the remaining people who owned icons which was to hide them under their clothes, which is what most monks and nuns did when fleeing to Italy in order to not get caught possessing illegal icons. Meanwhile, not all religious icons could be restored since a lot which were already painted in the walls of churches or in mosaics were damaged in a way that their faces were removed leaving an empty blank spot and restoring them would definitely lead to being arrested at the spot. While in the Armeniac Theme, Anna would also travel to Cappadocia, the perfect place to hide icons especially in the deep and labyrinthian cave systems there wherein people actually lived and there, the people in which most were still for icons would restore them there or even make new ones.           

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Battle of Tours, 732- Charles Martel and the Frankish army defeat the Umayyad forces
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Amasea, Capital of the Armeniac Theme in Asia Minor
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Cistern of Theodosius in Constantinople, secret base of Anna’s resistance against Iconoclasm
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Cave systems of Cappadocia
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Destruction and confiscation of icons under Leo III

The secret resistance movement led by Anna in this story’s case would soon grow larger with more people joining it for the sake of restoring valuable icons that artists worked so hard to make, though neither Leo III nor Constantine nor even Artavasdos knew of Anna’s movement although Artavasdos and Anna’s sons Niketas and Nikephoros soon will and would join their mother’s cause against their grandfather. Now on the other hand, the Arabs won a major victory over the Khazars in 737, thus the Arab forces resumed their raids into Asia Minor attacking in two sides although never intending to attack Constantinople again after the failure of 718. Back in Constantinople, Constantine by here was now no longer a child but in mentality still was especially in how he envied his older sister Anna as she got more attention than him by the palace officials and the people of Constantinople. As an Iconoclast and artist at the same time, Constantine in this story’s case developed his own simplistic style of art mostly consisting of symmetrical crucifixes with no images while Anna made very intricate icons or art depicting nature which her brother and father definitely saw as it had no religious images but Constantine surely envied his older sister’s more superior style in art that pleased a lot of people more than with his work.

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Playing music in the Byzantine era

Constantine and Anna too were musicians skilled in playing the lyre although the people cheered more for Anna who sang with a very excellent voice again fuelling Constantine’s envy and hate towards her. Now in personalities they were so far apart as Anna was a serious and mature person while Constantine was impulsive and immature and Anna being calm as usual would often remind him to stop envying as not everything is a competition and scoring points do not matter although Constantine and Anna kept quarrelling nonstop to the point of slapping each other. Constantine could still not get over Anna so one day in 740- in this story’s case- after drinking at a tavern, he gathered a group of thugs from the tavern to locate Anna’s base as Anna was back in the Armeniac Theme here. Constantine and the thugs managed to find Anna’s base at the Cistern of Theodosius where they looted all the icons under restoration there as no one was there and in an act of revenge, Constantine had some of them burned and another set of icons which he saw Anna’s name on them personally destroyed by himself as an act of vengeance. In the gardens of Constantinople’s imperial palace, Constantine himself in a mental breakdown as Mario put it personally destroyed the icons his sister made by stepping on them, slamming them against the courtyard columns, breaking them with his knees, and even urinating on them and here his father caught him right at the moment doing that. Leo III caught Constantine screaming and cursing countless times thus asking Constantine what was wrong and Constantine clearly kept screaming “Anna you double-crosser, this is what you deserve!” and here Leo saw the icons his daughter had made or restored and was not surprised as he always argued with her though Leo still did not know Anna was leading a secret resistance against Iconoclasm, but knowing how Constantine felt, Leo told him that he felt this kind of way before back in Justinian II’s 2nd reign when Leo as Konon then was betrayed by the emperor who he thought put all his faith into him when Justinian II stranded Konon across the snowy Caucasus Mountains before meeting Maria and Anna’s birth. Leo here told Constantine he would get his chance to prove himself right here by going to battle as an Arab army had breached into the Anatolic Theme in Asia Minor which needed to be driven away. Leo III one more time led his army mostly consisting of the Cataphract cavalry in battle and this time with his son and co-emperor Constantine by his side confronting the Arabs at the Battle of Akroinon just south of the Anatolic Theme’s capital Amorion and here, the Byzantines would again defeat the Arabs killing 13,000 of them including the Arab generals. This battle then turned the tide of war against the Arabs and with the success here, Leo III believed that God was now on the side of the Byzantines for getting rid of unholy icons while Constantine would here gain the popularity he so wanted as the army would now praise him for his bravery in battle. Although the Byzantines won a major victory, in October of 740 a great earthquake struck Constantinople destroying a lot of buildings while the Hagia Eirene church was severely damaged and so were the Theodosian Walls while the statue of Constantine I above the Column of Constantine fell off. Now those who supported the icons including the empress Maria here thought that this earthquake was punishment from God for destroying holy icons and following the earthquake Leo III proceeded to rebuild the land sea walls but was here beginning to grow worse in health.

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Leo III and Constantine V fighting Umayyad Arab forces at the Battle of Akroinon in 740, Byzantine victory
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Hagia Eirene in Constantinople, partially destroyed by the 740 earthquake

Watch this to learn more about Leo III and his reign (Thersites the Historian).


The War of the Emperors (The Climax)        

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Following the victory of the Byzantines at the Battle of Akroinon in 740, a period of stability for the empire and the Thematic System would begin and after repairing the damage on Constantinople from the recent earthquake, Leo III would no longer be able to function well anymore and so here he reassigned Artavasdos to the Opsikion Theme closer to Constantinople to be its Komes– as this Theme’s general was not known as a Strategos- moving his family there except for his eldest son Niketas who was left behind in the Armeniac Theme replacing his father as its Strategos at only 18. By this point in 741 when moving to the Opsikion Theme, Artavasdos and Anna had a total of 9 children as it is recorded that after Niketas and Nikephoros they had 7 other children although their names and genders are not recorded, so for this story’s case, 3 of the 7 were boys and the 4 were girls. Now on June 18 of 741, Emperor Leo III the Isaurian formerly known as the Syrian shepherd Konon had died at 56 from complications caused by his health condition of edema being the first emperor since Constantine IV in 685 to meet a peaceful end, though Leo III’s legacy of Iconoclasm would live on now that his 23-year-old son Constantine V being his co-emperor immediately succeeded to the throne crowned by the Iconoclast patriarch Anastasios while Constantine’s 27-year-old wife the Khazar Tzitzak who now was becoming fluent in Greek was crowned as his empress or Augusta.

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Coin of Emperor Constantine V Kopronymos

Artavasdos here had the worst day of his life when Constantine V was crowned as the empire’s sole emperor and so Artavasdos rather than attending the coronation in the Hagia Sophia in Constantinople went hunting alone in the Opsikion Theme- in this story- while Anna and their children attended. Here Artavasdos was already 54 but still looking as young and strong as he was when helping Leo III come to power in 717 with long dark hair and a long beard while Anna here at 33 despite having already had 9 children was still looking young and beautiful as ever, while Constantine V at 23 looked very young too with thick and long dark curly hair and a short and stocky stature like his father, though he was quite overweight and bad in posture. Constantine V spent the first few months of his reign in 741 consolidating his power and continuing enforcing the Iconoclast policies of his father and true enough soldiers continued their constant raids into houses and churches across the empire confiscating icons and burning them. While the war on icons continued to rage on, Anna and her resistance movement of women still continued to horde and restore icons in the middle of the night while Constantine V now had everything he wanted as emperor and almost every night he would host lavish and wild parties at the imperial palace dancing and drinking to the point of getting hangovers. As a bisexual, Constantine enjoyed having young men and women at his parties barely clothed except for a toga over their underwear and in these parties, Constantine too would get high by inhaling a flower that could be used as a drug from Asia Minor. Both Anna and Artavasdos now had their own reasons to hate Constantine as not only was he an Iconoclast extremist and an obstacle to Artavasdos but he was also an excessive young man that cared more about pleasure than for the good of his empire and so here in their house in Constantinople, Artavasdos when at his bedroom with Anna told her that it was time to get rid of Constantine for the good of the empire by poisoning him and Anna was also intent on doing it as part of revenge on him destroying her icons the previous year. Artavasdos here also told Anna in private that Constantine V needed to go as they both knew Constantine had a health condition which was epilepsy which was a valid reason to make him not completely suitable to be emperor as just a simple health condition could discredit someone from being emperor for the emperor needed to be seen as a perfect human and Artavasdos having no kind of health condition or deformity would be a perfect candidate for the throne. In this story’s case in one night in March of 742 while Constantine V was having another wild party in the palace, Anna decided to attend it to as being the emperor’s sister, she would definitely be allowed entry and so in her house, she dressed up for the occasion in more lose and revealing clothes as for Constantine, the more skin showing the better. The dress Anna put on here was simply a red silk Ancient Roman style dress which was just an easy to put on red sleeveless tunic just fastened above the shoulders with a pin and a red toga cloth known as a Stola draped over it with only two belts to hold up the dress where one was fastened below the chest and the other at the waist, and when wearing it she realized how comfortable it was compared to the more conservative and difficult to wear Byzantine style dresses of her time.

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Sample Roman red dress with a Stola

While Anna was dressing up, Artavasdos came in giving her the vial of poison which Anna put deep inside her dress right at what was her underwear, a piece of cloth tied around the chest- the one seen in the 4th century Roman mosaic- which she tightened it more to hold in the poison vial and it was here when she told Artavasdos the whole truth that she was in fact leading a the resistance against Iconoclasm and Artavasdos did not really seem to mind as he never really cared about Iconoclasm anyway and would just do whatever it took to get rid of Constantine and it was here at this party through Anna that would be his first opportunity to get rid of Constantine as Leo III was now dead and Artavasdos with Leo still alive would not do any harm to his family. Before leaving Artavasdos kissed Anna and brushed his hand down her body, also to make sure the poison vial stayed in place inside her clothes. The party then went on in the imperial palace and Anna was able to enter freely looking for the drinks being served to Constantine although she failed to carry out the plan as she soon enough couldn’t help but indulge herself in the alcoholic drinks and later, she got too drunk that the poison vial slipped out of her dress into a couch while she later crashed into one of the beds nearby waking up the next day when the party was over. The next day as the palace staff cleaned up the room where the party the night before was, they found the vial of poison and a headband and when Constantine saw it, he knew the headband belonged to Anna, therefore Constantine concluded Anna was attempting to poison him. Anna however happened to be inside the palace and when woken up by the palace staff cleaning it, she was immediately brought to Constantine in her sleepwear who then pulled her hand dragging her to the palace courtyard where he had the palace guards chain her up to one of the columns and afterwards tear off the back of her nightgown while Constantine pulled out a whip ready to whip her himself. Now as emperor, Constantine had the right chance to punish his older sister that made him feel so miserable and here he viciously whipped Anna’s back on and on and as he remembered all the moments Anna got all the attention instead of him, he increased the power of the whipping until Anna passed out, and at the end, Constantine gave Anna 30 lashes until her back was filled up with bruises, although there was not much bleeding as it was only a soft leather whip that was used on her. The first people to pick up Anna later on and help her recover were her two younger sisters Irene and Kosmo as well as her mother Maria who put her in a cold bath in their part of the palace where Maria looking at her daughter in the bath saw all the wounds at her back. Anna waking up felt some kind of discomfort as her mother and sisters were present while she was naked in the bath but she told her mother here exactly what happened and that Constantine is insane, while also Anna told her mother that Constantine does not know yet she is leading the resistance against Iconoclasm but if he finds out he’ll have everything they worked so hard to restore destroyed and them all executed regardless if they’re his family members. Maria told Anna here that it was now time to rise up against Constantine V and replace him with Artavasdos but it was also hard for Maria as this meant getting rid of her son although she asked that Constantine should instead suffer a more humane punishment which was to just have his tongue cut off if Artavasdos succeeded in his rebellion. Some nights later after Anna recovered from her wounds, while she and Artavasdos were at their bed in their house in Constantinople, Artavasdos while looking at the wounds in Anna’s back as she was lying down with only the blanket covering her told her some valuable information he heard from Constantine V which was that the reigning Umayyad Arab caliph Hisham ibn Abd al-Malik launched another attack into Asia Minor and that Artavasdos was asked to take part in the counter-attack by leading the Opsikion Theme’s troops. Here, Anna told Artavasdos that this was the right opportunity to strike against Constantine V by doing it in the middle of battle abandoning Constantine V’s forces there.

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Iconoclasm continues under Constantine V
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Dressing up a Byzantine era woman

           

As the summer of 742 came, Artavasdos with the Opsikion Theme army joined Constantine V as they marched east out of Constantinople into Asia Minor to confront the Arabs while Anna right here organized a meeting with the members of the Iconodule resistance at their base, the Cistern of Theodosius where she asked everyone if they were all in favor of Artavasdos as emperor in which all said yes as they’d rather have anyone else other than the monster Constantine V. For the people that supported icons, Artavasdos was the perfect choice even if he was not really a strong believer of icons but for them it would seem like he was not a usurper with no legitimacy as he had family ties being Leo III’ son-in-law and was also a disciplined and no-nonsense soldier and administrator unlike the unstable and somewhat insane Constantine V who they were now all comparing to all the lunatic and bloodthirsty Roman and Byzantine emperors of the past like Caligula (r. 37-41AD), Nero (r. 54-68AD), Commodus (r. 180-192), Phocas (r. 602-610), and Justinian II. Together with Artavasdos in this campaign was his younger son Nikephoros who was being trained here by his father in battle but right before they would all confront the Arab forces, when marching somewhere in the Anatolic Theme, Artavasdos and a few of his Cataphract cavalry soldiers charged right at the portion under Constantine V’s command wherein one of the commanders of Constantine’s bodyguard force named Beser was killed.

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Byzantine Cataphract cavalry soldier

Artavasdos then shouted out loud to Constantine that Anna ordered this as she is leading the resistance against Iconoclasm, although Constantine here did not attack Artavasdos fearing Artavasdos’ forces will kill him first so instead Constantine and the troops loyal to him fled the site retreating to the Anatolic Theme’s capital Amorion which was just nearby. Artavasdos together with Nikephoros after turning on Constantine V also did not continue with campaign, instead they marched their forces back to Constantinople where Artavasdos was ready to crown himself emperor before Constantine could make it back there. When arriving back in Constantinople, both Anna and Patriarch Anastasios welcomed them and here there was total shift in Patriarch Anastasios who from being a strong Iconoclast suddenly became an ardent supporter of Artavasdos, of Anna’s resistance, and of icons in general. Anastasios meanwhile just like Artavasdos never really cared much about Iconoclasm or defending icons as he being the patriarch only wanted to be in favor of the reigning emperor no matter who whether Iconoclast or not but when seeing for himself how much the people rallying under Anna were so ardent about icons, he felt their pain and therefore in an instant became totally on their side and a defender of icons. Artavasdos at 55 here was soon enough crowned as emperor dressed in the new imperial robes or the Loros Justinian II previously introduced while Anna was crowned as empress or Augusta and Nikephoros even though being their second son was crowned as co-emperor to fully secure Artavasdos’ branch of the Isaurian Dynasty as the eldest son Niketas was still over in the Armeniac Theme here at this point in 742, therefore there was no time to crown him co-emperor as Constantine V could return in any moment. It is also debated by historians that Niketas may not be Artavasdos’ son with Anna but from a previous wife which is why he was not crowned co-emperor although this is highly unlikely and this wouldn’t be the case for this story. After his coronation, Artavasdos was then backed by Anna’s mother Maria and younger sisters Irene and Kosmo who all encouraged him to take the title of “Protector of the Holy Icons” as by supporting the cause of the people for the icons or the Iconodules, his legitimacy as emperor would be more secure as the majority people of Constantinople had backed him. Meanwhile in Amorion, Constantine V was still emperor but there only as the people there especially the army with him and of the Anatolic Theme supported Iconoclasm therefore backing him. As it turned out, the soldiers that were in Amorion were mostly the same ones two years earlier at the Battle of Akroinon that helped Constantine and his father defeat the Arabs and remembering him well, they all rallied under him and so did the entire army and people of the Anatolic Theme. Constantine V here at least got the dream he wanted so much which was to have a great amount of popularity and these soldiers not only supported him, they pledged to fight and die for him and for the name of Iconoclasm. Constantine V though when in Amorion in this story’s case would also get some strange dreams, although this would be due to his growing addiction to the flower drugs he was taking, and as Mario put it here, Constantine in Amorion one time dreamt that he was in his bedroom there seeing Artavasdos in the bed next to him thinking it was real until waking up the next day seeing Artavasdos was not there. Artavasdos too experienced the same thing back in Constantinople, except instead he got a dream of Constantine overthrowing and blinding him- as what happened in real history. As emperor in Constantinople, Artavasdos’ first act was to restore all the icons to their rightful places as well as repaint the frescos in which their faces were destroyed and all this had to be done in little time before Constantine V could come back while Artavasdos too apologized to the people for what he did back in 726 in taking down the mosaic at the Chalke Gate saying he only did it because of his loyalty to Leo III. Under the guidance of Anna with her mother and sisters, a lot of these icons were successfully returned to their rightful places from being kept underground at the Cistern of Theodosius while a lot of those that were destroyed were fixed to be good as new again. At the same time, both Constantine V in Amorion and Artavasdos in Constantinople during the autumn and winter of 742 began preparing their armies for the ultimate civil war to come. Constantine further encouraged his soldiers by reminding them that they are fighting to get rid of Artavasdos and Anna who he called the “double-crosser” in his speeches and this anger also further increased the morale of the soldiers as they knew from reports that they were rapidly undoing the Iconoclast policy of Leo III which was their hero. The armies of the Themes of Thrace and Opsikion would then switch sides to Anna’s resistance and Artavasdos and so would the distant Armeniac Theme under Niketas who immediately got word from his father to join forces with him against Constantine V who meanwhile was backed by the armies of the Anatolic and Thracesian Themes all being loyal to the Iconoclast cause. By early 743, it turned out almost the entire population of Constantinople especially monks, nuns, and women were all loyally behind Artavasdos giving him hope that he will defeat Constantine V, also because he had 3 Themes with him while Constantine only had two Themes.          

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Seal of Emperor Artavasdos
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Cataphract cavalry, elite army of the Byzantine Themes
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Amorion, Capital of the Anatolic Theme

Watch this to learn more about Emperor Artavasdos (Eastern Roman History).

Over in Italy, in this story’s case Exarch Eutychius in 743 when hearing of Artavasdos being crowned emperor, he switched his support to Artavasdos and restoring icons even if he was against icons considering he was loyal supporter of Leo III. Eutychius though would only switch his support since he desperately needed imperial support no matter who, as Byzantine rule in Italy was almost completely lost due to the ambitious conquests of the Lombard king Liutprand that in 738 Ravenna was temporarily captured by the Lombards that Eutychius had to flee to the new Republic of Venice before recapturing the exarchate’s capital of Ravenna some years later.

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Pope Zachary, Patriarch of Rome (741-752)

It also happened that back in 741, the new pope Zachary was elected and in 743 when hearing of Artavasdos coming to power and restoring icons, here in this story’s case he congratulated him agreeing to have the Church of Rome in good terms with Constantinople again. Soon enough, the message to restore icons were spread to the western parts wherein Leo III had previously replaced their bishops with Iconoclast ones but with the Iconoclast policy gone under both Emperor Artavasdos and Patriarch Anastasios of Constantinople, the icons were freely allowed to be restored. Back in Constantinople, in this story’s case, Anna had managed to actually get Constantine’s wife Tzitzak who was left behind in Constantinople to support icons after having a couple of drinks together and this would be possibly because women were more attached to religious icons than men. With the army of Artavasdos fully assembled, they all marched into Asia Minor under Artavasdos’ command while the Armeniac Theme under Niketas would meet them along the way, although Artavasdos chose to attack Constantine V in waves but was not expecting that Constantine V led his entire army from both the Anatolic and Thracesian Themes to confront Artavasdos’ forces. The two sides met near the city of Sardis in Western Asia Minor in May of 743 and being outnumbered to the entire Thematic armies of Constantine V, Artavasdos’ and Niketas’ forces were defeated here although both father and son still survived as Niketas fled north and Artavasdos back to Constantinople to gather the second batch of his troops. 3 months later, Niketas and his Armeniac Theme army was spotted and cornered in the town of Modrine near the Black Sea coast of Asia Minor where Constantine with such a fury led a charge defeating the Armeniac troops again forcing Niketas to flee. Niketas though would still manage to regroup his army and blockade the Dardanelles strait to prevent Constantine passage into Europe but later on outside the city of Nicomedia on the way to Constantinople, Niketas lost again to his uncle due to Niketas being too young and inexperienced in fighting battles and when losing, Constantine captured his nephew Niketas himself personally beating him up to the ground and later shipping him to Constantinople to be imprisoned. Having defeated Niketas, Constantine then crossed the Dardanelles Strait into Thrace and later arriving outside Constantinople’s walls laying siege to it. Constantine V though did not entirely lay a siege but more of a blockade by both land and sea and after some 2 months by November of 743, the defending army tired of being locked in surrendered allowing Constantine V entry while Artavasdos together with Anna and Nikephoros made it in time to flee across the Bosporus to the Opsikion Theme while Niketas was left in a prison within Constantinople.          

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Coin of Emperor Artavasdos (left) and his and co-emperor Nikephoros (right)
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Byzantine Civil War- Battle of Sardis, 743- Constantine V’s forces defeat Artavasdos’ forces under Niketas, art by Faisal Hashemi

When the city garrison surrendered to Constantine V who now entered Constantinople in the new uniform of the imperial Loros after more than a year of losing the throne, he was beyond disgusted to see how much icons Artavasdos and Anna restored and the worst part for him- in this story’s case- was seeing his name with the title “Kopronymos” graffitied in the city’s walls which was the nickname people that hated him used to put him down reminding him of defecating in the baptismal water as a baby.

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Byzantine blinding from the Madrid Skylitzes

Constantine though did not yet destroy the icons that were just restored, instead he first focused his attention to rounding up everyone he knew was loyal to Artavasdos and Anna mostly being monks and women in the resistance movement and had them all either blinded, have their noses cut off, or executed in the most brutal ways such as being sawn in half or burned alive right in front of him as he celebrated with drinks and music. The next person Constantine targeted was Patriarch Anastasios who Constantine saw betrayed him and Iconoclasm by switching sides to Artavasdos so here like in real history, Constantine had Anastasios’ robes torn off and put on the back of donkey to be paraded around the streets of Constantinople wherein those loyal to Constantine all laughed at the site mocking Anastasios.

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Sawing in half execution method

Constantine though like in real history here did not fire Anastasios, instead he only punished him by humiliation and afterwards chose to keep him as patriarch as he could not find any replacement and just wanting to be in favor with the reigning emperor again, Anastasios chose to switch his support to Constantine V again. The next move Constantine V planned was to install a large mosaic of a black cross which was to replace an old mosaic with an image of Christ for the apse of the Hagia Eirene which was here under repair after the damage caused to it by the earthquake of 740 but before he began working on it, Constantine returned to his wife Tzitzak in the imperial palace before going to his bath alone as a way to relax now that he had taken back the throne. When in his baths, as Mario again put it, Constantine again went back to inhaling the drug flowers he so loved that soon enough he began hallucinating things including the time he was a baby defecating on the baptismal font, his sister Anna getting more attention for works, the icons of Anna that he broke and urinated on, how Anna tried to poison him, and lastly he saw Artavasdos right next to him with a dagger about to slit his throat, although later Constantine snapped out seeing this was only a hallucination.

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Drug flower inhaled by Constantine V

Although right when Constantine woke up from his hallucination- in this story’s case- his 3 sisters Anna, Irene, and Kosmo all surrounded him and out of fear thinking they were there to strangle him in his bath under Artavasdos’ orders, Constantine immediately told Anna he was sorry for hurting her before but Anna replied telling him he was only hurting himself with what he did to her by only making his hatred consume him. Anna then told Constantine that Artavasdos sent her back there offering to settle the claim to the imperial throne with a personal duel between Artavasdos and Constantine to the point of only making one submit to the other which would allow Constantine to prove himself once again. Constantine willing to fully have revenge on Artavasdos agreed to the duel thus putting on his golden imperial armor and readying his sword, the curved single-blade Byzantine saber known as the Paramerion. In real history, after fleeing Constantinople in November of 743, Artavasdos sought refuge in a castle in the Opsikion Theme but was immediately caught there by Constantine V’s soldiers and brought to Constantinople where he together with both sons Niketas and Nikephoros were blinded and sent to live out their lives in the small Monastery of Chora in the outskirts of Constantinople where all 3 would die possibly not so long after from the infection caused by the blinding, thus ending the rebellion and short reign of Artavasdos.

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Paramerion, Byzantine curved sword

In this case however, Constantine himself travelled to this castle across the Bosporus together with his sisters who brought him to Artavasdos who was already waiting for Constantine in his imperial armor above the castle walls. The duel between both emperors would begin with Constantine striking with his sword first which Artavasdos immediately dodged and watching from the other side of the walls opposite to them were Anna, Irene, Kosmo, and Nikephoros while Artavasdos’ loyal troops stayed below inside the castle and Constantine’s troops outside. Both Artavasdos and Constantine here both dueled each other with their Paramerion sabers and for a long neither of them got the upper hand as both blades kept parrying each other, although Constantine managed to head-butt Artavasdos while Artavasdos in return swept Constantine’s leg pinning him down, but Constantine later managed to cut Artavasdos’ leg with his sword injuring him. Constantine then used the pommel of his sword to beat Artavasdos’ face into a pulp but Artavasdos still fought back by choking Constantine and while trying to pin him down, he kept taunting Constantine with insults including again calling him “Kopronymos” which only made Constantine angrier therefore breaking free from Artavasdos’ choke hold making Artavasdos drop his sword, and then pinning Artavasdos down to the ground. Constantine then dropped his sword and placed his foot on Artavasdos’ neck as again a sign of having conquered him, though Constantine took too much time doing that to show everyone around him he and Iconoclasm had still won thus the soldiers loyal to Constantine outside the castle walls all cheered but taking too much time showing off to everyone, Artavasdos enraged as ever at Constantine beating him managed to break free from Constantine’s foot, got up, hit Constantine’s waist hard with his elbow, kicked Constantine in the stomach, and kicked Constantine again, though the second kick resulted in Constantine falling off the railing of the castle wall. Constantine then fell off in what would be equivalent to 3 floors hitting his back right at the ground of the castle’s interior being critically injured and, in a coma, while the cheers of his soldiers outside the walls suddenly stopped, and Anna being shocked at the sight of her brother falling off the castle walls screamed “Artavasdos what did you do!” while Artavasdos also being shocked at what happened fell to the ground exhausted. The soldiers loyal to Constantine meanwhile in the panic all decided to switch their support to Artavasdos but at the same time also carried Constantine’s body away while Anna put her hand on his neck noticing his pulse was still beating despite him being unconscious. Later on, everyone who was at that castle including Artavasdos all returned to Constantinople quietly as none of them expected the duel to end with Constantine critically injured and near dead. When hearing of what happened to her son, Maria refused to speak to Artavasdos and took a vow of silence refusing to even lay her eyes on him for her entire life as he almost killed Constantine who Maria only wanted slightly injured to make him unqualified to take the throne. Now that Constantine despite surviving the fall was completely paralyzed and had to be confined to the which would be here the Chora Monastery and being completely paralyzed, there would be no chance at all for Constantine to return to power. Artavasdos meanwhile as the full emperor would keep Anastasios still as patriarch who would again shift his loyalty back to Artavasdos and icons, then Artavasdos too would establish his branch of Leo III’s Isaurian Dynasty now making his other son Niketas who would here be released from prison as his other co-emperor together with Nikephoros, and now fully taking back the throne, Artavasdos would issue a decree saying that all icons in the empire are to be restored.

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Patriarch Anastasios paraded on a donkey by order of Constantine V
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Iconoclast art, the cross at the apse of the Hagia Eirene added by Constantine V
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Byzantine castle in the Opsikion Theme in Asia Minor
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Byzantine era Chora Monastery in Constantinople, Constantine V’s exile place (Artavasdos’ in reality)

Aftermath and Conclusion         

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In real history the failed rebellion of Artavasdos and his civil war against Constantine V showed that the empire was literally split in half over the issue on icons so it was basically Byzantium vs Byzantium where icons were still popular among one half of the population and despised by the other half. Constantine V in reality saw the uprising of Artavasdos which he defeated as a sign to make him have a firmer stance on Iconoclasm which he took to an even higher level later passing death sentences on those who possessed icons as the issue could lead to civil wars like the one he faced from 742 to 743 that nearly cost him his life.

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Emperor Constantine V Kopronymos (r. 741-742/ 743-775)

In real history, Artavasdos and his sons Niketas and Nikephoros were all publicly blinded in the Hippodrome and all banished to the Chora Monastery in Constantinople whereas Anna and the rest of their 7 children would all follow them there to retirement where Anna would be the one caring for her blinded husband and sons who die not so long after, possibly only 2 years later in 745 from the infection caused by the wounds from the blinding. The same historian Theophanes the Confessor who was hostile to Constantine V as well as to his father Leo III and Justinian II before him mentions that 30 years after Artavasdos’ rebellion failed (773), Anna returns to the picture now as an old woman while Constantine V was still in power and here he forced Anna to dig up the bodies of her Artavasdos and her 2 sons with him, use her cloak to carry their bodies, and dump them in a mass grave as a way of condemning them as heretics for supporting icons, while Anna afterwards disappears from the pages of history. Constantine V in 754 in real history called for a Church Council at Hieria, found right across the Bosporus from Constantinople attended by hundreds of Iconoclast bishops and priests from the empire wherein the full-scale persecution of Iconodules was declared.

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Church Council of Hieria, 754 headed by Emperor Constantine V (left)

As emperor, Constantine V’s Iconoclast policy was even way more extreme than his father’s as not only did he pass death sentences on those who supported icons especially on those restored them or encouraged to restore them, but he hating scholars and monks primarily targeted them, had monasteries raided to confiscate icons and their hidden wealth to fund his armies, and had many monks and nuns blinded as well. Another thing Constantine V did as a result of the rebellion of Artavasdos which he crushed was that he divided the troublemaking Opsikion Theme which Artavasdos was in charge of into two halves as a way to weaken its power; the first one still being the Opsikion Theme which had Nicaea as its capital and the other half became known as the Optimatoi Theme with Nicomedia as its capital. As part of creating the new Optimatoi Theme, Constantine V had also introduced a new unit in the Byzantine army which was the Tagmata (singular: Tagma), the new elite force in charge of protecting the emperor in battle which was to be loyal to the emperor at all times which Constantine V created in response to Artavasdos’ rebellion, and the Tagmata were then assigned to the Optimatoi Theme.

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Byzantine Tagmata soldier, elite imperial force created under Constantine V

On the other hand, other than viciously persecuting Iconodules and carrying out an extreme policy of Iconoclasm, Constantine V was a very popular emperor especially among the army as he was most of the time victorious in battle against the Arabs and later against the Bulgars up north, and also because he gave free food to the people of Constantinople, possibly as a way to compensate for his persecutions on Iconodules. Now back to the situation of the Arab Umayyad Caliphate, as their armies were raiding into Asia Minor by the time Constantine V and Artavasdos fought the civil war with each other, they never really penetrated as far as by this time the Umayyad Caliphate was weakening and by 746 once Constantine V finished the civil war, he turned his attention to the war against the Arabs winning a great victory and even recapturing his father’s hometown of Germanikeia in Syria which had some time earlier fallen to the hands of the Arabs. Following this victory, the Byzantine navy defeated an Arab fleet near Cyprus in 747 while in 752, Constantine recaptured a great number of territories in Eastern Asia Minor from the Arabs and resettled the people to the Balkans right at the border with the Bulgarian state. Meanwhile, in 750 the Umayyad Caliphate after another civil war was destroyed and replaced by a new Arab power being the Abbasid Caliphate moving the capital from Damascus to Baghdad which relieved the Byzantines as the new Caliphate’s center was farther away and that it would take some time for this new power to consolidate its rule over the Arab world, though in 751 the new Caliphate won a victory over the forces of the Chinese Tang Empire at the Battle of Talas in Central Asia while in the far west, Spain which came under the rule of the Umayyads still remained an Umayyad state in exile based in Cordoba refusing to be under the Abbasids.

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Fall of the Byzantine Exarchate of Ravenna in 751, Exarch Eutychius surrenders Ravenna to the Lombards

However in the remains of Byzantine Italy, not all went in favor for the Byzantines and by 751 with Italy being neglected by Constantine V and Leo III before him as it was too far away, the Exarchate of Ravenna came to an end when Eutychius its last exarch surrendered Ravenna to the Lombards as it proved already too impossible to hold, though the fall of Ravenna to the Lombards was also another blessing in disguise as if it stayed longer under Byzantine rule, the valuable mosaics such as those of Justinian and Theodora which had their faces would have been destroyed and the Lombards not being Iconoclasts would keep them that way when holding Ravenna. With the emperor neglecting Byzantine Italy as their problems were mostly in the east, the pope had also begun to lose faith in the Byzantines, also because of their Iconoclast policy so for protection against the ambitious Lombards, the pope would have to turn to the new powerful Frankish Kingdom up north in today’s France which was willing to fight the Lombards and could be more trusted by the pope as the Franks unlike the Byzantines did not destroy icons. From 755 onwards, Constantine V with the threat of the Arabs dealt with turned his attention north to wage war against the Bulgars who also declared war on them when feeling suspicious of Constantine V fortifying the Byzantine border with them and in this war, the Byzantines won 3 major victories over the Bulgars first in 756, then in 759, and lastly in 763 and with all these victories, Constantine surely believed that Iconoclasm was definitely a successful move. Constantine V later planned another attack on the Bulgars again in 775 but failed to as he died that year at the age of 57 and at his death, he left the empire stronger than he had founded it. According to the Russian Byzantinist historian George Ostrogorsky (1902-1976), he says Constantine V’s had an equally positive and negative reputation as on the positive side he scored countless victories against the Arabs and Bulgars making him very popular with the army especially but on the negative side he was a more vicious Iconoclast than his father that the same historian Theophanes the Confessor described him in the same vicious way as he did with Justinian II saying Constantine V was a “monster” and even a “precursor of the Antichrist” because of how extremely he went against icons therefore because of his extreme Iconoclasm, he would forever be remembered as “Kopronymos” or the “shit-named” despite him still being a capable emperor.                 

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Constantine V’s Iconoclasm from the Manases Chronicle
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Map of the new Arab Abbasid Caliphate, formed in 750 replacing the Umayyad Caliphate
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Battle of Talas, 751- Abbasid Caliphate Arabs defeat the Tang Chinese forces in Central Asia
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Byzantine-Bulgarian Wars from the Madrid Skylitzes
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Meme of Constatine V the chad compared to Virgin Basil II (r. 976-1025)

Now in this story’s case, the events in history will play out quite but not so differently with Artavasdos as emperor and Constantine V out after 743. For Constantine V in this story’s case with Artavasdos winning the civil war, he would be paralyzed for life and have to be confined to the Chora Monastery where in real history Artavasdos and his family were banished to, and in possibly only 2 years (by 745)- the possible date of Artavasdos’ death in real history- Constantine V would die from his severe injury at only 27. His wife Tzitzak here would have to return to her native land of the Khazars like what Justinian II’s wife did back in 711, whereas in real history Tzitzak had died in 750 after giving birth to Constantine V’s first son Leo IV “the Khazar” who would succeed his father as emperor. With Artavasdos continuing his reign as emperor on the other hand, not so much would be different as compared to Constantine V’s reign in reality, except of course for the destructions of icons, and with Artavasdos fully reigning as emperor from 743 onwards, the icons previously destroyed under Leo III and Constantine V would all be put back in place and day and night, the people serving Anna’s resistance would put the icons right back in their rightful places and repaint those that were damaged by the years of Iconoclasm. Therefore, with Artavasdos as emperor, there would be no Council of Hieria in 754, no persecutions, and no having to blind monks and nuns, and instead by some encouragement from Anna and her sisters who were strongly devoted to icons, Iconoclasm would be made illegal and the same Ecloga of Leo III would be updated with the part on Iconoclasm removed, and instead prohibiting it. As for the conflict with the Arabs, the same of course would happen with the Umayyad Caliphate’s power weakening so due to that, Artavasdos just as Constantine V did would also win a great number of victories against the Arabs in the east in 746, 747, and 752 also taking back Leo III’s hometown of Germanikeia. With Artavasdos staying as emperor though, things will only be different in the Byzantine world as outside it, things would still play out the same way as in real history so over with the Arabs, the Umayyad Caliphate would still be dissolved in 750 and replaced with the Abbasid Caliphate and over in Italy, the ambitious Lombards would continue to expand and in 751 take over Ravenna. The fall of Ravenna to the Lombards that would end the Byzantine Exarchate meanwhile would still be inevitable due to the increasing power of the Lombards, so in this story’s case even with Artavasdos as emperor, the same would happen in Italy wherein Exarch Eutychius would still surrender Ravenna to the Lombards and afterwards disappear from the pages of history by fleeing to the new Republic of Venice never to be heard from again, while Byzantine territory in Italy following the fall of Ravenna like in real history would only consist of the southern regions and Sicily as Rome was always asserting itself as independent anyway. However, since icons and icon veneration was now reinstated in Byzantium, the pope would still remain loyal to Byzantium and its emperor Artavasdos also agreeing to still keep Rome under the Byzantines’ protection, therefore this would be a very major change if Artavasdos who favored icons stayed as emperor as with this happening, the pope would no longer have to turn to the Frankish Kingdom for support against the Lombards, but instead still to the Byzantines while the Republic of Venice too would still remain an ally to Byzantium whether the empire was Iconoclast or not. Back in the empire when it would come to reforming the Themes, Artavasdos would also do the same as Constantine V in limiting the power of the Opsikion Theme thus dividing it and making the other half divided out of it also as the Optimatoi Theme as from his rebellion against Constantine V from 742-743, Artavasdos would realize from it despite being the one rebelling that this Theme was something that was causing trouble. In the process of breaking the Opsikion Theme in half too, Artavasdos would also do the same as Constantine V in real history in creating the new imperial elite force or the Tagmata that would be the emperor’s personal army in battle and he too would assign them to the new Optimatoi Theme. Artavasdos though considering that he was way older than Constantine V when taking over the throne in 742 being 55 then would not rule as long as Constantine V in real history who ruled until 775, instead Artavasdos as I would put it would die by 759 at the age of 72 despite having begun Byzantium’s new war against the Bulgars in 755 just as Constantine V did in real history, though at his death, Artavasdos would still leave the empire stronger than he had founded it, meaning Byzantium was more stable compared to how it was in 717 when Leo III with help of Artavasdos took over the empire wherein the Arabs laid siege to Constantinople, though for defending and restoring icons, Artavasdos would be made a saint. Following Artavasdos’ death, the elder son Niketas then would be the senior emperor though his younger brother Nikephoros having already been crowned co-emperor will still stay co-emperor. It would then be in the reign of Niketas and Nikephoros as co-emperors that the Byzantine-Bulgarian war would go on and just as it went in favor for Constantine V and Byzantium in real history, I would also say the same thing for Niketas and Nikephoros’ Byzantium wherein they would also score major victories over the Bulgars. Now we have come to the big question which is what if Artavasdos succeeded in defeating Constantine V and stayed as emperor and would this do a lot of change to the course of the Byzantine history? Well, the answer to this is not very simple but also not very complex. In the short-term, not a lot of changes would happen to the Byzantine Empire in its geography or political situation as after Artavasdos’ death in this story’s case which would be in 759, the Byzantine Empire would still be the same in size and power as it was in real history by this time wherein it was ruled by Constantine V, therefore Asia Minor would still be the heartland where all the Themes and the empire’s army though powerful would still not be that powerful enough to relive the conquests of Justinian I in the 6th century taking back Italy and North Africa once again. In the long-term things may be favorable for Byzantium if Artavasdos survived in power as considering the popes in Rome always opposed the Byzantines’ policy of Iconoclasm and with Artavasdos supporting the icons, then the Byzantine emperor as well as the Church of Constantinople would be still in good terms with the Church of Rome, therefore this will change a lot of things in the long-term for the turbulent relations between the pope and Byzantium. With icons reinstated earlier enough in Byzantium, then Byzantium’s relationship with the pope would not be fractured that much, therefore the pope would no longer have to ally with the Frankish Kingdom of Pepin I and Rome rather than later on becoming an independent state known as the Papal States would still remain under the rule of the Byzantine emperor except with some autonomy under the pope, and in the centuries to come if Byzantium remained in good terms with the pope if icons were reinstated earlier on, then possibly there would be no Great Schism later on in 1054 where the final division between the Eastern and Western Churches happened, and possibly no tensions between the Byzantines and the Crusaders by the time the 11th century ends, and lastly with Byzantium and the pope still good terms, there may even be no bloody 4th Crusade later on in 1204 that almost ended the Byzantine Empire. Of course, Iconoclasm in Byzantium did not go on forever as in 787 the empress regent Irene, the daughter-in-law of Constantine V called for a Church Council that put an end to it temporarily although by 815 Iconoclasm made a comeback under Emperor Leo V (r. 813-820) but in 843 with another Church Council led by the empress regent Theodora, Iconoclasm came to a full stop, therefore this also shows women were strongly devoted to icons.           

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Byzantine Cataphracts battle Arabs in Asia Minor
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New Byzantine Themes in Asia Minor by 750

And now I have come to the very end of chapter V of my Byzantine Alternate History series but before finishing I would like to share my thoughts on this era and creating this kind of dystopian Byzantine story with a mix of family drama and more. First of all, this era in Byzantine history being the 8th century is the part of Byzantine history I am not very much interested in as most of the conflicts except for the epic Arab Siege of 717-718 were mostly internal such as Iconoclasm while the empire was also at its lowest point and not so much too was recorded on this era, which is why it is often called the “Byzantine Dark Ages”. However, despite not being so interested in this era and having not so much recorded about it, I started to think that this was the best era to experiment by adding more fictional elements especially in creating a bit more of a fictional twist with the personalities and stories of historical figures who aren’t so much documented in real history like Artavasdos and Anna as well as Constantine V, except here since this story is in favor of the Iconodules or icon supporters, I made Constantine V look like the same kind of villain Iconodule historians like Theophanes the Confessor describe him as, although just to make the story in favor Artavasdos, I kind of had to embellish Constantine V’s villainous personality as someone more sadistic, deranged, envious, and decadent than what he actually was in reality. In addition, since there are not so many conflicts in this era for Byzantium to go so much into detail about, I also wanted to use this chapter as my chance to experiment more when writing about Byzantium by adding in some more family drama, intimate romance, wild partying scenes, a bit on Byzantine fashion and art, the origins of Constantine V’s title as the “shit-named”, the story of Leo III originally being Konon which was another Byzantine rags to riches story, a totally made up scenario of Constantine V being kicked off the walls by Artavasdos which was a scene inspired by the season 2 finale of Cobra Kai, and a dystopian angle was overall this story’s genre considering the whole issue on Iconoclasm and how it became a law in the empire. As for Artavasdos, this was the most interesting part for me to write about as he is possibly Byzantium’s least known emperor but indeed was an emperor even if ruling so short and having quite an unusual name for a Byzantine emperor and no matter how insignificant he may seem, he may have actually had a great impact on Byzantine history in the long term if he stayed in power as he supported icons and with Iconoclasm being one the major reasons for the permanent and bitter schism between Byzantium and the west, then this schism in the long-term may not be so great in scale if it so happened that Iconoclasm ended earlier under Artavasdos rather than in real history when it went on for about a century more with a small break in the middle (787-815). Of course, this story also had to include Justinian II’s first (685-695) and second (705-711) reigns, the 22-Year-Anarchy period (695-717), the complete loss of North Africa, and Leo III’s reign (717-741) as a way to give some background to the situation of 8th century Byzantium as this 22-Year-Anarchy period was put here to show how bad the situation for Byzantium setting the stage for the cruel 8th century while the first 2/3 of this story with Leo III’s reign and the Arab Siege of Constantinople from 717-718 was definitely important as way to set the stage for the foundation of Iconoclasm and for the conflict between Constantine V and Artavasdos. Now lastly, I also want to talk a bit about Byzantine Iconoclasm here and even though in its time it was popular among many and seemed to be what could have saved the empire from almost falling apart considering the reigns of the Iconoclast emperors Leo III and Constantine V were successful ones, it was also as I would say a waste of time for the Byzantines that really had no purpose and scientific or logical reason and was all based on superstition as when they could have used this time to possibly fix their relationship with the pope and therefore with the rising Western European kingdoms which in turn could have strengthened Byzantium in totally turning the tide of war against the Arab in the east or the Bulgars in the north, but instead the Byzantines wasted their time in the internal issue of Iconoclasm and even though the empire would live longer beyond Iconoclasm vanished, it still ruined their relations with the pope and the west, thus in the long-term Iconoclasm was one of the driving factors for the downfall of Byzantium. Of course back then, without much science to explain things, people would turn to the most stupid of things such as destroying icons thinking it would save them without knowing it would do more harm than good. Overall, as I finish this chapter I have to realize that it was a very hybrid kind of story with the Arab-Byzantine wars fused together with a modern-era dystopian angle, religious controversies, family drama, romance, decadence, and very little details that are too less important for history to mention and this was the whole purpose of writing this chapter in particular, which was to show a more personal and emotional touch in retelling the rich and fascinating history of Byzantium and of course I would have to thank my friend Mario for helping me here in creating the littlest details for this story found here and there. Of course, here in the 8th century, no matter how far this may have been from the time of the Roman Empire, the Byzantine Empire was still the Roman Empire in name and politics despite its culture now drastically shifting to Greek yet here the dystopian story of the Byzantine Dark Ages does not yet end as the next chapter will continue the story of Byzantine Iconoclasm ending in 787 and how Byzantium will react to the birth of new empire in the west that will come to challenge their authority.

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Empress Irene of Athens (r. 780-802), daughter-in-law of Constantine V

Up next in chapter VI of Byzantine Alternate History, the story from this chapter on Artavasdos staying in power will not continue, though the next chapter will start off not too long after this one finished which means some characters including Constantine V but this time like in reality staying power will return and here, the period of Iconoclasm in Byzantium would come to an end with Empress Irene but at the same time, Byzantium will face the rise of the new Frankish Empire of Charlemagne in 800 that had come to challenge the authority of the weakened Byzantine Empire but if Irene and Charlemagne were to marry, then possibly it would be one of the biggest what ifs in world history, thus with this marriage Europe could once again become a super-empire almost as large as the Roman Empire of old. Well, this is all for chapter V of Byzantine Alternate History, this is Powee Celdran, the Byzantine Time Traveller… thank you for your time!

Byzantine Alternate History Series: Chapter IV- Constans II Relocates the Imperial Capital to Sicily

Posted by Powee Celdran

DISCLAIMER: Although this is mostly a work of fiction, it is largely based on true events and characters. It seeks to alter the course of actual events that transpired in the 7th century AD. This story will begin with events that have happened in real history but will become fictional as it progresses.

Previous Story: Byzantine Alternate History Chapter III- 6th Century

I call on you to be advisors and judges for the common welfare of our subjects.” -Emperor Constans II, 641AD

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Welcome to the 4th chapter of the Byzantine Alternate History series by the Byzantium Blogger! Last time, in the 3rd chapter, I discussed the reign of the Byzantine Empire’s most influential and most remembered emperor Justinian I the Great and his reign in the 6th century when the Byzantine Empire (Eastern Roman Empire) at its golden age was also at its greatest territorial extent. However, being too massive ruling the entire Mediterranean again as a “Roman lake”, it was far too stretched and left far too exposed for enemies to attack on all sides, most notably their traditional enemy in the east, the Sassanid Persian Empire. In the previous story however, I went with the what if scenario of Justinian I saving his empire and preserving its stability for many more centuries to come by sending the devastating plague that hit his empire in 542 east over to the Sassanids resulting in their total destruction and at the same time Justinian himself personally going to his own military campaign in Italy to restore it to imperial rule and training his own nephew and successor Justin II to be a strong ruler just like him. However, since the stories in this alternate history series are not continuous with each other, this story will go with the course of events in real history meaning that after Justinian died in 565, the plague was still present in the Byzantine Empire, the economy ruined from all the wars and the plague, the Sassanid Empire in the east still alive and strong, and Justinian’s successor Justin II coming to the throne as a not so competent emperor. The main part of this story where the course of history will change happens a full century after Justinian’s reign, therefore unfamiliar territory for me as I still have much to discover about this era of Byzantium, and here the Byzantine Empire ruled by Emperor Constans II (641-668) would literally be a shell of its former self, compared to the glorious state it was under Justinian I. Here in the mid-7th century, Byzantium being devastated from total war, first against the Sassanids and afterwards against a new enemy being the Arabs, it had lost more than 50% of the lands it gained under Justinian and now has to fight on the defensive against the rapidly expanding Arab Caliphate, in which the Byzantines for the longest never knew would pose such a threat. Now Justinian’s legacy in the cathedral of the Hagia Sophia which he had constructed in the imperial capital Constantinople and his code of laws known as the Corpus Juris Civilis which he commissioned may have lived long beyond his time but his legacy in expanding the empire in land did not last long and in the latter half of the 6th century and early 7th century, all his hard work in restoring the old Roman Empire through conquests had begun to fall apart. For instance, after Justinian’s death, Italy which had just recently been put under Byzantine rule quickly began falling to a new Germanic enemy invading through the north which were the Lombards, Byzantine Southern Spain slowly began falling to the Visigoth Kingdom in the north, the Avars and Slavs began frequently raiding the Byzantine Balkans, and the threat of the Sassanids in the east resuming in full scale wars, and the worst part was that the Byzantine treasury was growing increasingly empty. The hard times for Byzantium then began in 602 when the last emperor of Justinian’s dynasty, Maurice was dethroned and executed by his army which resulted in chaos reigning in Byzantium allowing the Sassanids to now invade imperial territory to the point of coming right outside Constantinople! In 610, Heraclius who would be another strong and decisive emperor came to the throne to save the empire and true enough by 628 he was able to finish off the Sassanid threat once and for all by winning the great war against them which totally fractured the Sassanid Empire and though the Byzantine here had won, years of war weakened the empire and its economy that one more war could result in Byzantium’s total annihilation. As for the Byzantines, little did they know that the war with the Sassanids was not yet the end, and little did they know that the new deadly threat to them would come from the Arab people from the deserts of the south who the Byzantines never had thought would ever be much of a threat. Apparently, the Arab tribes of the southern deserts in the early 7th century had all united under the new religion of Islam to form an empire or Caliphate and began expanding north beyond Arabia to conquer both the Byzantine and Sassanid Empires to spread Islam by the sword, and for them the Byzantine capital Constantinople was the ultimate prize. Now, the sudden rise and expansion of the Arab tribes of the desert becoming the Rashidun Caliphate was one of history’s most unexpected moments but at the same time it was also expected that the Byzantines would lose a great amount of their imperial holdings in the east, most notably all of Egypt and Syria to the Arabs very quickly as the previous war with the Sassanids heavily devastated the Byzantine forces and facing a powerful and swift enemy like the Arabs, the Byzantines could not stand a chance but at least with the Byzantines being able to adapt to these challenging times by coming up with new kinds of military and administrative systems and secret superweapons like Greek Fire survived the expansion of the Arabs whereas the Sassanid Empire that had fallen into civil war stood no chance and was soon enough entirely absorbed into the Arab Caliphate by 651. The main part and climax of this story will be on the 27-year reign of Constans II (641-668), the grandson of Heraclius who in 641 at only 11 inherits an empire that had gotten into a war with the Arabs and already at a breaking point. Unlike emperors Justinian I and Heraclius whose reigns and achievements remained well remembered long after their time, Constans II’s does not and remains one of Byzantium’s most underrated emperors despite achieving a lot as emperor and so much happening in his reign as it was under him when the course of Byzantine history had been drastically changing. For instance, it was under Constans II when the Byzantine Empire in an instant lost a large amount of territories most of them being important ones like Egypt and Syria, it was also under Constans II when Byzantium began its shift from Latin to Greek culturally and linguistically, and most importantly it was under Constans II when the new administrative system of Byzantium’s provinces known as the Thematic System was introduced whereas the Byzantines now having to fight constantly on the defensive against the expanding Arabs from the east while at the same time losing large amounts of land had to adapt to the situation and this meant reducing their provinces in size thus creating smaller military provinces called Themes to increase military presence. Under Constans II, the major shift in the course of Byzantine history took place as it was here where they would now from here on for 2 more centuries have to fight on the defensive to protect their empire from the ambitious conquests of the Arabs and in these difficult times, Byzantium had to adapt by coming up with all sorts of creative ideas for their survival including the creation of Thematic System- which you will learn more about how it works when reading this- to make their defenses easier and creating weapons like Greek Fire, a naval superweapon that was to remain a Byzantine state secret, and yes these new solutions the Byzantines came up with in these difficult times did prove effective enough in allowing the Byzantine Empire to live on through these hard times and eventually by the 9th century rise up again to counter-attack the Arabs. As for Constans II on the other hand, others may remember him as the emperor that met a very odd end being killed by a servant using a soap dish when bathing but in the story of his death that took place in the city of Syracuse of Sicily, Constans II did indeed have some kind of secret intention which was to move the Byzantine Empire’s capital to Sicily seeing Constantinople was far too vulnerable to the Arab attacks and having Syracuse as the new capital was more effective as it location was central in the Mediterranean and could help in further defending the Mediterranean and taking back lands such as Egypt and North Africa that were lost to the expanding Arab Caliphate. Now, I actually think here that Constans II did really intend to move west as he was looking to further defend the Mediterranean from the Arabs while at the same time I also see that he had also cared about the west and Byzantium’s Roman heritage, therefore this makes him and not Justinian the last Roman emperor to have some kind of connection to the west and Rome, considering that the Byzantine emperors despite ruling from the east were still considered Roman emperors. This article will be another long one as it covers the very crucial 7th century and the worlds of the Byzantines, Arab Rashidun and Umayyad Caliphates, Sassanid Persians, and even the Tang Chinese Empire but a lot of it will focus on Emperor Constans II’s reign and his decision to move the imperial capital to Syracuse being the last Byzantine emperor that still care about Byzantium’s western roots but the real question here is that if Constans II moved the Byzantine capital to Syracuse, could this really change the course of Byzantine history?

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Flag of the Byzantine Empire

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Note: Since this story is set in the 7th century after the fall of the Western Roman Empire, the Byzantine characters will be now referred to as Byzantines, not Romans.

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The Byzantine Empire at its greatest extent by 555 under Emperor Justinian I the Great
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The Byzantine Empire in 650 (orange) under Constans II

 

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Map of the expansion of the Islamic Rashidun and Umayyad Caliphates (622-750)


Here, in chapter IV of my Byzantine Alternate History series, this time I am writing the story alone basing it on historical facts from 7th century Byzantium and coming up with my own plots for the characters of the story. Most of the story will be relying on historical facts with an intense amount of research and info from the History of Byzantium Podcast and other history related media online and books as well including my go to book for Byzantine history told through its emperors, The History of the Byzantine Empire by Radi Dikici. However, when we get to the year 668, the year Constans II was killed in his bath in Syracuse, rather than going with the course of real history wherein Constans II met his end at the baths, this story will take a different turn whereas Constans II survived and would continue to build up the empire’s Mediterranean defense as well as continue his war against the Arab forces, this time having united as the Umayyad Caliphate.

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Coin of Emperor Constans II (r. 641-668)

Although before getting to this story’s climax of Constans II’s fate in 668 wherein he avoids it, it is important to give some context to the story by discussing the background of the plot of the rise of the Byzantine-Arab conflict which will take us all the way back to Byzantium in the late 6th century following Justinian I’s death. This story then will have a long background section that will discuss Byzantium after Justinian, the total war against the Sassanids, the emperor Maurice, the usurpation and failed reign of the emperor Phocas, the rise and achievements of Emperor Heraclius, the final defeat of the Sassanid Empire, and the sudden rise of the Arabs and expansion of Islam since it would be difficult to understand the Byzantine Empire of Constans II without knowing about how Byzantium changed so much before his time. Once the background of the story and its conflict is explained in the historical context, this article will proceed to the turbulent reign of Constans II from 641 to 668 and then to the climax of the story wherein things will take a totally fictional shift. This story will then proceed and finish off with the reign of Constans II’s son Constantine IV (668-681) with the first Arab Siege of Constantinople in 674 and the invention of the superweapon Greek Fire, despite Constans II still alive except here in this case, after 668, the Byzantine Empire would be split in half to be able to fully defend all its borders properly whereas Constans II would rule permanently from the west in Syracuse while his young son Constantine IV would rule from the east in Constantinople. Now Constans II for me is one of Byzantium’s most underrated yet very important emperors as like mentioned earlier, he ruled Byzantium in a very crucial time when the empire had suddenly downsized in land and population as a large percent was lost to the Arabs, therefore it was in his reign where many important reforms and changes were introduced which would last for many centuries to come such as the introduction of the Thematic System and the shift from Latin to Greek in language and culture which would be the new standard for Byzantium from here onwards with the Latin language and Roman identity of the past slowly but significantly disappearing as for instance, the imperial court began using Greek as the language of administration. Other than the creation of Byzantium’s Theme System that would be the standard of the empire’s governance for many centuries to come, Constans II’s reign was one with many significant moments which included sending an embassy to the Tang Empire of China, almost getting killed in a naval battle against the Arabs, arresting the pope, travelling the empire personally, leading battles himself, settling in Syracuse as if it were the empire’s new capital, and getting assassinated in his bath by a soap dish. Now the 7th century was a very crucial turning point in the history of Byzantium as this was when the empire entered a somewhat dystopian setting which would be its “Dark Ages” where it drastically downsized, therefore losing the imperial power and prestige it had as the all-powerful empire it was from its beginnings in the 4th century to the age of Justinian in the 6th century and also, it was the time when the purpose of war for the Byzantines shifted from one for territory to holy war to defend Christianity, first against the Zoroastrian Sassanid Persians in the first half of the 7th century and against the Muslim Arabs in the 2nd half; and it would not only be the Byzantines fighting for faith but the Arabs too as their purpose for expanding was to spread Islam. This story in the 7th century too will only be the beginning of the wars the Byzantines would have against Islam which they would fight against till the very end while this story too will be the beginning of the Byzantines vs Arabs and Dark Ages phase which the next 2 stories of this series will cover. As for creating a what if story for 7th century Byzantium since each century in Byzantium’s history gets one story in this series, I could have done more popular ones such as if the war against the Sassanids from 602 to 628 had not happened, if the Arab expansion never happened, if Emperor Heraclius lost to the Sassanids, or if Heraclius successfully beat the Arabs, but instead I chose to go deeper into the 7th century and deeper into the Byzantine-Arab conflict, therefore into the complex reign of Constans II as in this alternate history series, I usually like to go for lesser known emperors and events and this article will do just that. Of course, the more popular events of the 7th century like the reign of Heraclius and his wars against the Sassanids and later the Arabs will play a large role in this story giving a background to Constans II and the situation of the empire he ruled and considering Constans II is the grandson of the more famous Byzantine emperor Heraclius, it is impossible to not discuss the heroic yet tragic reign of Heraclius. Now for the main character of the story, I chose Constans II (real name: Heraclius Constantine) who I would consider a very complex person as I always find stories that center on a flawed, unlikeable, and mean-spirited protagonist very interesting and Emperor Constans II is no exception for this kind of character. Unlike the other protagonists I chose for the previous 3 stories like Valentinian I, Anthemius, and Justinian who I portrayed as rather likeable characters, Constans II here as the lead character is the opposite, and just as he recorded in history to have ruled, Constans II here will be portrayed as a young mean-spirited emperor ruling with an iron fist, purging all those who opposed him including family members and even the pope, and falling out with his family which is why I would also say he left for 5 years to settle in Sicily, never to return. As an emperor, Constans II too would be his grandfather Heraclius’ polar opposite as Heraclius is usually portrayed in a heroic fashion being Byzantium’s savior from incompetence and tyranny and from the ultimate destruction of the Sassanids yet at the same time as a tragic hero as even though he achieved so much in finally putting an end to the constant war against the Sassanids, he plainly lived long enough to die a broken man unable to stop the new Arab threat while his grandson Constans II is usually and here will be seen as an unlikeable autocratic ruler in which others may know him as “Constans the Bearded” or the “Bearded Autocrat”- as he is depicted  in his coin to have a large beard- and although tyrannical as an emperor and not very effective in religious and foreign policy, he was not incompetent and was actually a visionary with some good intentions for the survival of his empire which is why he introduced the Theme System- though historical sources aren’t that clear about if he exactly created them- and thought of relocating the imperial capital seeing he could use that as a base to save the threatened western provinces. Constans II too being part of the Heraclian Dynasty founded by his grandfather Heraclius would also be the one to set the standard of his dynasty’s ruling style as strong autocratic rulers in which this kind of ruling style Constans II had would be seen with his son Constantine IV as you will also see here, and with Constantine IV’s son Justinian II (r. 685-695) who would be this dynasty’s last emperor and it was also here at this point in time with Byzantium under the Heraclian emperors wherein you would no longer see powerful women running the empire like in the 5th and 6th centuries; instead the 7th century was a time for strong young men running the empire such as Constans II, Constantine IV, and Justinian II. This story too will not be the kind of black and white story wherein the Byzantines are all good and their enemies like the Arabs all bad, instead it will be a very complex one as its lead character Constans II despite being the hero of the story, will be somewhat villainous in nature as a result of the difficult situation the empire was facing as he grew up, but with actually good intentions therefore being an anti-villain with a complete character arc while the Arabs on the other hand like Constans II’s arch-enemy Caliph Muawiyah I would not be seen as pure villains even if it is told through the Byzantine perspective, as true enough the Arab Caliphate’s intention was just to expand and conquer in the name of Islam without any bad intentions yet they had actually been tolerant as rulers at times, thus this story too will do justice to the Arabs who are usually villainized in other stories. At the same time, this story too will give you a full picture of the world of the 7th century by not only telling the story of Constans II but of the collapse of Byzantium’s long-time mortal enemy, the Sassanid Empire wherein the Arabs would replace them as this enemy, the relations of Byzantium with the distant Tang Dynasty Empire of China at this time, the continuation of the endless headache of religious debates, the introduction of Byzantium’s Theme System which would prove effective in the empire’s survival, the Byzantine Exarchates, the development of Greek Fire, and the ultimate change in the course of Byzantine history from fighting to conquer to fighting on the defensive. Of course, in order to be more interesting for a wider range of viewers would not focus to heavily on the religious debates of the time and political situation of the empire but rather on the happenings of the time including the wars and power struggles in which Byzantium would also be forever remembered for. Although at the same time, this story will be one that is more centered on the empire and its political and geographic situation rather than on characters, but the characters and their stories like of Constans II will play a major part too.